Brian Seibert

Brian Seibert is a music journalist. Below are 300 of 1164 articles datpiff.ink indexes across 3 publications. Each links out to the original at the publisher.

• What Is Contemporary Dance? Lincoln Center Invests in Finding Out — The New York Times · Jun 15, 2026
• Ballet Tech Gave Them Dance. Now They Give Back. — The New York Times · Jun 02, 2026
• At DanceAfrica, When the Rules Disappear, the Party Begins — The New York Times · May 21, 2026
• Review: Feels Like Old Times With the Return of Tap City — The New York Times · May 20, 2026
• The ‘Energy and Movement’ That Dance and Painting Share — The New York Times · May 19, 2026
• Buddy Bradley’s Legacy of Dance — The New Yorker · May 13, 2026
• A Guide to the Dance Quotes and Callbacks on Broadway — The New York Times · May 11, 2026
• Review: At City Ballet, Tiler Peck Shows Shimmering Restraint — The New York Times · May 08, 2026
• For a Dance Battle on a New Stage, She Decided to Be ‘Fearless’ — The New York Times · Apr 27, 2026
• Review: Kyle Abraham Embraces the Big Perm and Boombox Era — The New York Times · Apr 17, 2026
• Review: At Gibney Dance, Reaping the Maelstrom — The New York Times · Apr 09, 2026
• Carol Mullins, Who Illuminated Dance for Decades, Dies at 86 — The New York Times · Apr 03, 2026
• Fosse! Robbins! Making the Case for Vintage Broadway Dance — The New York Times · Apr 01, 2026
• Ben Stevenson, Choreographer With Global Reach, Dies at 89 — The New York Times · Mar 30, 2026
• Mark Morris’s Stations of the Cross: Simple and Stinging — The New York Times · Mar 30, 2026
• Two Choreographers, Two Visions of Philadelphia Freedom — The New York Times · Mar 23, 2026
• The Man Who Taught Boy Bands How to Move — The New York Times · Mar 23, 2026
• Steve Zahn’s Father-Daughter Dance — The New Yorker · Mar 23, 2026
• At Dance Reflections, Embodied Acts of Memory — The New York Times · Mar 16, 2026
• Grasping Esoteric Dance? It’s Child’s Play — The New York Times · Mar 13, 2026
• ‘Let’s Go for a Walk’: Three Dance Artists Strip Down Movement — The New York Times · Mar 09, 2026
• Review: ‘Gala Flamenca’ Brings New Blood and Traditional Thrills — The New York Times · Feb 27, 2026
• The Bad Bunny Effect: Dance Without Fear — The New York Times · Feb 23, 2026
• Like Fireworks: When Masters of Two Dance Traditions Meet — The New York Times · Feb 09, 2026
• Téofimo López’s Swing Dancing — The New Yorker · Feb 09, 2026
• Review: In Justin Peck’s New Ballet, Beethoven Gets Sporty — The New York Times · Jan 30, 2026
• Review: Without Its Star, Noche Flamenca Still Shines — The New York Times · Jan 29, 2026
• Review: These Kings of Dance Get Their Marching Orders From Women — The New York Times · Jan 15, 2026
• Review: Bill T. Jones Goes Back to Collage — The New York Times · Jan 12, 2026
• Dance Moves From the Street, City Edition — The New York Times · Jan 05, 2026
• A Story of Hip-Hop Rehabilitation With the Body as Battleground — The New York Times · Dec 29, 2025
• Review: ‘The Seasons’ Jumbles Warnings About Climate Crisis — The New York Times · Dec 22, 2025
• Jim Jarmusch’s Ironically Optimistic Family Movie — The New Yorker · Dec 19, 2025
• Review: At Ailey, an Ascetic Tribute and a MacArthur Composer — The New York Times · Dec 12, 2025
• Guanyu Xu’s Powerful Photographs of Immigration Limbo — The New Yorker · Dec 05, 2025
• Review: When Club Dance Bumps Into Latin Jazz — The New York Times · Dec 04, 2025
• Perplexed by Avant-Garde Dance? Let This Choreographer Explain. — The New York Times · Dec 02, 2025
• God Bless “A Christmas Carol,” Every One — The New Yorker · Nov 28, 2025
