Inkoo Kang

Inkoo Kang is a music journalist. Below are 15 of 15 articles datpiff.ink indexes across 1 publication. Each links out to the original at the publisher.

• How Tina Fey Wrote the Most Realistic—and Optimistic—Marriage on TV — The New Yorker · Jun 15, 2026
• The Stories That TV Tells About Online Sex Work — The New Yorker · May 28, 2026
• “The Audacity” Is a Brutal Silicon Valley Satire with an Agenda — The New Yorker · May 17, 2026
• “Half Man” Tests the Limits of Brotherly Love — The New Yorker · Apr 24, 2026
• How the Creator of “Beef” Got from Petty Feuds to Class Warfare — The New Yorker · Apr 19, 2026
• “Big Mistakes” Is a Crime Show for the Girls and the Gays — The New Yorker · Apr 09, 2026
• “Jury Duty Presents: Company Retreat” and the Age of the Prestige Prank Show — The New Yorker · Mar 27, 2026
• The Self-Serving Seduction of “Vladimir” — The New Yorker · Mar 05, 2026
• The Shocking Season 4 Finale of “Industry” — The New Yorker · Mar 01, 2026
• “Industry” Is a Study in Wasted Youths — The New Yorker · Feb 09, 2026
• In “Riot Women,” the Punks Are All Grown Up — The New Yorker · Feb 05, 2026
• “The Beauty” Is a Hot Mess — The New Yorker · Jan 22, 2026
• The Extremely Online Bona Fides of “I Love L.A.” — The New Yorker · Dec 21, 2025
• The Best TV Shows of 2025 — The New Yorker · Dec 08, 2025
• The Obliging Apocalypse of “Pluribus” — The New Yorker · Nov 22, 2025