Oussama Zahr

Oussama Zahr is a music journalist. Below are 65 of 65 articles datpiff.ink indexes across 1 publication. Each links out to the original at the publisher.

• At the Kennedy Center, the National Symphony’s Show Goes On — The New York Times · May 01, 2026
• Review: A Pulitzer Winner Imagines Emily Dickinson Anew — The New York Times · Feb 20, 2026
• The World’s Reigning Carmen Breaks Down Her Signature Aria — The New York Times · Jan 20, 2026
• Review: It’s Hard to Breathe in This ‘Walküre’ — The New York Times · Nov 30, 2025
• Equal Parts Baroque and R&B, John Holiday Is His Own Singer — The New York Times · Nov 25, 2025
• ‘Dalibor’ Review: A Gently Ravishing Score, an Awkward Plot — The New York Times · Aug 03, 2025
• This Operatic Comedy Was Once a Delight. Why Is It Ignored Today? — The New York Times · Jun 27, 2025
• Lincoln Center’s Rebranded Orchestra Settles Into Its Debut Season — The New York Times · Aug 05, 2024
• Review: Grand Opera Makes a Comeback With ‘Le Prophète’ — The New York Times · Jul 29, 2024
• Review: Lise Davidsen Achieves Strauss’s Ideal in ‘Salome’ — The New York Times · May 16, 2024
• Review: ‘The Hours’ Returns to the Met Opera With Its Stars — The New York Times · May 06, 2024
• Review: Gustavo Dudamel Saves the Day at the Philharmonic — The New York Times · Apr 28, 2024
• Review: John Adams’s ‘El Niño’ Arrives at the Met in Lush Glory — The New York Times · Apr 24, 2024
• Review: Under Manfred Honeck, the Philharmonic Becomes One — The New York Times · Apr 14, 2024
• Review: Jonathan Tetelman Arrives at the Met in ‘La Rondine’ — The New York Times · Apr 03, 2024
• ‘Winterreise’ Review: Hiding a Roiling Grief — The New York Times · Mar 17, 2024
• Review: A ‘Roméo et Juliette’ Is Saved by Its Stars — The New York Times · Mar 11, 2024
• Review: Igor Levit Wields Orchestral Power With Just a Piano — The New York Times · Mar 08, 2024
• Review: Vikingur Olafsson’s ‘Goldbergs’ Mesmerize Carnegie Hall — The New York Times · Feb 08, 2024
• Two Concerts Reveal a Dramatic Shift Between Mahler Symphonies — The New York Times · Feb 02, 2024
• The Cleveland Orchestra Says a Lot, but Only Through Music — The New York Times · Jan 22, 2024
• Review: This ‘Magic Flute’ at the Met Lacks Some Luster — The New York Times · Dec 10, 2023
• Review: A New York Philharmonic Staple Outshines a Flashy Premiere — The New York Times · Dec 01, 2023
• At the Philharmonic, Violin Concertos as Alike as They Are Different — The New York Times · Nov 17, 2023
• Review: Ligeti’s Fascinating Polyrhythm at the New York Phil — The New York Times · Nov 03, 2023
• Review: An Unexpectedly Relevant Oratorio at the Philharmonic — The New York Times · Oct 27, 2023
• Review: A Mezzo-Soprano Brings Women’s Tales to the Armory — The New York Times · Oct 18, 2023
• Riccardo Muti Takes a Victory Lap With the Chicago Symphony — The New York Times · Oct 06, 2023
• Back-to-Back Verdi Evenings Showcase the Met Opera Chorus — The New York Times · Sep 29, 2023
• Lise Davidsen Shows Her Vocal and Theatrical Power in Recital Debut — The New York Times · Sep 15, 2023
• Renata Scotto Spun an Actor’s Insight Into Vocal Gold — The New York Times · Aug 17, 2023
• A Farewell to Mostly Mozart, and to Its Music Director — The New York Times · Aug 14, 2023
• Mostly Mozart’s Repertoire Broadens With Its Audience — The New York Times · Aug 07, 2023
• Bel Canto Rarities, Delivered With Unflashy, Revelatory Style — The New York Times · Jul 21, 2023
• Review: A Singer Returns to Shore at the Met in ‘Dutchman’ — The New York Times · May 31, 2023
• Review: Pulling Back the Curtain on ‘The Magic Flute’ at the Met — The New York Times · May 21, 2023
• Review: When the Philharmonic Applauds the Soloist — The New York Times · May 05, 2023
• The Boston Symphony Finds Surprises and Strengths in New Music — The New York Times · Apr 26, 2023
• Review: A Tenor Arrives at the Met Opera in ‘Elisir’ — The New York Times · Apr 18, 2023
• Spotlighting Lady Macbeth’s Anguish: Can What’s Done Be Undone? — The New York Times · Apr 13, 2023
• Review: ‘Fragments’ Proposes a New Kind of Cello Recital — The New York Times · Apr 02, 2023
• Review: Lawrence Brownlee Makes Room for Black Composers — The New York Times · Mar 24, 2023
• Review: Protecting and Defending Ukraine’s Cultural Identity — The New York Times · Mar 19, 2023
• Review: Verdi’s Falstaff Is Back at the Met, Enlarging His Kingdom — The New York Times · Mar 13, 2023
• Review: Bach Collegium Japan Returns With Chamber Music — The New York Times · Feb 13, 2023
• Review: An Orchestra Falters in Schubert’s ‘Great’ Symphony — The New York Times · Feb 10, 2023
• Review: A Young Pianist Finds His Way to Carnegie Hall — The New York Times · Jan 26, 2023
• Review: Poulenc’s Nuns, United by Faith, Return to the Met — The New York Times · Jan 16, 2023
• Review: Songs That Defy the ‘Quotidian Nature of Evil’ — The New York Times · Jan 13, 2023
• Review: ‘The Magic Flute’ Directs Its Whimsy Toward the Younger Set — The New York Times · Dec 18, 2022
• Around New York, Different Ways of Hearing Handel’s ‘Messiah’ — The New York Times · Dec 14, 2022
• Review: A Singer Brings Her Splendid Sound to an Eclectic Recital — The New York Times · Dec 02, 2022
• Review: At the Met Opera, a Tenor Arrives in ‘Rigoletto’ — The New York Times · Nov 11, 2022
• Review: Davóne Tines Hones the Recital Form to a Fine Point — The New York Times · Nov 04, 2022
• Review: Gustavo Dudamel Comes to Town, Megawatt Appeal on Display — The New York Times · Oct 27, 2022
• Review: ‘Tosca’ Returns, Defined by Its Quiet Moments — The New York Times · Oct 05, 2022
• At Mostly Mozart Concerts, Casual Vibes and High Musical Values — The New York Times · Aug 08, 2022
• Review: ‘The Silent Woman,’ an Opera About Putting on an Opera — The New York Times · Jul 24, 2022
• Review: ‘The Ordering of Moses’ Shines at Riverside Church — The New York Times · Jun 19, 2022
• Review: The Met Opera Orchestra Raises a Glorious Noise — The New York Times · Jun 17, 2022
• Review: A Big Baritone Sound at Play in an Intimate Setting — The New York Times · May 25, 2022
• Review: Handel’s ‘Serse,’ With Yuks and Exquisite Playing — The New York Times · May 09, 2022
• Review: ‘Falling Out of Time’ Gives Song to a Father’s Grief — The New York Times · May 08, 2022
• Review: Nico Muhly’s Moody Concerto for Two Pianos — The New York Times · Apr 28, 2022
• Review: Joyce DiDonato’s ‘Eden’ Takes Root at Carnegie Hall — The New York Times · Apr 24, 2022