Siobhan Burke

Siobhan Burke is a music journalist. Below are 300 of 537 articles datpiff.ink indexes across 1 publication. Each links out to the original at the publisher.

• ‘Sanctuary Always Needed’: A Home for Dance Risk-Takers Turns 50 — The New York Times · Feb 17, 2025
• Review: Getting to the Essence of Camille A. Brown’s Artistry — The New York Times · Feb 06, 2025
• Review: Malpaso Returns, With Boundless Energy but Little Risk — The New York Times · Jan 24, 2025
• Review: A Dance That Wonders ‘What Will Happen to Us?’ — The New York Times · Jan 13, 2025
• Kyle Abraham Is Fully in His Feelings About Now — The New York Times · Nov 25, 2024
• Review: Seven Dancers, a Mosaic of Movement — The New York Times · Nov 03, 2024
• Review: An Invitation to the Dance, Simple and Subtle — The New York Times · Oct 18, 2024
• The Stuff They Strut on the Jellicle Catwalk — The New York Times · Aug 26, 2024
• Review: A Chameleon’s Dance at Little Island — The New York Times · Jul 19, 2024
• What Does ‘Post-Emerging’ Look Like in Today’s Dance Landscape? — The New York Times · May 07, 2024
• Saddling Up and Feeling Spry at Martha Graham — The New York Times · Apr 19, 2024
• Review: ‘A Pledge, a Plea and a Love Letter’ to Africa — The New York Times · Mar 29, 2024
• Irish Dance for All Levels, All Bodies, All Genders — The New York Times · Mar 15, 2024
• Review: Lucid Dreaming, Person to Person — The New York Times · Mar 06, 2024
• Review: Twyla Tharp From Three Sides Now — The New York Times · Feb 14, 2024
• ‘Kill B.’ Review: Dances of Dominance — The New York Times · Feb 11, 2024
• From Ballet to Blackjack, a Dance Pioneer’s Amazing Odyssey — The New York Times · Feb 04, 2024
• Review: In These Dances, the Themes Are Lines and Curves — The New York Times · Feb 01, 2024
• Hear the Dance: Audio Description Comes of Age — The New York Times · Nov 11, 2023
• Rice Krispie Treats in a Plastic Tube, and Other Dances — The New York Times · Nov 10, 2023
• (La)Horde: Dancing Out Primal Impulses and Resistance — The New York Times · Oct 27, 2023
• Review: These Art-Historical Nudes Become Bodies in Time — The New York Times · Oct 23, 2023
• The Petronio Residency Center to Close After Six-Year Run — The New York Times · Jun 14, 2023
• Review: Ambition and Audacity From the School of Hard Knocks — The New York Times · Jun 06, 2023
• Review: These Rites of Spring Push Back at Ruthlessness — The New York Times · May 24, 2023
• Review: A Choreographer in Conversation With James Joyce — The New York Times · May 05, 2023
• At La MaMa, a Dance Festival That Embraces States of Change — The New York Times · Apr 25, 2023
• Review: A Choreographer Who Excavates Misalignment — The New York Times · Apr 24, 2023
• Review: Ayodele Casel Shares the Floor With Varied Visions of Tap — The New York Times · Apr 14, 2023
• Boom Times for Miguel Gutierrez, an Artist of Ordered Excess — The New York Times · Apr 13, 2023
• Review: On Faye Driscoll’s Life Raft, Spinning Toward the Unknown — The New York Times · Apr 07, 2023
• Review: A South Korean Troupe’s Physical Risks and Daunting Tasks — The New York Times · Mar 27, 2023
• Review: He Needs Your Help. And She’s Trapped Under a Mound. — The New York Times · Feb 24, 2023
• A Flamenco Star’s Percussive Mastery and Insouciant Subversions — The New York Times · Jan 24, 2023
• A Raucous New Festival, With a Friends and Family Vibe — The New York Times · Jan 19, 2023
• Review: A Fierce Clarity of Vision in ‘J’ai Pleuré Avec les Chiens’ — The New York Times · Jan 15, 2023
