Joshua Barone

Joshua Barone is a music journalist. Below are 74 of 74 articles datpiff.ink indexes across 1 publication. Each links out to the original at the publisher.

• The Best Classical Music and Opera of 2026, So Far — The New York Times · Jun 16, 2026
• The Philharmonic and the Met Engage in a Battle of the Bands — The New York Times · Jun 12, 2026
• Why People Sound Like Instruments, and Instruments Look Like People — The New York Times · Jun 05, 2026
• The Maestro of ‘Succession’ Takes On a New Drama: The N.B.A. — The New York Times · Jun 03, 2026
• Beyond ‘Amadeus’: Where to See Composers Onscreen — The New York Times · Jun 02, 2026
• Behind an Opera Comeback: A Big Personality and ‘Creative Fund-Raising’ — The New York Times · May 26, 2026
• A Future Star of the Met Opera’s ‘Ring’ Tries Out His Role — The New York Times · May 25, 2026
• Review: Frida Kahlo and Diego Rivera, Reunited on the Opera Stage — The New York Times · May 15, 2026
• Review: Yunchan Lim Warms Up for Graduation at Carnegie Hall — The New York Times · Apr 26, 2026
• Her Voice Is Unlike Anything in Opera — The New York Times · Apr 22, 2026
• A Composer Who Loops Musical Time and History — The New York Times · Apr 21, 2026
• Review: Seeing a School Shooting on America’s Biggest Opera Stage — The New York Times · Apr 07, 2026
• Salzburg Festival Fires Its Artistic Director — The New York Times · Mar 27, 2026
• A Troubling Problem at the Heart of the Met Opera’s Big Hit — The New York Times · Mar 26, 2026
• Mozart Wouldn’t Be Mozart Without These Three Objects — The New York Times · Mar 25, 2026
• Gustavo Dudamel’s Portrait Emerges From a Season of Introductions — The New York Times · Mar 20, 2026
• Review: ‘Tristan und Isolde’ Heralds a New Era at the Met Opera — The New York Times · Mar 10, 2026
• At 100, This Composer Is Still Searching for the Right Note — The New York Times · Mar 10, 2026
• After Leaving the Kennedy Center, an Opera Company Shows Signs of Life — The New York Times · Mar 09, 2026
• Fritz Lang’s Silent Epic, the Way It Was Meant to Be Heard — The New York Times · Feb 18, 2026
• With a Golden Toilet and Miss Piggy, an Opera Takes Aim at Trump — The New York Times · Feb 17, 2026
• A Composer’s Final Masterpiece Heads to the Met Opera Without Her — The New York Times · Feb 16, 2026
• Review: A Warning of American Despair Returns to the Philharmonic — The New York Times · Jan 23, 2026
• Old Is New Again: Salonen Returns to the Los Angeles Philharmonic — The New York Times · Jan 21, 2026
• After Sudden Loss, Park Avenue Armory Hires New Artistic Leader — The New York Times · Jan 13, 2026
• Modern American Opera Wouldn’t Be the Same Without Her — The New York Times · Jan 06, 2026
• Review: Singers Come First in the Met Opera’s New ‘Puritani’ — The New York Times · Jan 01, 2026
• Miracle on 64th Street: Options for Holiday Opera — The New York Times · Dec 23, 2025
• After 100 Years, an Operatic Masterpiece Keeps Shocking Us — The New York Times · Dec 14, 2025
• Best Classical Performances of 2025 — The New York Times · Dec 09, 2025
• Frank Gehry’s Buildings Sound as Marvelous as They Look — The New York Times · Dec 06, 2025
• Review: A Cozy ‘Arabella’ Returns to the Met Opera — The New York Times · Nov 19, 2025
• A 50-Year Friendship, Recorded in Music — The New York Times · Nov 18, 2025
• A Torch Bearer of Italian Tradition Brings Stability to the Met Opera — The New York Times · Nov 18, 2025
• Review: A Chinese Classic Comes to Spectacular Operatic Life — The New York Times · Nov 17, 2025
• Review: Hildegard of Bingen’s Extraordinary Life, on Operatic Scale — The New York Times · Nov 10, 2025