• At Ailey, a Dance of the Gods With an Old-School Theatrical Bent — The New York Times · Nov 24, 2025
• Review: Rennie Harris’s Jam Session of American Street Dance — The New York Times · Nov 12, 2025
• A Choreographer Steps Out of a Giant Shadow (Her Aunt’s) — The New York Times · Nov 11, 2025
• Renoir’s Surprising Experiments in Perception — The New Yorker · Nov 07, 2025
• Review: To Cure the Sick, ‘Le Grand Bal’ Prescribes a Rave — The New York Times · Oct 30, 2025
• Review: In ‘Six Quiet Dogs,’ Ordinary Sound Gives Way to Poetry — The New York Times · Oct 24, 2025
• Review: Bodily Traces of War, Expressed Through Dance — The New York Times · Oct 22, 2025
• ‘Larsen C’ Review: Grand, Dark and Inhumanly Cold — The New York Times · Oct 19, 2025
• Review: At Ballet Theater, Tharp Comes to Push and Conquer — The New York Times · Oct 17, 2025
• Review: At Limón, a Pony Club and a Pretender — The New York Times · Oct 15, 2025
• Gerald Arpino, Minus His Groovy Fourth Dimension — The New York Times · Oct 08, 2025
• Review: At Fall for Dance, War, Persistence and a Slow Tap of Love — The New York Times · Sep 17, 2025
• An Art Factory Opens Its Dance Floor. First Up, Skateboarders. — The New York Times · Sep 15, 2025
• The Unsettling Darkness and Surprising Light of Yukio Mishima — The New York Times · Sep 01, 2025
• A High-Wire Act: Bringing Circus and More to New York’s Public Spaces — The New York Times · Aug 25, 2025
• ‘Seven Scenes’ Review: Push-Pull Pieces Lacking Connective Tissue — The New York Times · Aug 24, 2025
• A Jerome Robbins Festival: Sparkling, Intimate, Imperfect — The New York Times · Aug 14, 2025
• Linda Hodes, Dancer Who Championed Martha Graham’s Vision, Dies at 94 — The New York Times · Aug 07, 2025
• Review: A Flamenco Powerhouse Is Still the Star but Not the Whole Show — The New York Times · Jul 30, 2025
• Ashton’s ‘Sylvia’ Is a Test of a Ballerina’s Versatility — The New York Times · Jul 14, 2025
• From the Land of K-Pop Come the Joys of K-Swing — The New York Times · Jul 11, 2025
• Carla Maxwell, Keeper of the José Limón Flame, Dies at 79 — The New York Times · Jul 06, 2025
• ‘Pastoral’ Review: Sampling Beethoven at Bard — The New York Times · Jun 29, 2025
• ‘Churchyard’ and ‘Tablet’ Review: Irreverence and Resurrection — The New York Times · Jun 19, 2025
• ‘Tacos de Lengua’ Review: Finding the Rhythm of the Night — The New York Times · Jun 15, 2025
• ‘The Holy Blues’ Review: Finding the Spiritual in the Secular at BAM — The New York Times · Jun 08, 2025
• When Robert Rauschenberg Found a Home in Dance — The New York Times · Jun 02, 2025
• Yuri Grigorovich, Giant of Soviet Ballet, Is Dead at 98 — The New York Times · May 23, 2025
• From Mozambique: Masks, Jump Rope and Risqué Moves — The New York Times · May 22, 2025
• The Marine Veteran Who Counteracts Boot Camp With Ballet — The New York Times · May 19, 2025
• Review: Bill T. Jones Creates a Dance for America, Right Now — The New York Times · May 16, 2025
• In ‘Mincemeat,’ the Crack Timing of Being Up or Going Down Together — The New York Times · May 12, 2025
• John Jasperse Starts La MaMa Moves! Honoring a Female Lineage — The New York Times · Apr 28, 2025
• New York City’s Creative Churn: The View From the Dance Floor — The New York Times · Apr 28, 2025
• Review: From Kyle Abraham, Saxophones and Sculptural Shapes — The New York Times · Apr 23, 2025
• Pushing Sisyphean Beach Balls and Honoring Obstacles — The New York Times · Apr 22, 2025
• It’s All Rhythm: A New Festival Embraces Percussive Dance — The New York Times · Apr 18, 2025