• Review: From an Eco Art Village, a Dance About Community — The New York Times · Jan 13, 2023
• Review: In ‘Folds,’ Caught Between Laughter and Grief — The New York Times · Dec 11, 2022
• An Ailey Dancer’s Career Blooms, at the Company and Beyond — The New York Times · Dec 07, 2022
• ‘Are You in Your Feelings?’ Review: The Ups and Downs of Love — The New York Times · Dec 04, 2022
• Review: Making an Epic Visual Impact With Minimal Means — The New York Times · Nov 08, 2022
• A Choreographer Who Merges Art, Activism and the Natural World — The New York Times · Oct 23, 2022
• Review: From Twyla Tharp, the Effort and Possibilities of Dancing — The New York Times · Oct 20, 2022
• LaTasha Barnes: Let the Circle of Influence Be Unbroken — The New York Times · Oct 12, 2022
• Review: Yvonne Rainer’s Swan Song Is Not Quite a Grand Finale — The New York Times · Oct 06, 2022
• Fall for Dance Review: Some Tap, a Pas de Deux and a Monastic Chorus — The New York Times · Sep 25, 2022
• Review: Momix’s ‘Alice’ Is a Rabbit Hole (or 22) Too Far — The New York Times · Jul 08, 2022
• Review: In ‘Corps,’ Running Aspirational Dance Drills — The New York Times · Jul 01, 2022
• Review: Pacific Northwest Ballet Finally Makes It Back to New York — The New York Times · Jun 24, 2022
• Performing and Creating as Equals Across the Age Gap — The New York Times · Jun 23, 2022
• Review: Radiant Artists, With a Percussive Bond — The New York Times · Jun 17, 2022
• Review: Exploring Plato and Online Dating, Gibney Dancers Give Their All — The New York Times · Jun 15, 2022
• Review: Trisha Brown’s Mischief, Mystery and Delicate Aberrations — The New York Times · May 25, 2022
• Review: At City Ballet, Bending the Form’s Rituals and Codes — The New York Times · Apr 24, 2022
• Review: The Choreographer Kyle Marshall’s Spacious Slow Burns — The New York Times · Apr 10, 2022
• Review: The Balletic Rise and Fall of Eva Perón — The New York Times · Apr 03, 2022
• Ailey II Review: A Light in the Darkness — The New York Times · Mar 27, 2022
• ‘A Black Love Sitcom Dance’: Kyle Abraham’s D’Angelo Moves — The New York Times · Feb 22, 2022
• Review: A Dance to John Cage’s Very Short Stories — The New York Times · Feb 17, 2022
• From Northern Ireland, Dance as a ‘Physical Prayer’ — The New York Times · Jan 10, 2022
• Review: Twyla Tharp Looks Back, With an Eye on the Future — The New York Times · Nov 18, 2021
• Review: Dancing Bodies That Contain Multitudes — The New York Times · Nov 11, 2021
• Review: In ‘An Evening of Hope,’ a Veteran Dancer Gets Personal — The New York Times · Oct 22, 2021
• Review: In ‘Herstory of the Universe,’ Ancient Myths Are Brought to Life — The New York Times · Oct 10, 2021
• A Dance Show on a Cruise Ship? It’s Not What You Think. — The New York Times · Oct 01, 2021
• Review: Bill T. Jones’s Oceanic Vision — The New York Times · Sep 29, 2021
• Review: A Choreographer’s of-the-Moment Brand of ‘Not Knowing’ — The New York Times · Sep 17, 2021
• Together and in Person: Everybody Dance Now — The New York Times · Sep 10, 2021
• Frank Conversations About Making a Living in Dance — The New York Times · Sep 07, 2021
• A Supernatural Dance Explorer’s Art and Wanderings — The New York Times · Aug 11, 2021
• June Finch, Virtuoso Dance Teacher With a Humane Touch, Dies at 81 — The New York Times · Jul 03, 2021
• A Celebratory and Scrappy Farewell (and Hello) in Queens — The New York Times · Jun 30, 2021
