Grayson Haver Currin

Grayson Haver Currin is a music journalist. Below are 130 of 130 articles datpiff.ink indexes across 4 publications. Each links out to the original at the publisher.

• YHWH Nailgun: Magazine — Pitchfork · Jun 11, 2026
• Ted Lucas: Images of Life — Pitchfork · May 23, 2026
• Father Dionysios Tabakis: Paradise Metal — Pitchfork · May 14, 2026
• The Black Keys: Peaches! — Pitchfork · May 07, 2026
• The Zen of Peter Frampton — The New York Times · May 04, 2026
• Neurosis: An Undying Love for a Burning World — Pitchfork · Mar 26, 2026
• Gregory Uhlmann: Extra Stars — Pitchfork · Mar 17, 2026
• Meet Kid Harpoon, the Architect of Harry Styles’s Sound — The New York Times · Mar 06, 2026
• Roy Montgomery: Guitars Infernal — Pitchfork · Feb 18, 2026
• How ‘The Disintegration Loops’ Saved William Basinski’s Life — The New York Times · Nov 10, 2025
• How Does SML Make Experimental Jazz Albums? Very Unconventionally. — The New York Times · Nov 03, 2025
• Korn: Korn — Pitchfork · Oct 26, 2025
• Hannah Frances: Nested in Tangles — Pitchfork · Oct 17, 2025
• Madison Cunningham Won a Grammy. Next Came a Hard Reset. — The New York Times · Oct 08, 2025
• Orcutt Shelley Miller: Orcutt Shelley Miller — Pitchfork · Sep 24, 2025
• Yusuf Islam Wants to Explain Himself — The New York Times · Sep 15, 2025
• Mac DeMarco: Guitar — Pitchfork · Aug 25, 2025
• Meg Duffy, an Indie-Rock Guitar Ace, Finds a New Voice — The New York Times · Aug 18, 2025
• Nick Drake: The Making of Five Leaves Left — Pitchfork · Aug 09, 2025
• Can Indigo De Souza Spin Pop Gold From the Wreckage of Her Past? — The New York Times · Jul 21, 2025
• Patty Griffin’s Life Fell Apart. Rebuilding Gave Her Music a Jolt. — The New York Times · Jul 19, 2025
• Merzbow: Sedonis — Pitchfork · Jul 01, 2025
• Qasim Naqvi: Endling — Pitchfork · Jun 10, 2025
• Alan Sparhawk / Trampled by Turtles: Alan Sparhawk With Trampled by Turtles — Pitchfork · Jun 02, 2025
• The Jimi Hendrix Experience: Are You Experienced — Pitchfork · Jun 01, 2025
• What the Cult Singer Daniel Johnston Left Behind — The New York Times · May 01, 2025
• Walt McClements: On a Painted Ocean — Pitchfork · Apr 14, 2025
• My Morning Jacket: is — Pitchfork · Mar 27, 2025
• Nels Cline: Consentrik Quartet — Pitchfork · Mar 20, 2025
• Ted Lucas: Ted Lucas (Extended) — Pitchfork · Mar 08, 2025
• Popol Vuh: Hosianna Mantra — Pitchfork · Jan 19, 2025
• Tashi Dorji: we will be wherever the fires are lit — Pitchfork · Dec 03, 2024
• The Wildly Subversive Music of Soviet Ukraine — The New York Times · Oct 14, 2024
• Alan Sparhawk of Low Lost His Other Half. He’s Learning to Sing Again. — The New York Times · Sep 23, 2024
• Duster: In Dreams — Pitchfork · Sep 07, 2024
• Alex Izenberg Was Almost a Teen Rock Star. His Second Chance Is Here. — The New York Times · Jul 21, 2024
• Jake Xerxes Fussell: When I’m Called — Pitchfork · Jul 17, 2024
• How Do You Follow an Emotionally Wrenching, Surprise Breakthrough? — The New York Times · Jul 09, 2024
• Mavis Staples Is an American Institution. She’s Not Done Singing Yet. — The New York Times · Jun 25, 2024
• Sarah McLachlan Is Resurfacing — The New York Times · May 30, 2024
• The (Very Brief) Return of Gastr del Sol — The New York Times · May 20, 2024
• Alice Randall Made Country History. Black Women Are Helping Tell Hers. — The New York Times · Apr 03, 2024
• Jim White, Your Favorite Songwriter’s Favorite Drummer — The New York Times · Mar 27, 2024
• The Encounter That Put the Pianist Kelly Moran on an Unexpected Path — The New York Times · Mar 25, 2024
• Sarah Shook & the Disarmers Took the Hard Path. The Music Kept Coming. — The New York Times · Mar 20, 2024
• Mark Linkous Died in 2010. His Final Album Is a Family Affair. — The New York Times · Aug 22, 2023
• How Shahzad Ismaily Became Musicians’ Favorite Musician — The New York Times · Jun 27, 2023
• Graham Nash Has a Few More Songs Before He Goes — The New York Times · May 10, 2023
• Tim Hecker Helped Popularize Ambient Music. He’s (Sort of) Sorry. — The New York Times · Apr 25, 2023
• The Poignant Music of Melting Ice: Have a Listen — The New York Times · Mar 16, 2023
• An Unlikely Fiddler’s Dream — The New York Times · Feb 28, 2023
• Wynonna Judd, on Her Own — The New York Times · Jan 31, 2023
• Adeem the Artist, Crafting a Country Music of Their Own — The New York Times · Nov 28, 2022
• Alice Gerrard Didn’t Plan a Bluegrass Career. She Broke Its Glass Ceiling. — The New York Times · Oct 13, 2022
• The Remarkable, Resilient Loren Connors — The New York Times · Sep 22, 2022
• Upending Expectations for Indigenous Music, Noisily — The New York Times · Aug 15, 2022
• The Pedal Steel Gets Its Resurrection — The New York Times · Aug 03, 2022
• Joan Shelley’s New Songs Soothe Old Wounds — The New York Times · Jun 20, 2022
• A Boxed Set for the Birds Hopes to Save Them, Too — The New York Times · May 17, 2022
• Kevin Morby Chases Ghosts, and a New Album, in Memphis — The New York Times · May 10, 2022
• How a Pro Skateboarder Became an Apostle of Ancient Tuning — The New York Times · Dec 28, 2021
• Michael Hurley, an Original Folk Iconoclast, Turns 80 — The New York Times · Dec 08, 2021
• Jon Hopkins’s Psychedelic Journey to a New Way of Creating Music — The New York Times · Nov 10, 2021
• Mary Lattimore: Has Harp, Must Travel — The New York Times · Oct 26, 2021
• How Billy Strings Picked His Way to the Other Side — The New York Times · Sep 27, 2021
• The Face of Solo Guitar Is Changing. It’s About Time. — The New York Times · Apr 28, 2021
• One Album Released by 44 Labels. Is This the New Global Jukebox? — The New York Times · Feb 18, 2021
• Chuck Johnson’s Ode to What’s Been Lost in California’s Fires — The New York Times · Feb 10, 2021
• How to Handle the Hate in America’s Musical Heritage — The New York Times · Oct 14, 2020
• Listeners Found Beverly Glenn-Copeland. It Was Time. — The New York Times · Sep 14, 2020
• After 43 Years, Mossy Kilcher’s Folk Songs for Alaska Get a Second Life — The New York Times · Jul 14, 2020
• Julianna Barwick Left Her Ghosts in New York. Then the Healing Began. — The New York Times · Jul 07, 2020
• Vilified for Virus, Bats Are a New Album’s Seductive Stars — The New York Times · Jun 10, 2020
• Woods Became David Berman’s Band. Then They Picked Up the Pieces. — The New York Times · May 19, 2020
• Bill Fay Was a Hidden Gem. One Musician Made Finding Him a Mission. — The New York Times · Jan 15, 2020
• How Mount Eerie's Phil Elverum Faced Grief on His Devastating New Album — Noisey · Mar 28, 2017
• A Conversation with Mount Eerie's Phil Elverum on His Devastating New Album — Noisey · Mar 24, 2017
• Danzig on Getting the Band (the Misfits) Back Together. Briefly. — The New York Times · Sep 23, 2016
• Metal Trio Orthodox on Breaking Genres and Why Black Sabbath is Jazz — Bandcamp Daily
• How Joining Real Estate Restarted Julian Lynch’s Solo Career — Bandcamp Daily
• Rotting Christ, “The Heretics” — Bandcamp Daily
• The Deer, “Do No Harm” — Bandcamp Daily
• The “Music from Saharan WhatsApp” Series is an Experiment in Immediacy — Bandcamp Daily
• Wake, “Devouring Ruin” — Bandcamp Daily
• Jeffrey Silverstein, “You Become The Mountain” — Bandcamp Daily
• Oranssi Pazuzu, “Mestarin Kynsi” — Bandcamp Daily
• Playing Pedal Steel Guitar Helped Save Luke Schneider’s Life — Bandcamp Daily
• Music Designed to Help You Sleep — Bandcamp Daily
• C. Diab, “White Whale” — Bandcamp Daily
• Hum, “Inlet” — Bandcamp Daily
• TJO, “Songs for Peacock” — Bandcamp Daily
• A Listener’s Guide to Warr Guitar Music, Land of the 14-String Behemoths — Bandcamp Daily
• Deerhoof & Wadada Leo Smith, “To Be Surrounded By Beautiful, Curious, Breathing, Laughing Flesh Is Enough” — Bandcamp Daily
• Shirley Collins, “Heart’s Ease” — Bandcamp Daily
• An In-Depth Guide to the Microphones — Bandcamp Daily
• Where to Begin With Grindcore Laureates Pig Destroyer — Bandcamp Daily
• The Mystery of Aziz Balouch, Who Fused Flamenco With Sufi Poetry — Bandcamp Daily
• How Galya Bisengalieva Mapped A Soviet Ecological Disaster with Her Violin — Bandcamp Daily
• In Mother Mallard’s Portable Masterpiece Company, An Overlooked Institution of Moog Music — Bandcamp Daily
• A Guide to Aaron Turner’s Emotional Trip Through Heavy Metal — Bandcamp Daily
• Wendy Eisenberg, “Auto” — Bandcamp Daily
• Spirit Adrift, “Enlightened In Eternity” — Bandcamp Daily
• An Introduction to the Drive-By Truckers’ Southern Sprawl — Bandcamp Daily
• Boris & Merzbow, “2R0I2P0” — Bandcamp Daily
• A Guide to the Beautiful Guitar Universe of Loren Connors — Bandcamp Daily
• Mare Cognitum, “Solar Paroxysm” — Bandcamp Daily
• A Trip to Alaska Opened Elephant Micah’s Eyes to the Climate Crisis — Bandcamp Daily
• The Story of Godspeed You! Black Emperor’s Lost Debut — Bandcamp Daily
• How Jazz Taught Alabaster dePlume To Face His Fears — Bandcamp Daily
• For Fans Of: Boris, “Heavy Rocks (2022)” — Bandcamp Daily
• With “Dessau” Codeine Returns to an Album They Abandoned — Bandcamp Daily
• SLIFT, “ILION” — Bandcamp Daily
• Ben Frost, “Scope Neglect” — Bandcamp Daily
• 9T Antiope, “Horror Vacui” — Bandcamp Daily
• Making Sense of Thou’s Messy Metal Discography — Bandcamp Daily
• Put the Bones to Use: Richard Buckner’s “Invitation” — Bandcamp Daily
• Elori Saxl, “Drifts and Surfaces” — Bandcamp Daily
• Zeal & Ardor, “GREIF” — Bandcamp Daily
• Setting, “at Eulogy” — Bandcamp Daily
• Century, “Sign Of The Storm” — Bandcamp Daily
• Tour Tips from Etran de L’Aïr’s Trips to the United States — Bandcamp Daily
• Imperial Triumphant, “Goldstar” — Bandcamp Daily
• Mares of Thrace, “The Loss” — Bandcamp Daily
• Steve Gunn, “Music for Writers” — Bandcamp Daily
• Wode, “Uncrossing the Keys” — Bandcamp Daily
• Blackwater Holylight, “Not Here Not Gone” — Bandcamp Daily
• Introducing The Side Door, A New Column for Jam-Curious Weirdos — Bandcamp Daily
• Side Door No. 2: How Taper’s Choice Became One of the Jam World’s Most Exciting Bands — Bandcamp Daily
• Side Door No. 3: How Skerik Became the Noisy Punk Deviant of the Jam Band World — Bandcamp Daily
• How Sunn O))) Taught Us to Listen Beneath the Surface — Bandcamp Daily