• Review: Dance Theater of Harlem, Reshaped and Back at City Center — The New York Times · Apr 11, 2025
• She’s Martha Graham. Who Are You? — The New York Times · Apr 07, 2025
• PS21, a Hub for Forward-Looking Art Upstate, Names a New Director — The New York Times · Mar 27, 2025
• Review: Can Hubbard Street Dance Chicago Find a New Voice? — The New York Times · Mar 26, 2025
• From London, Cycles of Hip-Hop Enlightenment, and Entertainment Too — The New York Times · Mar 17, 2025
• Review: Out of the Future, a Drab Ritual — The New York Times · Mar 14, 2025
• Review: A Tharp Master Class on Themes, Variations and Allusions — The New York Times · Mar 13, 2025
• Review: Batsheva, and a Dance Divided — The New York Times · Mar 07, 2025
• Douglas Dunn’s Dance Idyll, With Undertows of Darkness — The New York Times · Feb 27, 2025
• Review: Tango Passion as Muscular Feats — The New York Times · Feb 26, 2025
• Review: The War Is Never Over in This Epic-Inspired Dance — The New York Times · Feb 13, 2025
• Stephen Petronio Is Disbanding His Dance Company — The New York Times · Feb 05, 2025
• Review: In Justin Peck’s New Dance, Air, Earth and Self-Help — The New York Times · Jan 30, 2025
• Resisting Oppression With Creativity, Two Ways — The New York Times · Jan 12, 2025
• Review: Tales From the Mahabharata in Harmony and Disharmony — The New York Times · Jan 09, 2025
• A Brooklyn Arts Group Gets Its Own Home, a Place to Defy Gravity — The New York Times · Jan 06, 2025
• Bringing Modern Dance, Once Forbidden, to China — The New York Times · Dec 30, 2024
• Arlene Croce, Dance Critic With a Biting Wit, Dies at 90 — The New York Times · Dec 17, 2024
• Two Alvin Ailey Productions Head for the Light — The New York Times · Dec 15, 2024
• Review: Resistance and Struggle in a Dance of Private Rites — The New York Times · Dec 09, 2024
• Alvin Ailey Dance Chooses Alicia Graf Mack to Be Next Leader — The New York Times · Nov 21, 2024
• Review: In ‘Tell It Anyway,’ Freedom Is Power — The New York Times · Nov 15, 2024
• Review: A Superficial Take on Migration as Movement — The New York Times · Nov 11, 2024
• Judith Jamison, Alvin Ailey Dancer of ‘Power and Radiance,’ Dies at 81 — The New York Times · Nov 09, 2024
• A ‘Crime and Punishment’ Ballet? It’s Not as ‘Ludicrous’ as It Seems. — The New York Times · Oct 29, 2024
• An Unlikely Winner in the Office Real Estate Slump? A Dance Troupe. — The New York Times · Oct 28, 2024
• Review: Porcupines of Plastic and Other Provocations — The New York Times · Oct 25, 2024
• Review: The Miraculous Simplicity of Patti Smith’s Childhood — The New York Times · Oct 24, 2024
• A Choreographer’s Errands Into the Wilderness — The New York Times · Oct 11, 2024
• Flamenco Is the Lifeblood of ‘Ainadamar’ at the Met — The New York Times · Oct 07, 2024
• Review: Finding the Right Rep for a Repertory Company — The New York Times · Oct 02, 2024
• Dancing in an Emotional Washing Machine — The New York Times · Sep 30, 2024
• Review: Blood, Sex, Murder and Dance (No Screams) — The New York Times · Sep 20, 2024
• María Benítez, Dancer Who Championed Flamenco, Is Dead at 82 — The New York Times · Sep 08, 2024
• Review: You’re Invited to a Rave (Beware of Professionals) — The New York Times · Sep 06, 2024
• In New York, Van Cleef Becomes the ‘Fairy Godmother’ of Dance — The New York Times · Jul 29, 2024
• Under Fabric and Around Sculptures, Dancers Respond to Art — The New York Times · Jul 23, 2024
• Review: ‘Ain’t Done Bad’ Tells a Familiar Gay Story in Dance — The New York Times · Jul 17, 2024