• Black Dance Stories: By the Artists, for the People — The New York Times · Jun 29, 2021
• Review: At Wave Hill, Trisha Brown Dances Fit Right In — The New York Times · Jun 11, 2021
• Lesbians in Ballet: ‘Has Anyone Like Me Ever Walked These Halls?’ — The New York Times · Jun 01, 2021
• This Ain’t No Disco: Alone in a Crowd at the Armory — The New York Times · Apr 14, 2021
• A Choreographer Who Bridges the Worlds of Dance and Nursing — The New York Times · Mar 25, 2021
• Wool, Sneakers and Community: Ballet Class Persists Outdoors — The New York Times · Feb 02, 2021
• Studying ‘The Nutcracker,’ Students Listen, Touch, Move Like Snow — The New York Times · Dec 06, 2020
• Review: At Ballet Theater, New Videos and Signs of a New Era — The New York Times · Nov 24, 2020
• Stitched Into Neighborhoods, Dance Studios Battle to Stay Open — The New York Times · Nov 18, 2020
• Make Some Noise and Move: A Choreographer Provides Instructions — The New York Times · Nov 01, 2020
• Review: In This Dance, Death Is Out in the Open — The New York Times · Sep 28, 2020
• Watching a Choreographer Build: Trisha Brown’s Unusual Archive — The New York Times · Sep 16, 2020
• Up on the Roof, Flesh and Blood Dancers Move and Connect — The New York Times · Aug 31, 2020
• She’s Been a Force for Change in Ballet. The World Is Catching Up. — The New York Times · Aug 06, 2020
• For a New Series, Black Artists in Dance Tell Their Stories — The New York Times · Jul 14, 2020
• A Model for the ‘Dance World We Want’ — The New York Times · Jun 12, 2020
• Dancing Bodies That Proclaim: Black Lives Matter — The New York Times · Jun 09, 2020
• Ailey, Balanchine and a Lesson in Mourning — The New York Times · May 12, 2020
• Some Pros Let It Go on TikTok: ‘Is This the Future?’ — The New York Times · Apr 29, 2020
• This Artist Proposes a Community Space ‘to Dream, to Imagine’ — The New York Times · Apr 15, 2020
• 12 Places to Watch Dance Online — The New York Times · Apr 07, 2020
• Review: Scottish Ballet Plays Dress Up and Dress Down — The New York Times · Mar 11, 2020
• The Artists Are in Charge. Step 1: Upend the Status Quo. — The New York Times · Mar 10, 2020
• I Was a Teenage Riverdancer — The New York Times · Mar 04, 2020
• Review: A New Justin Peck Ballet Feels Like an Exhale — The New York Times · Feb 27, 2020
• Review: Boundary-Pushing ‘Apollon’ Strips Myth to Its Marrow — The New York Times · Feb 23, 2020
• What if a Dance Piece Were Actually Funny? Or Super Sad? — The New York Times · Jan 07, 2020
• Can a Blind-Date Dance Lead to Love? — The New York Times · Dec 29, 2019
• ‘Just Speaking From My Body’ — The New York Times · Dec 24, 2019
• Review: Pam Tanowitz’s Delicate Dance With Bach — The New York Times · Dec 11, 2019
• Review: Dancing the ‘Twisted Beauty’ of the Black Experience — The New York Times · Dec 06, 2019
• Can Dance Make a More Just America? Donald Byrd Is Working on It — The New York Times · Nov 28, 2019
• Celebrating Donald McKayle, a Modern-Dance Trailblazer — The New York Times · Nov 13, 2019
• Tossing and Catching Rhythms on Stages and City Streets — The New York Times · Oct 14, 2019
• Anne Teresa De Keersmaeker’s Youthful Dances Get a Youthful Jolt — The New York Times · Oct 02, 2019
• At the Whitney Biennial, Flood Preparation as Social Dance — The New York Times · Sep 17, 2019
• Five Dance Instagram Accounts You Should Follow — The New York Times · Sep 10, 2019
• In Cunningham Class, Physical Puzzles and Disciplined Energy — The New York Times · Aug 16, 2019