• Rosalía’s ‘Lux’ Is Operatic. But Is It Opera? — The New York Times · Nov 07, 2025
• Review: Arvo Pärt Gets the 90th Birthday Concert He Deserves — The New York Times · Oct 24, 2025
• Can an Israel Philharmonic Concert Be Just About Music? — The New York Times · Oct 20, 2025
• How to Watch the Olympics of the Piano World — The New York Times · Oct 18, 2025
• A Soprano’s Decade at the Met, Capped With a Thrilling High Note — The New York Times · Oct 17, 2025
• Sandra Oh’s Career Takes a Musical Turn With Her Opera Debut — The New York Times · Oct 16, 2025
• Did a Single Generation Ruin Modern Music for Everyone Else? — The New York Times · Oct 07, 2025
• Review: A ‘Don Giovanni’ Revival at the Met Must Be Heard — The New York Times · Oct 06, 2025
• 50 Pianos Rumble With the Sound of ‘11,000 Strings’ — The New York Times · Oct 01, 2025
• Review: A ‘Kavalier & Clay’ Opera Doesn’t Meet Its Moment — The New York Times · Sep 22, 2025
• Review: Gustavo Dudamel Gives a Glimpse of New York’s Future — The New York Times · Sep 12, 2025
• Arvo Pärt Reached Pop Star Status. Now He’s Ready to Rest. — The New York Times · Sep 11, 2025
• He’s Stepping Into the Heels of Maria Callas — The New York Times · Sep 05, 2025
• Esa-Pekka Salonen’s Next Move: Reinventing the Maestro — The New York Times · Sep 02, 2025
• Cecilia Bartoli Knows What Makes Good Opera and Ragù: Time — The New York Times · Aug 12, 2025
• Brooklyn Rider Still Has More to Say With the String Quartet — The New York Times · Aug 06, 2025
• Review: At 93, John Williams Unveils His First Piano Concerto — The New York Times · Jul 28, 2025
• A New ‘Billy Budd’ Is a Pressure Cooker of Gay Desire — The New York Times · Jul 18, 2025
• Pierre Audi’s Last Act: A Dreamer’s Ambition on the Opera Stage — The New York Times · Jul 11, 2025
• How to Experience Opera’s Most Interesting Festival From Afar — The New York Times · Jul 08, 2025
• The Classical Music Our Critics Can’t Stop Thinking About — The New York Times · Jul 03, 2025
• Satie’s Music Will Always Be Popular. But Will We Ever Understand It? — The New York Times · Jul 01, 2025
• At the Cloisters, Percussion and Dance Move Through Medieval Spaces — The New York Times · Jun 26, 2025
• The Best Classical Music of 2025, So Far — The New York Times · Jun 18, 2025
• At 85, Annea Lockwood Isn’t Done Listening to the Earth — The New York Times · Jun 04, 2025
• These Fans Love ‘Pride & Prejudice’ a Billion Times Over — The New York Times · Jun 01, 2025
• Review: A Game of Light and Shadow in Gounod’s ‘Faust’ — The New York Times · May 18, 2025
• The Opera Built From Pyramids, Old Hollywood and Beyoncé — The New York Times · May 12, 2025
• The Classical Music Our Critics Can’t Stop Thinking About — The New York Times · May 08, 2025
• An Operatic ‘Diamond on the Side of the Road’ Catches Light Again — The New York Times · May 06, 2025
• The Frick Needs a New Piano. Which Would You Choose? — The New York Times · Apr 22, 2025
• In Upstate New York, Where Even the Opera Is Locavore — The New York Times · Apr 18, 2025
• The Classical Music Our Critics Can’t Stop Thinking About — The New York Times · Apr 09, 2025
• Pierre Boulez Was a Titan of 20th-Century Music. What About Now? — The New York Times · Apr 08, 2025
• Three New Works of Theater to Share One Trait: Hope — The New York Times · Apr 01, 2025
• Review: ‘We Are the Lucky Ones’ Gives Voice to a Generation — The New York Times · Mar 17, 2025
• The Classical Music Our Critics Can’t Stop Thinking About — The New York Times · Mar 06, 2025
• Review: With ‘Fidelio,’ the Met Opera Does What It Does Best — The New York Times · Mar 05, 2025