• The Yoda-Like Mentor Behind the Masters of Tap Dance — The New York Times · Jul 15, 2024
• Review: A Mixed Bill’s Highlight Bodes Well for the Future — The New York Times · Jul 10, 2024
• There’s Trouble Right Here in Tap City — The New York Times · Jul 01, 2024
• ‘Woolf Works’ Review: A Literary Ballet’s Missteps — The New York Times · Jun 26, 2024
• After 40 Years of Dance, What Happens to a Dream Fulfilled? — The New York Times · Jun 17, 2024
• Review: Camille A. Brown Still Holds the Harlem Stage — The New York Times · Jun 16, 2024
• Review: ‘What’s the Point?’ Oona Doherty’s Resonant Ambivalence — The New York Times · Jun 05, 2024
• Voices Carry at La MaMa, but Only a Few Rise Above the Din — The New York Times · May 27, 2024
• Enhancing Broadway, by Any Bodily Means Necessary — The New York Times · May 14, 2024
• Review: Need Good Dances? Try Tharp — The New York Times · May 08, 2024
• A Master of ‘Subtle Dazzle’ and a Quiet Force in Downtown Dance — The New York Times · May 06, 2024
• Review: At New York City Ballet’s Gala, the Usual With a Twist — The New York Times · May 03, 2024
• ‘Message in a Bottle’ Review: Sending Out an S.O.S., Dancing to Sting — The New York Times · May 02, 2024
• Review: Noche Flamenca, Raising the Dead With Goya — The New York Times · Apr 24, 2024
• Review: Limbs Hook Onto Limbs as Bodies Endlessly Intertwine — The New York Times · Apr 17, 2024
• At Harlem Stage, Bringing Downtown Dance Uptown — The New York Times · Apr 15, 2024
• A Protest Set to Banjo: Jamar Roberts’s Dance for Hard Times — The New York Times · Apr 08, 2024
• Review: A Tribute to the Jazz Great Max Roach Meets His Standards — The New York Times · Apr 04, 2024
• For 50 Years Ailey II Has Been a Proving Ground, Not Just for Dance — The New York Times · Apr 01, 2024
• Review: An Age-Old Riddle Ginned Up for Postapocalyptic Times — The New York Times · Mar 29, 2024
• A Second Act for Ballet in Iran? — The New York Times · Mar 25, 2024
• On the Menu at Flamenco Fest, Tradition With a Side of Nuttiness — The New York Times · Mar 18, 2024
• Review: A Gentle Nightmare (Paging Dr. Freud) — The New York Times · Mar 07, 2024
• Review: Diasporic History, in Which Motion Is the Message — The New York Times · Feb 28, 2024
• Steve Paxton, Who Found Avant-Garde Dance in the Everyday, Dies at 85 — The New York Times · Feb 24, 2024
• Review: Flowing Along in Alonzo King’s Current — The New York Times · Feb 23, 2024
• Review: A Former ‘Riverdance’ Star Reclaims Irish Heritage — The New York Times · Feb 16, 2024
• Review: Showing Off Rock-Solid Technique and Some Erotic Acrobatics — The New York Times · Feb 07, 2024
• The Choreographer Wore Pointe Shoes — The New York Times · Jan 27, 2024
• Dan Wagoner, Acclaimed Modern Dancer, Is Dead at 91 — The New York Times · Jan 24, 2024
• Review: They Fly. They Spin. They Change How You See the Amazing. — The New York Times · Jan 24, 2024
• Bringing a Diversity of Hip-Hop Dance to the Concert Stage — The New York Times · Jan 16, 2024
• Review: A Dance Duo’s Committed High Jinks Interruptus — The New York Times · Jan 14, 2024
• Maurice Hines, Tap-Dancing Star With His Brother, Dies at 80 — The New York Times · Jan 03, 2024
• Mapping the Lesser-Known Territories of American Modern Dance — The New York Times · Dec 21, 2023
• All Together Now: Dance Takes Over the Perelman Arts Center — The New York Times · Dec 14, 2023
• ‘Bzzz’ Turns Art Forms of Solo Virtuosity Into a Group Affair — The New York Times · Dec 10, 2023
• She Has the Attention of Dance Companies, and She Is Prepared — The New York Times · Dec 05, 2023