• A Choreographer’s Reflections on Transience — The New York Times · Aug 12, 2019
• At the River to River Festival, the Art of Slowing Down — The New York Times · Jun 26, 2019
• On 125th Street, Dancing Toward Freedom — The New York Times · Jun 20, 2019
• Paul Taylor’s Company Without Him: Onstage, a Transition to a New Era — The New York Times · Jun 09, 2019
• Dance Parade: Where 100 Styles Fit Into 20 City Blocks — The New York Times · May 21, 2019
• Review: Why Dance? ‘Fame Notions’ Suggests It’s a Private Matter — The New York Times · May 19, 2019
• 2 Batsheva-Bred Choreographers, Speaking in Their Own Tongues — The New York Times · May 17, 2019
• Review: You’ll Never Dance Alone (a Solo) — The New York Times · Apr 19, 2019
• Pole Dancing Without Nudity or G-Strings. Just Express Yourself. — The New York Times · Apr 19, 2019
• Reviving Rudy Perez’s Dance Drama of an Everyman — The New York Times · Apr 09, 2019
• Review: Osipova Stretches, and Reconnects With Hallberg — The New York Times · Apr 04, 2019
• Review: Michelle Dorrance Happily Shares the Spotlight — The New York Times · Mar 31, 2019
• Review: Ballet Hispánico’s Expanded, Expanding Map — The New York Times · Mar 27, 2019
• Review: An Abundance of Cunningham at Harkness Festival — The New York Times · Mar 03, 2019
• The Choreographer Angie Pittman’s Quiet Storm — The New York Times · Feb 26, 2019
• Review: Camille A. Brown’s Rousing and Incisive ‘ink’ — The New York Times · Feb 06, 2019
• Round (and Hoop, and Eagle and Deer) Dancing on First Avenue — The New York Times · Jan 29, 2019
• Review: A Choreographer Makes a Holistic Mess — The New York Times · Jan 24, 2019
• Review: ‘This Bridge’ Is an Audacious New Dance Work — The New York Times · Jan 10, 2019
• ‘The People Making It Are Indigenous, but Indigenous Is Not a Genre’ — The New York Times · Jan 01, 2019
• Review: A Dreamy, Madcap World of Things and the Ungraspable — The New York Times · Dec 07, 2018
• Review: The Footwear Follies of ‘Zapatografía/Shoegraphy’ — The New York Times · Nov 30, 2018
• Review: ‘Velocity’ Has Fast Feet and Some Lingering Irish Dance Clichés — The New York Times · Nov 19, 2018
• Review: In ‘Relations,’ 3 Choreographers Improvise Like Family — The New York Times · Nov 05, 2018
• Review: In ‘XENOS,’ a Dancer Turns Troubled Warrior — The New York Times · Nov 01, 2018
• A Dance About the Things We Carry (Sorrow and Rage) — The New York Times · Oct 30, 2018
• On Bessies Night, Casting a Wide Net Over New York Dance — The New York Times · Oct 09, 2018
• Review: Despair Rips at the Seams of Beth Gill’s New Dance — The New York Times · Oct 05, 2018
• Review: At Fall for Dance, Formula and a Revelation (Sara Mearns) — The New York Times · Oct 02, 2018
• A Dance of the Unspeakable — The New York Times · Oct 02, 2018
• Review: Hear the Beat of Dancing Feet, Right in Times Square — The New York Times · Sep 21, 2018
• The Choreographer Kyle Abraham Mixes Things Up at City Ballet — The New York Times · Sep 21, 2018
• At MoMA, How Judson Blew Up the Rules of Dance — The New York Times · Sep 11, 2018
• On This Land: Dance Presenters Honor Manhattan’s First Inhabitants — The New York Times · Aug 01, 2018
• Executive Realness: 3 ‘Pose’ Stars on Dancing and Being Seen — The New York Times · Jul 17, 2018
• Ashley Bouder, the Feminist Ballerina With a Mission — The New York Times · Jun 29, 2018
• La MaMa Moves! Remains a Freewheeling Home for Dance — The New York Times · May 30, 2018
• Clare Barron on ‘Dance Moms,’ Teen Girls and Black Sheep Ballerinas — The New York Times · May 22, 2018
