James Gui

James Gui is a music journalist. Below are 127 of 127 articles datpiff.ink indexes across 3 publications. Each links out to the original at the publisher.

• Bloodz Boi / jackzebra: Bloodzebra — Pitchfork · Apr 17, 2026
• Jacob Meehan - Mini Revelations — DJ Mag · Apr 16, 2026
• Neo Geodesia - Oknha Stamina — DJ Mag · Apr 14, 2026
• more eaze: sentence structure in the country — Pitchfork · Mar 23, 2026
• HomeSick - Couch Arm All Star — DJ Mag · Mar 11, 2026
• Organ Tapes: 一包烟 (Yi Bao Yan) — Pitchfork · Feb 12, 2026
• KAVARI: PLAGUE MUSIC EP — Pitchfork · Feb 06, 2026
• Tashi Dorji: low clouds hang, this land is on fire — Pitchfork · Feb 05, 2026
• William Fuentes - Fading Affections — DJ Mag · Feb 04, 2026
• Guinneissik: GIRL I LOVE YOU — Pitchfork · Feb 03, 2026
• 破地獄 / Scattered Purgatory: 波地獄 / Post Purgatory — Pitchfork · Feb 02, 2026
• T. Speakman - Flesh Out — DJ Mag · Jan 20, 2026
• goat (jp): Without References / Cindy Van Acker — Pitchfork · May 08, 2025
• TOKiMONSTA: Eternal Reverie — Pitchfork · Mar 12, 2025
• Fadi Tabbal: I recognize you from my sketches — Pitchfork · Jan 31, 2025
• jackzebra: 王中王 — Pitchfork · Nov 20, 2024
• Arushi Jain: Delight — Pitchfork · Apr 08, 2024
• Aprxel: Tapetumlucidum<3 — Pitchfork · Jan 08, 2024
• Minhwi Lee: Hometown to Come — Pitchfork · Jan 05, 2024
• Rắn Cạp Đuôi: *1 — Pitchfork · Apr 24, 2023
• otay:onii: 夢之駭客 Dream Hacker — Pitchfork · Feb 21, 2023
• Negro Leo: Negro Leo and May Tuti’s “Rela” Is Beatific Psychedelia — Pitchfork · Jan 04, 2023
• Subsonic Eye: Subsonic Eye’ “Aquarius” Is a Short and Sweet Coming-of-Age Exploration — Pitchfork · Nov 28, 2022
• A Guide to the Afrofuturist House Music of Dirty Bird — Bandcamp Daily
• “Sing Our Own Songs”: The Past and Present of Underground Rock in Taipei — Bandcamp Daily
• Meet the Oakland Artists and Collectives Holding it Down for the Town During the Pandemic — Bandcamp Daily
• DENT’s “Bao Bei” is a Treasure from Boston’s DIY Scene — Bandcamp Daily
• Drinking Boys and Girls Choir Raise Their Voices on “Marriage Licence” — Bandcamp Daily
• In Traditional Tainan, A Tightly-Knit Avant-Garde Scene — Bandcamp Daily
• Li Yilei, “之 / OF” — Bandcamp Daily
• Exploring the Rave Renaissance in New Orleans with Trax Only — Bandcamp Daily
• Aggi’s Ephemeral Indonesian Indie Pop — Bandcamp Daily
• A Guide to Zvrra’s Immersive Techno Worlds — Bandcamp Daily
• Meet the Bands Keeping Hong Kong’s Underground Rock Scene Alive — Bandcamp Daily
• Inside Tokyo’s Genreless Rave Underground — Bandcamp Daily
• Tracking the Asian Dance Diaspora With Eastern Margins and Eternal Dragonz — Bandcamp Daily
• Pan Daijing, “Tissues” — Bandcamp Daily
• Seoul’s Sorrow Club Bridges the Club and the Gallery — Bandcamp Daily
• Parasol: A Shining Star From Seoul’s Indie Scene — Bandcamp Daily
• A Guide to Brazilian Experimentalist Negro Leo — Bandcamp Daily
• Julmud, ”Tuqoos | طُقُوس” — Bandcamp Daily
• Experimentation and Flux in Kyoto — Bandcamp Daily
• Demystifying the Internet’s Breakcore Revival — Bandcamp Daily
• The New Vietnamese Experimental Vanguard Was Raised Online — Bandcamp Daily
• Black Rave Culture, “BRC Vol. 2” — Bandcamp Daily
• Osheyack Bids Farewell to Shanghai on “Intimate Publics” — Bandcamp Daily
• Hatis Noit, “Aura” — Bandcamp Daily
• Belief, “Belief” — Bandcamp Daily
• Siwa’s Minimalist Indie-Folk is an Oasis — Bandcamp Daily
• Authentically Plastic, “Raw Space” — Bandcamp Daily
• Why You Trying So Hard, Just Believe It: Organ Tapes’ “Into One Name” — Bandcamp Daily
• The Off-Kilter Sounds of bié Records — Bandcamp Daily
• Saint Abdullah and Eomac, “Patience of a Traitor” — Bandcamp Daily
• Ariel Zetina, “Cyclorama” — Bandcamp Daily
• Lady Aicha & Pisko Crane’s Original Fulu Miziki of Kinshasa, “N’Djila Wa Mudujimu” — Bandcamp Daily
• Sobs are the Present and Future of Singaporean Indie Pop — Bandcamp Daily
• Finding Sooyoung Park and the Asian Americans in Indie Rock’s Pre-Internet Heyday — Bandcamp Daily
• Hua Hsu Picks His Bandcamp Favorites — Bandcamp Daily
• Various Artists, “Homecore! Miami All-Stars” — Bandcamp Daily
• From Dial-Up to the Digital Dawn: How the Internet Shaped the Korean Underground — Bandcamp Daily
• Evita Manji, “Spandrel?” — Bandcamp Daily
• Slowpho’s “Hi-Fi Sounds for Young Norwegians“ Is a Time Capsule — Bandcamp Daily
• A Peek Into the World of Indonesian Indie Pop — Bandcamp Daily
• 3Phaz, ”Ends Meet” — Bandcamp Daily
• Saint Abdullah & Jason Nazary, “Evicted In The Morning” — Bandcamp Daily
• At the Intersection of Rap and Rave in Australia — Bandcamp Daily
• Youniss, “White Space” — Bandcamp Daily
• 9m88 Picks Her Bandcamp Favorites — Bandcamp Daily
• Tzusing, “绿帽 Green Hat” — Bandcamp Daily
• The Best Folk Music on Bandcamp: March 2023 — Bandcamp Daily
• Experimental Sentimentalism in Chinese Cloud Rap — Bandcamp Daily
• MC Yallah, “Yallah Beibe” — Bandcamp Daily
• Opsroom and Pablo Vostok Expanded on Electronic Music’s Y2K Nostalgia Trend — Bandcamp Daily
• The Best Folk Music on Bandcamp: April 2023 — Bandcamp Daily
• P.H.0, “Karma 業” — Bandcamp Daily
• Suarasama’s Borderless Approach to North Sumatran Music — Bandcamp Daily
• Lucy Liyou, ”Dog Dreams (​개​꿈​)” — Bandcamp Daily
• In the Hyperspeed of Seoul, Yoonkee Kim Moves at His Own Pace — Bandcamp Daily
• The Best Folk Music on Bandcamp: May 2023 — Bandcamp Daily
• Pantayo, “Ang Pagdaloy” — Bandcamp Daily
• The Best Folk Music on Bandcamp: June 2023 — Bandcamp Daily
• Fit of Body, “Far From the Rhythm” — Bandcamp Daily
• El Kontessa, “Nos Habet Caramel | نص ح​ب​ة ك​ر​ا​م​ي​ل” — Bandcamp Daily
• Maroulita de Kol, “An​á​sana” — Bandcamp Daily
• The Best Folk Music on Bandcamp: July 2023 — Bandcamp Daily
• Amid War Games and Typhoon Mawar, Guåhan’s Music Scene Stands Strong — Bandcamp Daily
• The Best Folk Music on Bandcamp: August 2023 — Bandcamp Daily
• 위댄스 (Wedance), “SUM” — Bandcamp Daily
• A Lifetime of Music With Ho Lan, Taiwan’s Peace-Loving Yodeler — Bandcamp Daily
• The Best Folk on Bandcamp: September 2023 — Bandcamp Daily
• Pisitakun, “KUANTALAENG” — Bandcamp Daily
• The Best Folk Music on Bandcamp: October 2023 — Bandcamp Daily
• Patrick Shiroishi, “I was too young to hear silence” — Bandcamp Daily
• The Best Folk on Bandcamp: November 2023 — Bandcamp Daily
• The Best Folk Albums of 2023 — Bandcamp Daily
• Ley Lines, January 2024 — Bandcamp Daily
• Various Artists, “Request Stop” — Bandcamp Daily
• Ley Lines, February 2024 — Bandcamp Daily
• Chiyomi Yamada Sings the Songs of Her Land — Bandcamp Daily
• Jlin, “Akoma” — Bandcamp Daily
• MIZU, “Forest Scenes” — Bandcamp Daily
• Ley Lines, March 2024 — Bandcamp Daily
• The Second Act of Techno Genius Ibrahim Alfa Jr. — Bandcamp Daily
• Ley Lines, April 2024 — Bandcamp Daily
• Ley Lines, May 2024 — Bandcamp Daily
• CVN, “Xeno” — Bandcamp Daily
• Palestine — Bandcamp Daily
• Nekubi Celebrates A Decade of Cosmic Beat Tapes — Bandcamp Daily
• Ley Lines, June & July 2024 — Bandcamp Daily
• Tracing the Pulse of Kyushu’s Underground Music Scene — Bandcamp Daily
• Ley Lines, August 2024 — Bandcamp Daily
• El Khat, “Mute” — Bandcamp Daily
• Ley Lines, September 2024 — Bandcamp Daily
• Ley Lines, October 2024 — Bandcamp Daily
• Nizar Rohana, “Safa” — Bandcamp Daily
• Ley Lines, November 2024 — Bandcamp Daily
• Ley Lines, 2024 — Bandcamp Daily
• Pushing the Boundaries of Electronic Music in Manila — Bandcamp Daily
• Exploring the Sounds of UNESCO World Heritage Sites — Bandcamp Daily
• Ichiko Aoba, “Luminescent Creatures” — Bandcamp Daily
• Salin, “Rammana” — Bandcamp Daily
• The Internet-Born Label Fueling South Korea’s Avant-Electronic Boom — Bandcamp Daily
• Lucrecia Dalt, “A Danger to Ourselves” — Bandcamp Daily
• Reevaluating the Minyo “Revival” — Bandcamp Daily
• Building a Home for Brazilian Funk in Japan — Bandcamp Daily
• Nagoya’s Electronic Scene Is Hiding in Plain Sight — Bandcamp Daily
• Various Artists, “Mzansi Bass curated by Shannen SP” — Bandcamp Daily