• Review: At ‘Dancing With Glass,’ the Spotlight Rests on the Composer — The New York Times · Dec 01, 2023
• Review: Treading an Endless Road That Connects to the Past — The New York Times · Nov 29, 2023
• Review: A ‘Jungle Book’ With the Climate Crisis on Its Mind — The New York Times · Nov 17, 2023
• Robert Battle, Artistic Director of Alvin Ailey Company, Resigns — The New York Times · Nov 16, 2023
• Kevin Wynn, Choreographer of Complex Movement, Dies at 67 — The New York Times · Nov 13, 2023
• Review: Kyle Marshall’s History Lessons, in Fragments — The New York Times · Nov 09, 2023
• At Paul Taylor, a Drum Circle and a Fierce Sisterhood — The New York Times · Nov 06, 2023
• Review: In ‘Köln Concert,’ Dancing Like Everyone’s Watching — The New York Times · Nov 03, 2023
• This ‘Fairy Queen’ Connects the Dots Between Purcell and Street Dance — The New York Times · Nov 01, 2023
• At Ballet Theater, a Thrilling Puck and a Moment to Take Stock — The New York Times · Oct 30, 2023
• Joey Evans Is Back. This Time He’s a Struggling Artist. — The New York Times · Oct 28, 2023
• Review: Slow Poses and Clouds of White Powder — The New York Times · Oct 25, 2023
• Edwaard Liang Appointed Artistic Director of Washington Ballet — The New York Times · Oct 24, 2023
• Review: An African Choir’s Disillusioning Journey to the West — The New York Times · Oct 20, 2023
• Review: Tennis Throuples and the Ghosts of Ballets Russes — The New York Times · Oct 13, 2023
• Review: This Dance About Refugees Has Flow and a Groove — The New York Times · Oct 04, 2023
• At Fall for Dance, Meeting Enthusiasm With Mediocrity — The New York Times · Oct 01, 2023
• ‘A disguised welcome …’ Review: Finding Home — The New York Times · Sep 24, 2023
• ‘Heart of Brick’ Review: A Homebody Goes Clubbing, and Tells All — The New York Times · Sep 17, 2023
• Finding ‘Ghost Collaborators’ for an All-American Ballet — The New York Times · Sep 13, 2023
• The Long Life and Long Reach of George Balanchine’s Butterflies — The New York Times · Sep 09, 2023
• Review: A Boogie That Stomps but Doesn’t Soar — The New York Times · Sep 06, 2023
• How to Command a Stage Without Great Dance Moves (Taylor’s Version) — The New York Times · Aug 09, 2023
• Repeat After Her: There Is No Dance Without Dance Education — The New York Times · Aug 08, 2023
• Everybody Dance Now! ‘Here Lies Love’ Dictates Your Moves. — The New York Times · Aug 04, 2023
• Dorrance Dance and a Mythili Prakash Premiere at Jacob’s Pillow — The New York Times · Jul 23, 2023
• A New Spin on Spin: Reviving a Bolognese Folk Dance — The New York Times · Jul 21, 2023
• Review: Rennie Harris’s Hip-Hop Dance Mixtape — The New York Times · Jul 14, 2023
• Translating Traditional Korean Movement to ‘a Language for Our Time’ — The New York Times · Jul 12, 2023
• At River to River, Dancers Tackle Weighty Topics With a Smile — The New York Times · Jun 19, 2023
• ‘It’s About the Art Form’: Flamenco Vivo Carlota Santana Turns 40 — The New York Times · Jun 12, 2023
• Can a Dance Class Free Men’s Bodies in a Place Meant to Contain Them? — The New York Times · Jun 07, 2023
• ‘Sor Juana’ Review: Undone by Love — The New York Times · Jun 04, 2023
• ‘It’s About Connections’: Alicia Graf Mack Remakes Juilliard Dance — The New York Times · Jun 02, 2023
• For Brian Henry, Finding Krump ‘Felt Like Home, but a Better Version’ — The New York Times · May 30, 2023
• Review: Absences, S-Curves and Wonderful Asymmetries — The New York Times · May 10, 2023
• Review: Dispassionate Traumas and Choral Dream Songs — The New York Times · May 08, 2023
• Review: City Ballet Holds Steady as an Old Guard Meets the New — The New York Times · May 05, 2023
• Review: At Trisha Brown, a New Voice With a Family Resemblance — The New York Times · May 03, 2023
• Review: Where a Boxer’s Clinch Is a Slow-Dance Embrace — The New York Times · Apr 28, 2023
• Review: Dance Theater of Harlem Returns to Sparkling Form — The New York Times · Apr 20, 2023
• Review: Pushing 100, the Martha Graham Dance Company Leans Into Youth — The New York Times · Apr 19, 2023
• Review: The Dreamy Precision of an Everyday Surrealist — The New York Times · Apr 02, 2023
• Review: A New Zealand Troupe’s Oceanic Feelings — The New York Times · Mar 30, 2023
• Jenny Schlenzka Steps Down From Performance Space New York — The New York Times · Mar 30, 2023
• Review: In ‘Alma,’ the Flamenco Star Sara Baras Warms Up — The New York Times · Mar 24, 2023
• 92nd Street Y, a Storied Home of Dance, Gives It More Space — The New York Times · Mar 24, 2023
• Stuart Hodes, Who Danced With Martha Graham, Is Dead at 98 — The New York Times · Mar 20, 2023
• Review: Parsons Dance Is an Enjoyable Ride, as Usual — The New York Times · Mar 16, 2023
• Review: In This Dance, Even the Nose Scratches Are Choreographed — The New York Times · Mar 10, 2023
• Review: Awilda Sterling-Duprey Summons Dancing Forces of Nature — The New York Times · Mar 05, 2023
• Review: Ohad Naharin Is More Than the Sum of His Imitators — The New York Times · Mar 02, 2023
• At Hubbard Street Dance, Making a Place for ‘the Other Folks’ — The New York Times · Feb 10, 2023
• What an ’80s Feeling: ‘Flashdance’ Turns 40 — The New York Times · Feb 09, 2023
• Review: A Hip-Hop Take on Shakespeare’s Star-Crossed Lovers — The New York Times · Feb 08, 2023
• Review: From Lil Buck, History and a Chance to Flash Some Brilliance — The New York Times · Feb 03, 2023
• A Song and Dance Collaboration, Straight Outta Swamplandia — The New York Times · Feb 03, 2023
• Review: At New York City Ballet, a Too Quiet Debut — The New York Times · Feb 02, 2023
• Review: In ‘Force of Nature,’ Natalia Osipova Is Absorbed in Memories — The New York Times · Jan 22, 2023
• A Showcase for Up-and-Comers, With Some Vogueing (and Shade Thrown) — The New York Times · Jan 12, 2023
• Review: Gibney Dances Ohad Naharin, Minus the Inner Drive — The New York Times · Dec 14, 2022
• Review: Ailey Rages in ‘Survivors’ and Finds Humor in ‘Roy’s Joys’ — The New York Times · Dec 11, 2022
• Review: A Tere O’Connor Dance That Ebbs, Flows and Weaves — The New York Times · Dec 09, 2022
• ‘Do What Moves You’: When the Student Takes Over as Composer — The New York Times · Dec 06, 2022
• Review: Complexions Returns With New Dances but Not New Moves — The New York Times · Nov 30, 2022
• The Trisha Brown Company Hires a Choreographer Not Named Trisha Brown — The New York Times · Nov 21, 2022
• A Genre-Spanning Choreographer Who Says Yes to the Unknown — The New York Times · Nov 17, 2022
• Review: Play and Loss, and Unusual Rituals of Mourning — The New York Times · Nov 11, 2022
• When the Finely Tuned Spotlight Falls on the Lighting Designer — The New York Times · Nov 11, 2022
• Review: A Parade of People, Pulled by Many Forces — The New York Times · Nov 04, 2022
• Review: Ayodele Casel Returns to the Joyce With ‘Chasing Magic’ — The New York Times · Nov 03, 2022
• Review: Who Can Commune With Cunningham and Cage? — The New York Times · Oct 28, 2022
• ‘Oh, I’ll Show You’: Paul Taylor and Alex Katz’s Long Collaboration — The New York Times · Oct 28, 2022
• Review: What Happens in the Theater Before and After the Dance? — The New York Times · Oct 26, 2022
• ‘Crowd’ Review: A Slow-Motion Rave, With Glints of Violence — The New York Times · Oct 14, 2022
• Yes, Burt Bacharach Wrote That. And You Can Dance to It. — The New York Times · Oct 14, 2022
• Review: The Sea Is Rising, but the Dance Goes On — The New York Times · Oct 13, 2022
• Review: Lift Me Up (but Where?). A Dance of Escape and Connection. — The New York Times · Oct 07, 2022
• Malpaso Review: From Cuba, a Repertory Group in Search of Itself — The New York Times · Oct 05, 2022
• Roma Tell Their Stories in a Dance-Theater Work From Berlin — The New York Times · Oct 04, 2022
• Review: The Inescapable Vibrations of ‘Violet’ — The New York Times · Sep 25, 2022
• Review: From His Letters, the Dark Side of a Man of Letters — The New York Times · Sep 21, 2022
• Review: In ‘Nehanda,’ the Band Played On — The New York Times · Sep 18, 2022
• Review: In John Jasperse’s ‘Visitation,’ Mortality Seduces — The New York Times · Sep 11, 2022
• Only Connect: Finding a Way Into Kinetic Light’s ‘Wired’ — The New York Times · Aug 26, 2022
• The Kitchen Will Spend Some Creative Time in a Westbeth Loft — The New York Times · Aug 25, 2022
• Review: Sarasota Ballet’s Dusty Baubles and an Ode to Spring — The New York Times · Aug 17, 2022
• Review: Kyle Abraham’s Out There ‘Requiem,’ With Nods to Mozart — The New York Times · Aug 12, 2022
• Review: Dormeshia Coasts on Her Tap Mastery in ‘Rhythm Is Life’ — The New York Times · Jul 27, 2022
• Review: Finding the Heat in ‘Sacred Earth’ — The New York Times · Jul 24, 2022
• She Wants to Heal the World Through Second Line — The New York Times · Jul 21, 2022
• Review: In Pam Tanowitz’s ‘Song of Songs’ the Beloved Is Beauty — The New York Times · Jul 03, 2022
• America, Prismatic and Distressed, Seen Through Dance — The New York Times · Jun 30, 2022
• Review: Flamenco Within and Beyond a Boundary — The New York Times · Jun 22, 2022
• ‘God’s Fool’ Review: A Singing, Beat Poet Saint — The New York Times · Jun 19, 2022
• Review: Watching Paul Taylor’s Road Not Taken (and Lessons Learned) — The New York Times · Jun 16, 2022
• Review: The Kids (in New Hands) Are Still All Right — The New York Times · Jun 10, 2022
• Stella Abrera to Run the ABT Jacqueline Kennedy Onassis School for a Year — The New York Times · Jun 09, 2022
• Review: ‘Third Bird’ Doesn’t Quite Land — The New York Times · Jun 05, 2022
• ‘You Are the Show’: A Hudson Valley Outpost of the Avant-Garde — The New York Times · Jun 02, 2022
• ‘Homegrown’: At BAM, DanceAfrica Keeps It All in the Family — The New York Times · May 26, 2022
• With Her First Opera, Rhiannon Giddens Returns to Her Roots — The New York Times · May 19, 2022
• Review: The Stephen Petronio Company Reconnects — The New York Times · May 18, 2022
• Review: Breathing, Dancing Art at the Met Museum — The New York Times · May 16, 2022
• ‘Last Ward’ Review: Ashes to Ashes, Dirt to Dirt — The New York Times · May 06, 2022
• Finding a Home at La MaMa Moves! — The New York Times · May 01, 2022
• Review: Sasha Waltz’s Action Painting Swirls to ‘In C’ — The New York Times · Apr 29, 2022
• Review: An Afrofuturist Trip to the Lunarverse — The New York Times · Apr 22, 2022
• Review: The Limón Dance Company Navigates the Present — The New York Times · Apr 20, 2022
• ‘Artists Are Migrants’: A Nigerian-Irish Dancer’s Multiplicities — The New York Times · Apr 20, 2022
• ‘It’s Not Only Margaritas’: The Story of Cinco de Mayo in Dance — The New York Times · Apr 14, 2022
• Review: Dance Theater of Harlem’s Soulful Ballet to Stevie Wonder — The New York Times · Apr 10, 2022