• 15 Summer Dance Festivals, Saratoga to Vail — The New York Times · May 17, 2018
• Review: Come on Over to Douglas Dunn’s Place, Where the Dancing’s Still Fine — The New York Times · Apr 24, 2018
• Review: For the Martha Graham Company, Opposites Attract — The New York Times · Apr 12, 2018
• Review: A Living Archive of Contemporary Black Dance — The New York Times · Apr 09, 2018
• Review: Dancing Their Friends and Heroes (and My Little Pony) — The New York Times · Apr 05, 2018
• Review: In ‘P.S. 122,’ Watching the Painters Paint and Scrape — The New York Times · Mar 09, 2018
• Take Me to Church and Let Me Dance — The New York Times · Mar 02, 2018
• When PS122 Became Performance Space New York — The New York Times · Feb 13, 2018
• Her Roots Are Tangled in Folk Dance and Israel — The New York Times · Feb 06, 2018
• Review: In ‘Bladder Inn,’ Waiting for Dancers to Wander Away — The New York Times · Feb 02, 2018
• Unveiling Performance Space New York — The New York Times · Jan 09, 2018
• Review: Dorrance Dance, Tapping Out the Joy — The New York Times · Dec 20, 2017
• At Alvin Ailey, Finding Shelter in One Another — The New York Times · Dec 14, 2017
• Framing the Unruliness of Life and Loss in a Black Box — The New York Times · Dec 05, 2017
• Making (and Seeing) Dance in the Politicized World — The New York Times · Nov 17, 2017
• Gillian Walsh, Taking Dance to a Still Place — The New York Times · Nov 14, 2017
• From Misty Copeland: Adjustments, Tips and Inspiration — The New York Times · Nov 09, 2017
• Review: Bending It Like Bharatanatyam — The New York Times · Nov 06, 2017
• Dance and Cultural Conventions, Ripe for Upending — The New York Times · Oct 30, 2017
• Jewels and Resistance on Bessies Night — The New York Times · Oct 10, 2017
• For ‘Downtown Dance,’ a Changing of Many Guards — The New York Times · Oct 06, 2017
• Review: Faustin Linyekula’s Twin Peaks of Mourning and Joy — The New York Times · Sep 25, 2017
• Sarah Michelson’s Cryptic Modes and Codes at Bard — The New York Times · Sep 19, 2017
• Alexandra Pirici Installs a ‘Threshold’ at the High Line — The New York Times · Sep 01, 2017
• WilldaBeast, and Other Forces to Be Reckoned With — The New York Times · Aug 18, 2017
• Dance in NYC This Week — The New York Times · Aug 18, 2017
• Katherine Dunham, Pioneering Dancer and Activist, Inspires a Book — The New York Times · Aug 04, 2017
• Dance in NYC This Week — The New York Times · Aug 03, 2017
• A Graveyard? She’s Danced There. Just Check Instagram. — The New York Times · Aug 01, 2017
• Dance in NYC This Week — The New York Times · Jul 20, 2017
• With Grant Money, a Choreographer Restakes Her Claim — The New York Times · Jul 11, 2017
• Dance in NYC This Week — The New York Times · Jul 06, 2017
• ‘Bronx Gothic’: Okwui Okpokwasili’s One-Woman Show as Documentary — The New York Times · Jul 05, 2017
• What Can Queer and Dance Do for Each Other? — The New York Times · Jun 27, 2017
• Does the Body Think? Do Your Neurons Dance? — The New York Times · Jun 27, 2017
• Dance in NYC This Week — The New York Times · Jun 22, 2017
• My Seven Seconds of Anyone-Can-Do-It (but Not Really) Dance — The New York Times · Jun 16, 2017
• Dance in NYC This Week — The New York Times · Jun 08, 2017
• River to River Festival Puts Dance in Unexpected Places — The New York Times · Jun 07, 2017
• Scuff, Patter, Chug, Poke, Swim: Expanding Definitions of Dance — The New York Times · Jun 06, 2017
