Anthony Tommasini

Anthony Tommasini is a music journalist. Below are 300 of 3894 articles datpiff.ink indexes across 1 publication. Each links out to the original at the publisher.

• Michael Tilson Thomas, Celebrated American Conductor, Dies at 81 — The New York Times · Apr 23, 2026
• In the Secret Annex, Anne Frank’s Radio and a Love for Classical Music — The New York Times · Feb 24, 2026
• A Pilgrimage to Verdi-land — The New York Times · Dec 29, 2023
• What I’ve Learned in 60 Years of Listening to the Philharmonic — The New York Times · Oct 07, 2022
• She Made Glimmerglass a True Festival. Now She’s Moving On. — The New York Times · Aug 19, 2022
• It’s the Highest-Profile Challenge of an Earnest Tenor’s Career — The New York Times · Feb 24, 2022
• Review: Amid Omicron, the Met Opera Opens a Weimar ‘Rigoletto’ — The New York Times · Jan 02, 2022
• Two Pianists, Two Recitals, Two Deeply Personal Statements — The New York Times · Dec 20, 2021
• Review: ‘Cinderella’ Adds Stardust to the Met Opera’s Holiday — The New York Times · Dec 19, 2021
• What Shouldn’t Change About Classical Music — The New York Times · Dec 17, 2021
• Review: ‘Messiah’ Brings the New York Philharmonic to Church — The New York Times · Dec 15, 2021
• Review: In Time for the Holidays, Radiant Praetorius Carols — The New York Times · Dec 13, 2021
• Review: ‘Magic Flute’ Welcomes Children Back to the Met — The New York Times · Dec 12, 2021
• Best Classical Music of 2021 — The New York Times · Dec 06, 2021
• Review: An Ambitious Project Returns at the Philharmonic — The New York Times · Dec 05, 2021
• Review: ‘Tosca’ Catches Fire at the Met Opera — The New York Times · Dec 03, 2021
• Stephen Sondheim, as Great a Composer as He Was a Lyricist — The New York Times · Nov 28, 2021
• Review: A Surprise Conductor Makes a Superb Debut — The New York Times · Nov 18, 2021
• Review: Young Concert Artists Is Back, With a Superb Pianist — The New York Times · Nov 12, 2021
• Juilliard Stages an Orpheus Rarity From Opera’s Early Days — The New York Times · Nov 11, 2021
• Review: In Her Met Debut, a Conductor Leads a Fresh ‘La Bohème’ — The New York Times · Nov 10, 2021
• Review: Michael Tilson Thomas, a Podium Hero, Returns — The New York Times · Nov 05, 2021
• Marian Anderson: A Voice of Authenticity and Justice — The New York Times · Nov 05, 2021
• Edita Gruberova, Dazzling Soprano With Emotional Power, Dies at 74 — The New York Times · Oct 22, 2021
• Two New York Orchestras Return With Acts of Renewal — The New York Times · Oct 20, 2021
• Review: Sphinx Virtuosi Bring an Intriguing Vision to Carnegie Hall — The New York Times · Oct 17, 2021
• Review: The Met’s ‘Turandot,’ Strongly Sung, Garishly Staged — The New York Times · Oct 13, 2021
• Two Singers Reveal the Core of Art Song, on Stages Big and Small — The New York Times · Oct 11, 2021
• Review: The New Jersey Symphony Orchestra Returns, With Gusto — The New York Times · Oct 10, 2021
• Review: Carnegie Hall Reopens With a Blaze From Philadelphia — The New York Times · Oct 07, 2021
• Review: ‘Fire’ Brings a Black Composer to the Met, Finally — The New York Times · Sep 28, 2021
• Review: For Armory Recitals, a Modest but Memorable Return — The New York Times · Sep 21, 2021
• The New York Philharmonic Returns, in the Midst of Transitions — The New York Times · Sep 19, 2021
• Review: For 9/11 Tribute, the Met Opera Returns Home — The New York Times · Sep 12, 2021
• Teresa Zylis-Gara, Plush-Voiced Polish Soprano, Is Dead at 91 — The New York Times · Sep 11, 2021
• Classical Music Looks Ahead to a Fall in Flux — The New York Times · Sep 06, 2021
• Glimmerglass Creates Magic in Its Own Backyard — The New York Times · Aug 15, 2021
• Review: Mostly Mozart Returns to Lincoln Center, Quietly — The New York Times · Aug 03, 2021
• Review: With Fresh Subtlety, Opera Returns to New York City — The New York Times · Jul 28, 2021
• Review: To a Rare King Arthur Opera, Bard Says ‘Welcome Back’ — The New York Times · Jul 26, 2021
• Review: At Caramoor, a Concert Signals Return and Remembrance — The New York Times · Jun 28, 2021
• Gianna Rolandi, Spirited Soprano With a Radiant Voice, Dies at 68 — The New York Times · Jun 23, 2021
• A Trailblazing Female Conductor Is Still Alone on the Trail — The New York Times · Jun 11, 2021
• Beethoven Is More Intimate Than Ever in New Poems — The New York Times · May 21, 2021
• Extraordinary Beethoven, and an Adventurous Streak — The New York Times · May 21, 2021
• Mixing Healing and Strife, the Met Opera Sings Again — The New York Times · May 17, 2021
• Bach Invented. Now a Pianist Is Trying to Match Him. — The New York Times · May 14, 2021
• When Bernstein Conducted Stravinsky, Modern Music Came Alive — The New York Times · May 06, 2021
• Paul Kellogg, New York City Opera Impresario, Dies at 84 — The New York Times · Apr 29, 2021
• Gustavo Dudamel Hasn’t Conducted Much Opera. That’s OK. — The New York Times · Apr 18, 2021
• When Boston Ruled the Music World — The New York Times · Apr 09, 2021
• Kenneth Cooper, Harpsichordist With Improviser’s Gift, Dies at 79 — The New York Times · Mar 19, 2021
• Taking Stock of James Levine’s Tarnished Legacy — The New York Times · Mar 18, 2021
• He Was Born Into Slavery, but Achieved Musical Stardom — The New York Times · Mar 03, 2021
• Notes Toward Reinventing the American Orchestra — The New York Times · Feb 12, 2021
• Its Musicians Are Out of Work, but the Met Is Streaming — The New York Times · Feb 07, 2021
• A Critic and a Pianist, Close but Not Quite Friends — The New York Times · Feb 04, 2021
• Elijah Moshinsky, Met Opera Director With Fanciful Touch, Dies at 75 — The New York Times · Jan 21, 2021
• Fanny Waterman, Doyenne of the Leeds Piano Competition, Dies at 100 — The New York Times · Dec 26, 2020
• The 25 Best Classical Music Tracks of 2020 — The New York Times · Dec 17, 2020
• Beethoven’s 250th Birthday: His Greatness Is in the Details — The New York Times · Dec 14, 2020
• No, I Am Not Getting Rid of My Thousands of CDs — The New York Times · Dec 09, 2020
• Best Classical Music of 2020 — The New York Times · Dec 02, 2020
• A Pianist Loses Himself in a Musical ‘Labyrinth’ — The New York Times · Nov 15, 2020
• Why Do Pianists Know So Little About Pianos? — The New York Times · Nov 12, 2020
• Ruth Falcon, Soprano Turned Master Teacher, Dies at 77 — The New York Times · Oct 21, 2020
• Maynard Solomon, Provocative Biographer of Composers, Dies at 90 — The New York Times · Oct 08, 2020
• Lang Lang: The Pianist Who Plays Too Muchly — The New York Times · Oct 04, 2020
• For the Met Opera, the Pandemic Could Be a Necessary Reset — The New York Times · Sep 29, 2020
• Over Headphones and in a Truck, the Philharmonic Stays Alive — The New York Times · Sep 14, 2020
• For a Music Critic, a Vacation That’s All Too Quiet — The New York Times · Aug 23, 2020
• Classical Music Livestreams Worth Paying For — The New York Times · Aug 11, 2020
• Classical Music Attracts Older Audiences. Good. — The New York Times · Aug 06, 2020
• The Met Opera Tries to Find Paying Customers in a Pandemic — The New York Times · Jul 19, 2020
• Gabriella Tucci, 90, Dies; Italian Soprano and Met Opera Mainstay — The New York Times · Jul 18, 2020
• To Make Orchestras More Diverse, End Blind Auditions — The New York Times · Jul 16, 2020
• Playing Beethoven’s Piano Sonatas Changed How I Hear Them — The New York Times · Jul 03, 2020
• A Met Opera Star Was Born, ‘Then Everything Stopped’ — The New York Times · Jun 26, 2020
• After 25 Years, San Francisco’s Maverick Conductor Moves On — The New York Times · Jun 05, 2020
• Crowds Define Opera. They’re Also Keeping It From Returning. — The New York Times · Jun 02, 2020
• John Macurdy, Stalwart Bass in Roles Large and Small, Dies at 91 — The New York Times · May 23, 2020
• Does Knowing What You’re Hearing Matter? — The New York Times · May 20, 2020
• A Jazz Pianist Flips Bach Upside-Down — The New York Times · May 15, 2020
• Rosalind Elias, a Popular American Mezzo-Soprano, Dies at 90 — The New York Times · May 06, 2020
• Peter Jonas, Innovative Opera Impresario, Is Dead at 73 — The New York Times · May 02, 2020
• The Berlin Philharmonic Tests a Musical Path Out of Lockdown — The New York Times · May 01, 2020
• Lynn Harrell, Acclaimed American Cellist, Is Dead at 76 — The New York Times · May 01, 2020
• The Met Opera’s At-Home Gala: Informal Yet Profoundly Moving — The New York Times · Apr 26, 2020
• Not Bach or Beethoven, but Leroy Anderson Is the Composer for Now — The New York Times · Apr 22, 2020
• A Pianist’s Final Message: Overlooked Works by a Son of Bach — The New York Times · Mar 26, 2020
• Before Bach, He Was Germany’s Greatest Composer — The New York Times · Mar 20, 2020
• Doriot Anthony Dwyer, Flutist and Orchestral Pathbreaker, Dies at 98 — The New York Times · Mar 19, 2020
• In a Pandemic, Musicians Play in Empty Halls for Audiences Online — The New York Times · Mar 13, 2020
• Two Pianists Test the Meaning of Virtuosity — The New York Times · Mar 04, 2020
• Review: A New ‘Flying Dutchman’ Makes Landfall at the Met Opera — The New York Times · Mar 03, 2020
• Review: Lisette Oropesa Makes ‘La Traviata’ Her Own — The New York Times · Feb 27, 2020
• Review: An Orchestra Opens Its Mouth, and Sings — The New York Times · Feb 25, 2020
• Reinbert de Leeuw, Dutch Champion of Contemporary Music, Dies at 81 — The New York Times · Feb 21, 2020
• Review: At the Philharmonic, New Music for a Changing World — The New York Times · Feb 21, 2020
• A Quartet Sets a New Standard for Beethoven Marathons — The New York Times · Feb 19, 2020
• Mirella Freni, Matchless Italian Prima Donna, Dies at 84 — The New York Times · Feb 09, 2020
• Review: 19 Female Composers Start to Mark a Century of Suffrage — The New York Times · Feb 06, 2020
• Review: ‘Eurydice,’ a New Opera, Looks Back All Too Tamely — The New York Times · Feb 03, 2020
• Peter Serkin, 72, Dies; Pianist With Pedigree Who Forged a New Path — The New York Times · Feb 01, 2020
• Review: She Returns to Lead the Philharmonic. For Real, This Time. — The New York Times · Jan 31, 2020
• Franz Mazura, 95, Opera Singer Whose Specialty Was Villains, Dies — The New York Times · Jan 29, 2020
• Review: ‘Das Barbecü’ Is Wagner’s ‘Ring’ With a Side of Brisket — The New York Times · Jan 27, 2020
• Review: Gustavo Dudamel Excels, Yet Again, at the New York Philharmonic — The New York Times · Jan 24, 2020
• When a Critic Put on the ‘Best of All American Operas’ — The New York Times · Jan 22, 2020
• Review: Gustavo Dudamel Jolts the ‘New World’ Symphony to Life — The New York Times · Jan 16, 2020
• Review: In a Flat World, a Soprano Conjures Italy — The New York Times · Jan 14, 2020
• When News Upstages an Opera Performance — The New York Times · Jan 12, 2020
• Anna Netrebko, