James R. Oestreich

James R. Oestreich is a music journalist. Below are 300 of 2305 articles datpiff.ink indexes across 1 publication. Each links out to the original at the publisher.

• Seiji Ozawa, a Captivating, Transformative Conductor, Dies at 88 — The New York Times · Feb 09, 2024
• Illuminating Rachmaninoff’s Vespers, a Pinnacle of Russian Sacred Rep — The New York Times · May 02, 2023
• Music’s Towering Intellectual, With an Appetite for Trouble — The New York Times · Jul 03, 2022
• Bach in My Heart, and My Heart in His Hands — The New York Times · Apr 09, 2020
• What Does It Mean to Play the ‘Best’ of Bach? — The New York Times · Jun 22, 2018
• A Tribute to Bach on His Own Turf: 33 Cantatas in 48 Hours — The New York Times · Jun 15, 2018
• The Met Orchestra Offers Two Perspectives on Mahler — The New York Times · Jun 06, 2018
• A Revolutionary ‘Sinfonia’ Returns to the Philharmonic — The New York Times · May 24, 2018
• Review: Chiara Quartet Says Farewell on a High Note — The New York Times · May 13, 2018
• Review: We Held Our Breath Through Simon Rattle’s Mahler — The New York Times · May 08, 2018
• Review: A Show of Versatility in a Recital Relay Turn — The New York Times · May 03, 2018
• Review: Evgeny Kissin and Emerson Quartet Rise to Each Other’s Challenges — The New York Times · Apr 29, 2018
• Review: Odd, Delightful Juxtapositions at the Philharmonic — The New York Times · Apr 27, 2018
• Review: Two U.S. Orchestras Get a Rare Chance at Carnegie — The New York Times · Apr 23, 2018
• Review: Two Masters Unite in a Meeting of Musical Minds — The New York Times · Apr 20, 2018
• Schubert’s Sonatas, and a Pianist, Come Into Their Own — The New York Times · Apr 12, 2018
• Review: A Pianist’s Seamless Flow, Nothing Short of Astounding — The New York Times · Apr 06, 2018
• Review: Ahead of ‘My Fair Lady,’ Two Operatic Pygmalions — The New York Times · Mar 26, 2018
• Review: Met Opera’s Next Maestro Energizes His Philadelphians — The New York Times · Mar 15, 2018
• Review: Daniil Trifonov and His Teacher Dazzle With Dual Virtuosity — The New York Times · Mar 02, 2018
• Review: A Brash Wunderkind, Now 37, Meets an August Ensemble — The New York Times · Feb 26, 2018
• An Organ — and Soon Another — Lands on Broadway — The New York Times · Feb 16, 2018
• Review: Chicago Symphony Displays Out-of-Character Modesty at Carnegie — The New York Times · Feb 12, 2018
• Review: Unlikely Pairing Turns to Intense Affinity at Carnegie — The New York Times · Feb 07, 2018
• Review: At Juilliard Festival, the Stunning Sounds of China Today — The New York Times · Jan 28, 2018
• At 100, the Cleveland Orchestra May (Quietly) Be America’s Best — The New York Times · Jan 22, 2018
• Review: A Donizetti Revival at the Met Hints at More to Come — The New York Times · Jan 17, 2018
• Review: Roomful of Teeth Stretches for a Piano Premiere — The New York Times · Jan 12, 2018
• Review: The Philharmonic Focuses on Female Composers — The New York Times · Jan 11, 2018
• Review: Ending the Year With a Pair of Early-Music Ensembles — The New York Times · Dec 31, 2017
• Review: New York Philharmonic’s Summer Host Beats the Cold — The New York Times · Dec 28, 2017
• Review: A Singer Scales Back Her Grand-Opera Voice — The New York Times · Dec 19, 2017
• Review: Philharmonic Replies to $50 Million With ‘Hallelujah’ — The New York Times · Dec 13, 2017
• Cobbling Together a Christmas Music Marathon — The New York Times · Dec 08, 2017
• Finding ‘Hallelujah’: How to Navigate the ‘Messiah’ Landscape — The New York Times · Dec 06, 2017
• Three String Quartets in a Week. One of Them Is Trying New Things. — The New York Times · Dec 03, 2017
• Review: A Stirring Premiere at the Philharmonic, With Perfect Timing — The New York Times · Dec 01, 2017
• Review: Gianandrea Noseda Returns to a New York Philharmonic in Transition — The New York Times · Nov 23, 2017
• 500 Years Later, the Reformation Is Still Creating Music — The New York Times · Nov 23, 2017
• Review: Barbara Hannigan’s Legend Grows in an Intimate Setting — The New York Times · Nov 19, 2017
• Forced Out By Flooding, Houston’s Opera Gets On With the Show — The New York Times · Oct 23, 2017
• A Monteverdi Master Returns to His Roots With a Rare Trilogy — The New York Times · Oct 12, 2017
• Review: L’Arpeggiata Continues to Push Early Music’s Boundaries — The New York Times · Oct 08, 2017
• Review: ‘La Bohème’ at the Met Is Grand, Reviled and Beloved — The New York Times · Oct 03, 2017
• Review: Kronos Quartet Revisits Vietnam Horror in ‘My Lai’ — The New York Times · Sep 28, 2017
• Review: 3-D Enhances an Enigmatic New Opera — The New York Times · Sep 22, 2017
• Review: A Japanese Writer’s Reveries Inspire ‘Four Nights of Dream’ — The New York Times · Sep 15, 2017
• Review: Celebrating Sibelius and His Slowly Imparted Secrets — The New York Times · Sep 06, 2017
• A Weekend Can Span Centuries at Tanglewood — The New York Times · Aug 16, 2017
• Review: A Funky Rethinking of Schubert’s Winter Journey — The New York Times · Aug 14, 2017
• In These Orchestras, Youth Meets Musical Beauty — The New York Times · Jul 18, 2017
• Review: LoftOpera Stages a Rarity, With Lingerie — The New York Times · Jun 26, 2017
• Review: A 20th-Century Sequel to ‘Barber of Seville’ and ‘Figaro’ — The New York Times · Jun 23, 2017
• Review: Operas Within Operas Within Operas: A Baroque Explosion in Boston — The New York Times · Jun 19, 2017
• The Met Orchestra Aids and Abets Operatic Dabblers — The New York Times · Jun 07, 2017
• Review: New York’s Early-Music Scene Is Having a Moment — The New York Times · Jun 02, 2017
• Emotional Richness in Minor Keys From 2 Revered Pianists — The New York Times · May 23, 2017
• How Brahms’s ‘A German Requiem’ Became an Anthem for Our Time — The New York Times · May 12, 2017
• Review: Is ‘Los Elementos’ Opera? That’s Beside the Point — The New York Times · May 05, 2017
• Singing ‘Happy 450th Birthday’ to Monteverdi — The New York Times · May 05, 2017
• Getting Inside the Mind of Bach — The New York Times · Apr 25, 2017
• Review: Beethoven Gets a Sequel at the New York Philharmonic — The New York Times · Apr 21, 2017
• Bach’s ‘St. John Passion’ Has More Humanity Than Anti-Semitism — The New York Times · Apr 14, 2017
• Review: Valery Gergiev Galumphs Through Schubert — The New York Times · Apr 06, 2017
• Review: Mahan Esfahani, a Harpsichordist With a Chip on His Keyboard — The New York Times · Mar 22, 2017
• Review: Two Concerts Explore Schubert, Before He Took His Leave — The New York Times · Mar 13, 2017
• After Five Years of Bach, Trinity Church Takes On Handel — The New York Times · Mar 12, 2017
• Review: The Vienna Philharmonic Adds New Work, and Women — The New York Times · Mar 01, 2017
• An Early-Music Ensemble Gives a Handel Opera a Period Punch — The New York Times · Feb 16, 2017
• Gidon Kremer: A Violinist on a Mission, or Several of Them — The New York Times · Jan 20, 2017
• Review: A Harpsichordist Who Keeps His Listeners Off Balance — The New York Times · Jan 13, 2017
• An Austrian Maestro’s Career, Seen Through His Recordings — The New York Times · Jan 06, 2017
• A Diva, Two Pianists and a Pair of ‘Messiahs’: Classical Music This Week — The New York Times · Dec 16, 2016
• Colliding Concerts Offer Double Hits of Mozart — The New York Times · Dec 03, 2016
• Review: Juilliard’s Fast Takes on French Baroque — The New York Times · Nov 10, 2016
• Review: An ‘Aida’ at the Met That May Not Be Zeffirelli’s, but It’s Big — The New York Times · Nov 06, 2016
• Review: Verdi’s Requiem, in All Its Theatricality and Resonance — The New York Times · Nov 01, 2016
• Review: A Low-Key Debut for the New Jersey Symphony’s Director — The New York Times · Oct 28, 2016
• Review: Where Politics and Opera Meet — The New York Times · Oct 20, 2016
• Review: A White Light Festival to Re-energize Your Inner Self — The New York Times · Oct 17, 2016
• Review: The Philharmonic Revisits an Early Triumph of Its Director — The New York Times · Oct 10, 2016
• Review: In Mahler, Philadelphia Orchestra Finds Beauty Amid the Grit — The New York Times · Oct 07, 2016
• Review: ‘La Bohème,’ in All Its Excessive Glory — The New York Times · Sep 30, 2016
• Review: A Singer’s Strong Return in a Drab ‘Don Giovanni’ — The New York Times · Sep 28, 2016
• Review: A Rising Conductor Makes Her New York Debut — The New York Times · Sep 27, 2016
• Avery Amereau Is a Rarity in Music: A Contralto — The New York Times · Sep 21, 2016
• Review: With a Tribute to an Esteemed Organist, Simon Rattle Settles Into New York — The New York Times · Sep 19, 2016
• Almost as Much to Watch as to Hear: Mighty Organ Pieces — The New York Times · Sep 16, 2016
• Sounds of Venice’s Serene Republic Come to New York — The New York Times · Sep 15, 2016
• Review: A Sublime Survey of Baroque Music — The New York Times · Sep 12, 2016
• 9/11 Memorial Concerts, Mostly Low-Key — The New York Times · Sep 09, 2016
• Review: Mostly Mozart Festival Orchestra Shines in Simplicity — The New York Times · Jul 31, 2016
• Ken-David Masur, Back at Tanglewood, Feels His Father’s Spirit — The New York Times · Jul 18, 2016
• An Opera That Springs From China but Laps Distant Shores — The New York Times · Jul 12, 2016
• These Teenagers Might Never Have Made It to Music School — The New York Times · Jul 06, 2016
• Review: Handel’s ‘Rinaldo,’ With Period Brass in Good Repair — The New York Times · Jun 16, 2016
• Review: Young Lovers Imprisoned by Technology in ‘The Cell’ — The New York Times · Jun 13, 2016
• Review: A Deep Dive Into Benjamin Zander’s ‘Shining Eyes’ — The New York Times · Jun 08, 2016
• Review: At NY Phil Biennial, Interlochen Rises to the Occasion — The New York Times · Jun 06, 2016
• Spoleto Festival Premieres Follow Somber Reflection — The New York Times · May 31, 2016
• ‘Porgy and Bess,’ a Spoleto Festival USA Homecoming — The New York Times · May 29, 2016
• A Literary Couple Grapple With Bach and His God — The New York Times · May 25, 2016
• Review: Despite Battling a Cold, Andreas Scholl Delivers a Dynamic Performance — The New York Times · May 22, 2016
• Review: Met Opera Orchestra Strikes an Emotional Note — The New York Times · May 20, 2016
• Review: Philadelphia Orchestra Plays Rachmaninoff and Work by a Mahler Proxy — The New York Times · May 12, 2016
• Review: Young Concert Artists Gala Offers Stars in the Making — The New York Times · May 12, 2016
• Review: Imogen Cooper, Grappling With Schumann’s Ghosts — The New York Times · May 10, 2016
• Review: Philharmonia Baroque Unearths a 300-Year-Old Rarity — The New York Times · May 09, 2016
• Review: A Vivid Vision of Muffat at Juilliard415 — The New York Times · May 01, 2016
• Review: New York Philharmonic Presents a World Premiere — The New York Times · Apr 28, 2016
• Saluting Robert Shaw, a Conductor of Humanist Spirituality — The New York Times · Apr 28, 2016
• Review: Color and Contrasts From the New Juilliard Ensemble — The New York Times · Apr 25, 2016
• Review: Bavarian Orchestra Revels in Shostakovich and More — The New York Times · Apr 21, 2016
• A Mahler Mini-Festival in New York — The New York Times · Apr 17, 2016
• Review: Venice and Vivaldi, Center Stage at the Metropolitan Museum — The New York Times · Apr 11, 2016
• Review: Orchestra of St. Luke’s, With Susan Graham — The New York Times · Apr 08, 2016
• Review: Apollo’s Fire Enhances ‘St. John Passion’ — The New York Times · Mar 14, 2016
• Review: Karita Mattila, and Her Quirks, in Concert — The New York Times · Mar 13, 2016
• Review: Renée Fleming, a Voice With Wardrobe Changes — The New York Times · Mar 10, 2016
• Review: Andreas Staier on the Harpsichord, Coaxing Gravity and Gloom — The New York Times · Mar 07, 2016
• Nikolaus Harnoncourt, Conductor and Early-Music Specialist, Dies at 86 — The New York Times · Mar 06, 2016
• Review: New York Philharmonic Dives Into Brahms’s ‘German Requiem’ — The New York Times · Mar 04, 2016
• Review: Russian National Orchestra Plays Borodin and Prokofiev — The New York Times · Mar 03, 2016
• Vienna Philharmonic, Led by Valery Gergiev, Offers Old and New at Carnegie Hall — The New York Times · Mar 01, 2016
• Review: In the Met’s ‘Figaro,’ a Scene Stealer in Her Element — The New York Times · Feb 29, 2016
• Review: Thomas Crawford and the American Classical Orchestra Perform a Haydn Opera — The New York Times · Feb 24, 2016
• Review: Inon Barnatan Soldiers Through Hallowed Works at 92nd Street Y — The New York Times · Feb 22, 2016
• Review: George London Foundation Singing Competition Offers Arias to Please a Crowd — The New York Times · Feb 22, 2016
• Review: The New York Philharmonic and a Quilt of Composers — The New York Times · Feb 19, 2016
• Review: ‘La Calisto’ by the Juilliard Opera — The New York Times · Feb 18, 2016
• Review: Vox Luminis Explores Bach’s Family Tree — The New York Times · Feb 16, 2016
• Review: An Intense yet Pastoral Mahler, Cowbells Included — The New York Times · Feb 12, 2016
• Review: In ‘Une Éducation Manquée,’ Opera Lafayette Executes a Simple Plot — The New York Times · Feb 07, 2016
• Review: The Curtis Symphony Orchestra Dives Into Mahler and More — The New York Times · Feb 02, 2016
• Review: Jordi Savall and Juilliard415 Perform in ‘Shakespeare and Cervantes’ — The New York Times · Jan 31, 2016
• Review: Bruckner Rises and Stalls in Hands of Two Conductors — The New York Times · Jan 29, 2016
• Review: ‘The Book of Disquiet,’ Opera as One Man, With Films — The New York Times · Jan 22, 2016
• Marc-André Hamelin Gradually Ups the Ante at Carnegie Hall — The New York Times · Jan 21, 2016
• Review: Europa Galante Tells the Story of a Musical Orphan in ‘Chiara’s Diary’ — The New York Times · Jan 18, 2016
• Review: With Two Star Lutenists, Boston Early Music Festival Comes to the Morgan — The New York Times · Jan 17, 2016
• Review: The New York Philharmonic Offers Works by Modern Masters — The New York Times · Jan 15, 2016
• Review: Sacred and Secular, Bach Closes a Festival — The New York Times · Jan 08, 2016
• Clarion Choir Delves Into the Liturgy of St. John Chrysostom, a Rachmaninoff Rarity — The New York Times · Jan 01, 2016
• Review: Bach at St. Paul’s, and the Fictional Relative, P.D.Q., at Town Hall — The New York Times · Dec 30, 2015
• Review: ‘The Barber of Seville,’ Truncated and Energetic — The New York Times · Dec 17, 2015
• Peter Schickele Brings P.D.Q. Bach Back to the Stage — The New York Times · Dec 16, 2015
• Review: Bach’s Brandenburg Concertos at Alice Tully Hall — The New York Times · Dec 13, 2015
• Review: Handel’s ‘Messiah,’ With Heightened Drama — The New York Times · Dec 09, 2015
• Review: The Tallis Scholars, Hovering in a Meditative Sphere — The New York Times · Dec 06, 2015
• Review: Riverside Symphony Offers Nostalgia and Tibetan Tones — The New York Times · Dec 05, 2015
• Review: Vivaldi’s ‘Catone in Utica’ Gets a Rare Staging — The New York Times · Dec 02, 2015
• Review: At Bargemusic, a Masterful Duo Dives Into Strauss With Breakneck Élan — The New York Times · Nov 29, 2015
• Review: Trifonov Caps Rachmaninoff Fest With Pianistic Verve — The New York Times · Nov 27, 2015
• Review: Juilliard Opera’s Timely Double Bill — The New York Times · Nov 19, 2015
• Review: Juilliard415 Plays Haydn and Telemann, Evoking the Sun’s Arc — The New York Times · Nov 17, 2015
• Review: Paul Lewis Powers Through a Beethoven Trilogy at White Light Festival — The New York Times · Nov 16, 2015
• Review: The Mezzo-Soprano Anne Sofie von Otter at the Frick Collection — The New York Times · Nov 15, 2015
• Review: St. Thomas Church Season Honors John Scott — The New York Times · Nov 15, 2015
• Review: Chamber Music Society, Bilingual in ‘Channel Crossing’ — The New York Times · Nov 11, 2015
• Review: Zubin Mehta Leads Israel Philharmonic in ‘Resurrection’ — The New York Times · Nov 06, 2015
• Review: American Classical Orchestra, With an Unseasonal ‘Passion’ — The New York Times · Nov 04, 2015
• Review: ‘Persecution and Promise,’ a Whooping and Wailing Czech Musical Evening — The New York Times · Nov 03, 2015
• In Lee Mingwei’s ‘Sonic Blossom’ at the Met, Schubert Is Intimate Installation Art — The New York Times · Nov 01, 2015
• Review: Escher Players Explore Less Familiar Ground: Zemlinsky’s Quartets — The New York Times · Oct 30, 2015
• Review: Angela Hewitt Decodes Bach’s ‘The Art of Fugue’ — The New York Times · Oct 29, 2015
• Review: Gergiev Leads London Symphony Orchestra at David Geffen Hall — The New York Times · Oct 27, 2015
• Review: Semyon Bychkov Leads the New York Philharmonic — The New York Times · Oct 22, 2015
• Andras Schiff Holds Forceful Convictions in a Velvet Glove — The New York Times · Oct 22, 2015
• Review: Juilliard415 and Yale Schola Cantorum Perform Bach’s Lutheran Masses — The New York Times · Oct 20, 2015
• Review: American Symphony Orchestra Goes in Search of a Theme — The New York Times · Oct 19, 2015
• Review: Maya Beiser Offers a Concert of Both Rock and Reverence — The New York Times · Oct 16, 2015
• Review: American Classical Orchestra Revives a Rarely Heard Telemann Masterpiece — The New York Times · Oct 14, 2015
• Review: John Luther Adams, Lauded and Played at Columbia — The New York Times · Oct 09, 2015
• Review: Schubert, via David Fray, at the Park Avenue Armory — The New York Times · Oct 07, 2015
• Chamber Music With a Challenge: Playing From Memory — The New York Times · Oct 05, 2015
• Review: The Momenta Quartet Salutes Contemporary Composition in Amber Waves — The New York Times · Oct 01, 2015
• Review: A ‘Resurrection’ in Tune With the Atlanta Symphony’s Renewal — The New York Times · Sep 20, 2015
• Review: Arvo Pärt and 9/11, Paired at the Metropolitan Museum — The New York Times · Sep 13, 2015
• Review: All Beethoven, All Evening, on Period Instruments — The New York Times · Sep 11, 2015
• The American Classical Orchestra and Juilliard415 Mine Telemann’s Gold — The New York Times · Sep 09, 2015
• Review: Zhang Huoding Makes American Debut in Two Operas — The New York Times · Sep 04, 2015
• John Scott, Organist and Choirmaster in London and New York, Dies at 59 — The New York Times · Aug 16, 2015
• Review: Matthias Goerne Captures the Mood at the Mostly Mozart Festival — The New York Times · Aug 12, 2015
• Review: The Academy of Ancient Music Tackled Mendelssohn at Mostly Mozart Festival — The New York Times · Aug 10, 2015
• Review: Steven Osborne Is Joined by 2 Collaborators at Kaplan Penthouse — The New York Times · Aug 09, 2015
• Review: Mostly Mozart, Highlighted by Sol Gabetta’s Haunting Vocalise — The New York Times · Aug 06, 2015
• At Glimmerglass Festival, ‘The Magic Flute’ Is Among the Reimagined — The New York Times · Aug 05, 2015
• The Verbier Festival Revels in Mixing It Up — The New York Times · Jul 27, 2015
• Celebrated Bass-Baritone Plans a Surprise Debut at Conducting — The New York Times · Jul 22, 2015
• Salonen Replaces James Levine at the Verbier Festival — The New York Times · Jul 20, 2015
• Extraordinary Creatures, and Some Elusive Ones, at Festival d’Aix-en-Provence — The New York Times · Jul 16, 2015
• Review: Exploring Captivity in Handel’s ‘Alcina’ and Mozart’s ‘Entführung’ at Aix-en-Provence Festival — The New York Times · Jul 14, 2015
• Festival d’Aix-en-Provence Includes ‘A Midsummer Night’s Dream’ Revival — The New York Times · Jul 12, 2015
• The National Youth Orchestra’s Moment in the Sun — The New York Times · Jul 10, 2015
• On the Organ Trail in Manhattan — The New York Times · Jul 02, 2015
• Review: The Knights Are Spirited in Central Park, Despite Soggy Weather — The New York Times · Jun 24, 2015
• Review: Aston Magna and Boston Early Music Festivals Offer Diverse Monteverdi Experiences — The New York Times · Jun 22, 2015
• The Boston Early Music Festival Celebrates Charpentier — The New York Times · Jun 19, 2015
• Review: Masaaki Suzuki Conducts Young Musicians in Bach — The New York Times · Jun 17, 2015
• Reviews: Chelsea Music Festival, Gregg Kallor and St. Petersburg Philharmonic — The New York Times · Jun 14, 2015
• Review: Boston Early Music Festival Makes Monteverdi Its Main Attraction — The New York Times · Jun 12, 2015
• Review: New Jersey Symphony Orchestra — The New York Times · Jun 08, 2015
• Review: New York Philharmonic Gives Mozart His Due — The New York Times · Jun 04, 2015
• Review: American Symphony Orchestra’s George Perle Centennial Tribute — The New York Times · May 31, 2015
• Review: New York Philharmonic’s Memorial Day Concert — The New York Times · May 26, 2015
• Review: Lang Lang at the Metropolitan Museum in the Service of Eastern Art — The New York Times · May 18, 2015
• Review: St. Thomas Choir and Concert Royal Perform Handel — The New York Times · May 14, 2015
• Review: Young Concert Artists Gala Features Three Rising Soloists — The New York Times · May 08, 2015
• Review: At St. Ignatius Loyola, Bach’s Mass in All Its Elements — The New York Times · May 07, 2015
• English Ensembles Crown a Festival of Early Music — The New York Times · May 03, 2015
• Review: I Fagiolini, Richard Goode and the Juilliard Opera in Concert — The New York Times · Apr 26, 2015
• Review: Le Jardin des Voix’s Sweet Italian Menu — The New York Times · Apr 24, 2015
• Review: Jordi Savall, Plunged in the Emotion of Performance and Life — The New York Times · Apr 17, 2015
• Review: Anne-Sophie Mutter, in a New Trio, Offers Simple Pleasures — The New York Times · Apr 15, 2015
• Review: Fazil Say, Soloist, Composer and Even Conductor With Orpheus — The New York Times · Apr 12, 2015
• Review: L’Arpeggiata Opens Before Bach Festival at Carnegie Hall — The New York Times · Apr 10, 2015
• Review: Haydn’s ‘Seven Last Words of Christ,’ by 2 String Quartets — The New York Times · Apr 03, 2015
• Review: Bach Passions in New York — The New York Times · Mar 27, 2015
• Review: São Paulo State Youth Orchestra Saves Razzle-Dazzle for the End — The New York Times · Mar 27, 2015
• Artek Celebrates the German Harpsichord — The New York Times · Mar 18, 2015
• Review: Kirill Gerstein Plays Liszt’s ‘Transcendental Études’ — The New York Times · Mar 12, 2015
• Review: Kronos Quartet, in an Emotionally Packed Performance — The New York Times · Mar 08, 2015
• Murry Sidlin’s ‘Defiant Requiem’ Returns to Avery Fisher Hall — The New York Times · Mar 06, 2015
• Review: Vienna Philharmonic’s Familiar and Fierce Show of Brahms — The New York Times · Mar 02, 2015
• Juilliard and the Manhattan School of Music Play Strauss’s ‘Ein Heldenleben’ — The New York Times · Mar 01, 2015
• Review: Diabolical Diabelli at Rutgers, With New Variations — The New York Times · Feb 24, 2015
• Music in Review: Flourishes From Denmark, Stockhausen’s ‘Stimmung’ and Marc-André Hamelin — The New York Times · Feb 22, 2015
• Review: New York Philharmonic and Yo-Yo Ma’s Silk Road Ensemble Join Forces — The New York Times · Feb 20, 2015
• Before Bach at Carnegie Hall: Really ‘Early Music’ — The New York Times · Feb 20, 2015
• Review: Danish National Symphony Orchestra Honors Sibelius and Nielsen at Carnegie Hall — The New York Times · Feb 15, 2015
• Review: Richard Egarr and Carlo Grante on Keyboards — The New York Times · Feb 12, 2015
• Review: Music From Japan Brings In Some Neighbors as Well — The New York Times · Feb 10, 2015
• Symphonies and Solace in an Orchestra’s Three-Night Stand — The New York Times · Feb 03, 2015
• Schubert, Then and Now — The New York Times · Jan 30, 2015
• Distilling Japanese Sound From a Varied Catalog — The New York Times · Jan 25, 2015
• Intimate, Casual and Classical, in a Club Setting — The New York Times · Jan 24, 2015
• Mixing Shades of Gray Into a Chirpy Comedy and a Mother’s Anguish — The New York Times · Jan 20, 2015
• If Mahler Were Writing Now — The New York Times · Jan 18, 2015
• An Unhinged King’s Downfall, in a Chapel Setting — The New York Times · Jan 04, 2015
• As Bubbly as a Midnight Glass of Champagne — The New York Times · Jan 01, 2015
• Sitting, but Showing Range — The New York Times · Dec 21, 2014
• Again, the Angels Sing — The New York Times · Dec 18, 2014
• Some Fresh Faces Add New Energy to Bach — The New York Times · Dec 14, 2014
• Youthful Mastery on Display at Tanglewood, Spoleto and Lucerne Festivals — The New York Times · Dec 11, 2014
• A Season Starts, With Fresh Sounds — The New York Times · Dec 10, 2014
• Arias of the Unexpected, From Sorrow to Joy — The New York Times · Dec 09, 2014
• Regardless of Offstage Worries, Onstage It’s All Artistry — The New York Times · Nov 17, 2014
• Sentimental Harmonies — The New York Times · Oct 31, 2014
• Sacred Work, Written in Secret in Leningrad — The New York Times · Oct 29, 2014
• At One With Brahms, Individually or as a Group — The New York Times · Oct 28, 2014
• Nuance and Unanimity, No Conductor Required — The New York Times · Oct 26, 2014
• At Relative Ease, While Taking Command — The New York Times · Oct 20, 2014
• A Night of Excitements and Extremes — The New York Times · Oct 17, 2014
• Lesser-Known Mozart Opens a Chamber Season — The New York Times · Oct 16, 2014
• Those Dancing Gods of Love — The New York Times · Oct 12, 2014
• Embarrassment of Riches for Schumann Lovers — The New York Times · Oct 05, 2014
• Bach, Played in Living Color — The New York Times · Sep 19, 2014
• There’s a Lesson Here; All You Have to Do Is Listen — The New York Times · Sep 17, 2014
• A Great Symphony, and Then Two More Takes on It — The New York Times · Sep 16, 2014
• One Generation of Composers, Three Orchestral Suites — The New York Times · Sep 14, 2014
• Who Said ‘Massive’ and ‘Foreboding’ Can’t Be Enjoyable? — The New York Times · Sep 11, 2014
• Andris Nelsons Gets Ready to Lead the Boston Symphony — The New York Times · Sep 10, 2014
• First, the Sound of Violins — The New York Times · Sep 04, 2014
• Courting Young Ears Abroad — The New York Times · Aug 24, 2014
• Arabs and Israelis Find Common Ground Under a Baton — The New York Times · Aug 20, 2014
• Her Hands Lead, Her Voice Follows — The New York Times · Aug 19, 2014
• For a Festival, Change Comes, Invited or Not — The New York Times · Aug 17, 2014
• Reimagining a Magical Pastoral Tale in an Urban Forest — The New York Times · Aug 10, 2014
• Viennese Classicism, Varied and Revealing — The New York Times · Aug 03, 2014
• A Pianist and Pedagogue, Saluting a Pair of Giants — The New York Times · Jul 27, 2014
• Youth Is Not Wasted on This Young Orchestra — The New York Times · Jul 21, 2014
• An Incoming Conductor Brings a Sunny Outlook — The New York Times · Jul 13, 2014
• Russian Farewells, Quartet by Quartet — The New York Times · Jul 11, 2014
• Team Player Is Honored With a Solo — The New York Times · Jun 25, 2014
• Early Music and Its Future — The New York Times · Jun 23, 2014
• On the Hoof in the City for a Day of Music — The New York Times · Jun 22, 2014
• Bachfest Celebrates Monteverdi Choir’s 50th Anniversary — The New York Times · Jun 18, 2014
• At Home, a Dramatic Organist — The New York Times · Jun 16, 2014
• A Long Day’s Bach Journey, by Train, Foot and Ferry, With Cello — The New York Times · Jun 15, 2014
• Dutilleux and Ravel Mingle With Sir Mix-a-Lot — The New York Times · Jun 08, 2014
• Spoleto, Known for Its Operas, Has Drama Left Over for the Concert Stage — The New York Times · Jun 03, 2014
• How Careless of Goya to Lose His Head — The New York Times · May 27, 2014
• Going for Visceral Excitement in Popular Standbys — The New York Times · May 18, 2014
• Mahler, Together With an Old Friend — The New York Times · May 16, 2014
• Expressing Schubert With the Voice of Bitter Experience — The New York Times · May 14, 2014
• Concerts of Mystery and Imagination — The New York Times · May 09, 2014
• Insanely Pursuing Love, Be It Opera or Reality Show — The New York Times · May 04, 2014
• Springtime at Carnegie Hall — The New York Times · May 02, 2014
• A Conductor, Rehired, Now Must Rebuild — The New York Times · Apr 27, 2014
• Tuvan Throat Singers, Together in Spirit With Arvo Pärt — The New York Times · Apr 25, 2014
• Dryly Sharing a Stage and Musicians, but Little Else — The New York Times · Apr 20, 2014
• Maestro Stands In, Despite Protests — The New York Times · Apr 13, 2014
• Two Works That Challenge a Pianist to Go the Distance — The New York Times · Apr 13, 2014
• Russian Conductor’s Carnegie Appearance Draws Protests — The New York Times · Apr 12, 2014
• Vienna Philharmonic Finds Owners of a Nazi Gift — The New York Times · Apr 11, 2014
• Bach Is on the Spring Syllabus — The New York Times · Apr 07, 2014
• A Maestro Is Back, His Position Pending — The New York Times · Mar 31, 2014
• Minnesota Orchestra Says Eight Board Members Resign — The New York Times · Mar 28, 2014
• Resigned Director of Minnesota Orchestra Takes Spin at Old Job — The New York Times · Mar 28, 2014
• Minnesota Orchestra Conductor Returns ... For Now — The New York Times · Mar 26, 2014