• Her Longtime Dancer Died. Instead of Moving On, She Embraced Loss. — The New York Times · May 30, 2017
• Dance in NYC This Week — The New York Times · May 25, 2017
• Review: Solange Turns the Guggenheim Into a Sanctuary for Dance — The New York Times · May 19, 2017
• 10 Spring and Summer Dance Festivals — The New York Times · May 18, 2017
• Reviews: Summoning Spirits and Dancing in Latex Body Bags — The New York Times · May 16, 2017
• No More Gang Rape Scenes in Ballets, Please — The New York Times · May 15, 2017
• Dance in NYC This Week — The New York Times · May 12, 2017
• Koma Otake’s ‘Ghost Festival’ Means to Summon Spirits — The New York Times · May 03, 2017
• Dance in NYC This Week — The New York Times · Apr 27, 2017
• Claudia Rankine and Will Rawls: Surveillance and the Black Experience — The New York Times · Apr 25, 2017
• Review: ‘Abandoned Playground,’ the Punishing Place Where Dance Meets Sport — The New York Times · Apr 18, 2017
• An Artist Who Blurs Bodies and Genres in Protest — The New York Times · Apr 14, 2017
• Dance in NYC This Week — The New York Times · Apr 13, 2017
• ‘Work’ and the Feel of Private Practice Made Public — The New York Times · Apr 04, 2017
• Mariana Valencia’s ‘Album’ Moves Toward Biography — The New York Times · Mar 30, 2017
• Dance in NYC This Week — The New York Times · Mar 30, 2017
• A Dance Troupe Adds Fresh Faces. The Youngest Is 66. — The New York Times · Mar 28, 2017
• Reviews: Colliding Particles, a Grim Duet and Channeling Martha Graham — The New York Times · Mar 21, 2017
• Dance in NYC This Week — The New York Times · Mar 16, 2017
• Emily Coates’s ‘Incarnations’: Quantum Leaps, When Physics Meets Dance — The New York Times · Mar 10, 2017
• Gender Outlaws, Floating Freely Outside Binary Boxes — The New York Times · Mar 07, 2017
• Dance in NYC This Week — The New York Times · Mar 02, 2017
• Dance in NYC This Week — The New York Times · Feb 16, 2017
• José Maya’s Magical Flamenco Tour — The New York Times · Feb 08, 2017
• How to Summon the Comic (!) Spirit of Martha Graham — The New York Times · Feb 07, 2017
• Dance in NYC This Week — The New York Times · Feb 02, 2017
• Dance in NYC This Week — The New York Times · Jan 19, 2017
• A Feminine Dance Work, Made ‘in a Very Brutal Way’ — The New York Times · Jan 17, 2017
• Isadora Duncan’s Vision of Liberation at the 92nd Street Y — The New York Times · Jan 11, 2017
• American Realness: Subversive, Crowded and Lit by Vital Sparks — The New York Times · Jan 10, 2017
• January Is a Dance Jamboree and Meat Market — The New York Times · Jan 03, 2017
• The Works of Lucinda Childs, Online and Absorbing — The New York Times · Dec 14, 2016
• Review: Juilliard Students Try Out a Searing New Dance — The New York Times · Dec 08, 2016
• Review: ‘xgzdiiiiiicdiirrwjfffffffff (pronounced grief).’ Not a Typo. — The New York Times · Nov 18, 2016
• Review: Nederlands Dans Theater Prizes Procedure Over Passion — The New York Times · Nov 17, 2016
• Juilliard’s ‘New Dances’ at the Guggenheim — The New York Times · Nov 16, 2016
• Faye Driscoll’s Tingling Force Field With the Dance Audience — The New York Times · Nov 15, 2016
• Review: Jonah Bokaer’s ‘Rules of the Game,’ a Collaboration at Odds With Itself — The New York Times · Nov 13, 2016
• Dancing Back the Spirit of an Old Friend — The New York Times · Nov 05, 2016
• Review: Dance That Tries to Capture One Body, Two Selves — The New York Times · Oct 26, 2016
• Dancers Get Much Needed Recognition — and a Little Cash, Too — The New York Times · Oct 19, 2016