• Storyboard P: Where Is the Place for a Genius of Street Dance? — The New York Times · Mar 31, 2022
• Review: A Tap-Dancing Soul in Spirit-World Limbo — The New York Times · Mar 30, 2022
• Review: The Paul Taylor Company Returns With a New Voice — The New York Times · Mar 25, 2022
• Review: Ronald K. Brown’s Messages of Resilience — The New York Times · Mar 23, 2022
• Trinity Irish Dance Company Review: Those Flashing, Percussive Feet — The New York Times · Mar 16, 2022
• Review: The Virtuoso Sara Mearns Considers Other Virtuosities — The New York Times · Mar 09, 2022
• Review: Raphael Xavier, Breaking Out of Boxes, Barely — The New York Times · Mar 04, 2022
• Review: A Los Angeles Troupe in Search of Choreographic Vision — The New York Times · Mar 02, 2022
• Review: Kyle Abraham’s Theatrical Love Letter to Social Dance — The New York Times · Feb 24, 2022
• Review: Afro-Colombian Dancing Reawakens the Joyce Theater — The New York Times · Feb 16, 2022
• A Dance to the Music of Time and T.S. Eliot — The New York Times · Feb 11, 2022
• The Dance on Camera Festival Turns 50, Embracing Its Niche — The New York Times · Feb 10, 2022
• Calling All Tap Dance Kids (It’s Not the Acting Kid or the Singing Kid) — The New York Times · Feb 01, 2022
• Review: Reveling in Live Dance at Japan Society — The New York Times · Jan 16, 2022
• A Ballerina Who Adds to the ‘Palette of What’s Possible’ — The New York Times · Dec 22, 2021
• Review: Getting Into the Tap Family Spirit With Two Stars as Hosts — The New York Times · Dec 17, 2021
• A Spinning Acrobat Learns to Love Change — The New York Times · Dec 15, 2021
• ‘The Mood Room’ Review: 1980s Anomie, California Style — The New York Times · Dec 01, 2021
• Robert Battle on Running Ailey: ‘This Is My Choreography Now’ — The New York Times · Nov 30, 2021
• Review: When Real Life Adds an Unexpected Round to the Fugue — The New York Times · Nov 12, 2021
• A New Kind of Native American Dance Troupe — The New York Times · Nov 03, 2021
• ‘Narcissus’ Review: Remember Echo Too (and Don’t Forget Their Fate) — The New York Times · Oct 29, 2021
• Review: Bent by the Pandemic, the Graham Company Dances On — The New York Times · Oct 27, 2021
• Review: In ‘Unedited,’ the Revisions Are Part of the Tradition — The New York Times · Oct 22, 2021
• Fall for Dance Review: Splats, Blue Moods and Go-Go Grooves — The New York Times · Oct 14, 2021
• Swing Today: ‘Our Dance Is Modern Because We’re Alive Right Now’ — The New York Times · Oct 04, 2021
• Review: A Choreographer Stakes an Independent Claim — The New York Times · Sep 29, 2021
• Mark Morris Dance Group Debuts ‘Water’ in Its Element — The New York Times · Sep 26, 2021
• Review: Keeping the Dance Fires Burning at the Joyce — The New York Times · Sep 24, 2021
• Review: At City Ballet, Getting Back to Showing New Work, Live — The New York Times · Sep 23, 2021
• Review: After Merce, the Dances Go On, and Go On to Inspire — The New York Times · Sep 21, 2021
• ‘Light and Desire’ Review: Express Yourself, if You Can — The New York Times · Sep 16, 2021
• Review: Passion Fruit Dance Company Brings the Club to the Stage — The New York Times · Sep 12, 2021
• What They Really Want to Do Is Choreograph … — The New York Times · Sep 10, 2021
• Review: A Home Delivery, Shiny and Bright — The New York Times · Aug 18, 2021
• Black in Ballet: Coming Together After Trying to ‘Blend Into the Corps’ — The New York Times · Aug 17, 2021
• Patricia Wilde, Ballerina Showcased by Balanchine, Dies at 93 — The New York Times · Aug 06, 2021