• Troy Schumacher’s BalletCollective Comes to N.Y.U. — The New York Times · Oct 19, 2016
• An Experimental Choreographer Who Isn’t Afraid of Failure — The New York Times · Oct 18, 2016
• Review: This Sublime New Dance Work Embraces Wonder — The New York Times · Oct 07, 2016
• Review: Contortions en Route to Resurrection in Shen Wei’s ‘Neither’ — The New York Times · Oct 06, 2016
• A Choreographer’s Loft, Where ‘There’s History in the Walls’ — The New York Times · Sep 30, 2016
• Review: Fall for Dance’s Sampler Platter of Extremes — The New York Times · Sep 27, 2016
• Hip-Hop Dance at the Crossing the Line Festival — The New York Times · Sep 21, 2016
• Review: Becoming Kazuo Ohno, a Bold Copycat Tribute to a Butoh Master — The New York Times · Sep 19, 2016
• Dance This Season: Tap, Ballet and the Inexplicable — The New York Times · Sep 16, 2016
• At 52 Portraits, the Stories Behind the Dancers — The New York Times · Aug 24, 2016
• Sandbaths, a Huge Butterfly Net and More Choreographed Whimsy — The New York Times · Aug 05, 2016
• Noche Flamenca Offers a Rhythmically Rich Debut — The New York Times · Jul 29, 2016
• Pros, Sure. But Reborn as Party Animals on the Dance Floor. — The New York Times · Jul 29, 2016
• Heritage Sunday, Where the Dancer Is the Drummer — The New York Times · Jul 25, 2016
• Review: Mourning in Tap Shoes at Jacob’s Pillow — The New York Times · Jul 08, 2016
• Review: Five Contemporary Ballets, Zero Female Choreographers — The New York Times · Jul 07, 2016
• Review: A Taste of Seoul at Jacob’s Pillow Dance Festival — The New York Times · Jul 01, 2016
• Review: With Chests Held Proud, These Argentine Dancers Storm the Stage — The New York Times · Jun 30, 2016
• Walking and Watching at Elastic City’s Final Festival — The New York Times · Jun 29, 2016
• Review: Chasing Wildness, and Sometimes Catching It — The New York Times · Jun 24, 2016
• Review: A Dance Heginbotham Deserving of the Hype — The New York Times · Jun 20, 2016
• Review: Kids Dance Begins With Poise, Ends With Shrieks — The New York Times · Jun 10, 2016
• Performance Mix Festival Celebrates 30 Years With Tap, Tonics and More — The New York Times · Jun 03, 2016
• Review: New York and Sweden in Interlocking Union at La MaMa Moves! — The New York Times · May 29, 2016
• For an Alicia Keys Video, Choreographing Spontaneity — The New York Times · May 29, 2016
• Review: At Danspace Project, Examining the Relation Between Bodies and Things — The New York Times · May 27, 2016
• A Warm Place for Choreographers to Grow — The New York Times · May 26, 2016
• Review: Irene Rodríguez Compañía Offers Flamenco With Flirtation — The New York Times · May 20, 2016
• Review: Malpaso, Like the Familiar Comfort of an Old Sweater — The New York Times · May 11, 2016
• Review: In Travelogues, Dance Postcards, Exactingly Handwritten — The New York Times · May 08, 2016
• Review: An Indivisible Quartet at the LaMaMa Moves! Festival — The New York Times · May 06, 2016
• Dancers Confront Spatial Change in ‘Luxury Rentals’ — The New York Times · May 05, 2016
• Review: ‘Battleground,’ a Dance Battle Punctuated by a Rainbow of Limbs — The New York Times · May 03, 2016
• Review: Mythili Prakash Is Fiery at Dancing the Gods Festival — The New York Times · Apr 25, 2016
• Review: Peck Adapts Andersen, and Good Fights Evil Amid Fine Plumage — The New York Times · Apr 24, 2016
• Review: Ballet Preljocaj Offers a Trilogy of Deconstruction and Chain Reactions — The New York Times · Apr 21, 2016
• Review: A Dizzying and Dense ‘Portrait’ From Nora Chipaumire — The New York Times · Apr 18, 2016
• Review: ‘Knightlife’ Pokes Fun at Ballet With Silliness and Sophistication — The New York Times · Apr 17, 2016
• Review: Ballet Hispanico’s Oldies but Goodies — The New York Times · Apr 06, 2016
• Nora Chipaumire Explores Identity in the Boxing Ring — The New York Times · Apr 06, 2016
• Review: Jared Grimes and Lil Buck Embody Their Animal Muses in ‘Spaces’ — The New York Times · Apr 03, 2016
• Review: Enrico D. Wey, Transcending Boundaries at Danspace Project — The New York Times · Apr 01, 2016
• Review: ‘Extra Shapes’ Balances Movement, Sound and Light, Times Three — The New York Times · Mar 27, 2016
• Review: Lydia Johnson Dance Keeps Everything in Control — The New York Times · Mar 14, 2016
• Review: Molly Poerstel Challenges Structure at Gibney Dance — The New York Times · Mar 10, 2016
• ‘Plastic,’ at MoMA, Is on the Floor and the Stairs — The New York Times · Mar 09, 2016
• ‘There Might Be Others,’ a Work of Spontaneous Sound and Movement — The New York Times · Mar 09, 2016
• Review: In ‘Rising,’ One Dancer’s Interpretation of Four Solos by Four Choreographers — The New York Times · Mar 07, 2016
• Review: Elisa Monte Dance Moves On, but Aesthetic Doesn’t Stray — The New York Times · Mar 06, 2016
• The Stephen Petronio Company Goes Into the Wild — The New York Times · Mar 02, 2016
• Eiko, Koma and Soloists Perform in Sacred Space — The New York Times · Feb 29, 2016
• Review: Pacific Northwest Ballet Plays With Limits and Dystopia at City Center — The New York Times · Feb 28, 2016
• Review: The New@Graham Series Is Helped by an App — The New York Times · Feb 26, 2016
• Review: Maria Hassabi’s ‘Plastic’ Sends Dancers Crawling Through MoMA — The New York Times · Feb 23, 2016
• Review: Eiko’s ‘Platform 2016,’ With a Class, a Film and More — The New York Times · Feb 23, 2016
• ‘For Claude Shannon’ Brings Brainy Dance to the Kitchen — The New York Times · Feb 11, 2016
• Review: In ‘Untapped,’ Percussive Sass From RAW Dance Company — The New York Times · Feb 08, 2016
• Review: ‘I make me [sic]’ by Will Rawls — The New York Times · Jan 29, 2016
• Review: ‘Elektra’ Runs Wild, With Ann Liv Young — The New York Times · Jan 22, 2016
• Review: ‘69 positions’ Explores the Sexual Politics in Performance — The New York Times · Jan 18, 2016
• Review: In ‘o’ death,’ Creation Stirs Amid the Specter of Imminent Death — The New York Times · Jan 15, 2016
• MoMA Highlights Work of the Choreographer Jack Cole — The New York Times · Jan 14, 2016
• Review: American Realness Illuminates Racial Identities With 3 Dance Works — The New York Times · Jan 10, 2016
• Review: American Realness, a Festival of Audacious Movements and Slitherings — The New York Times · Jan 08, 2016
• For Big Dance Theater, the After-Party Is at Intermission — The New York Times · Dec 30, 2015
• American Dance Machine for the 21st Century Keeps Classic Moves Alive — The New York Times · Dec 16, 2015
• Review: Reviving Andy de Groat’s Works in New York — The New York Times · Dec 14, 2015
• Review: Creating Contrasts With yMusic, Marcos Balter and Dance — The New York Times · Dec 11, 2015
• Review: Alvin Ailey’s ‘Awakening’ Projects a Sense of Fight-or-Flight — The New York Times · Dec 06, 2015
• Review: ‘Open Door’ Helps Open Alvin Ailey Season — The New York Times · Dec 04, 2015
• Review: In ‘Shadowland’ Opening the Makeup Case and Unleashing a New World — The New York Times · Nov 23, 2015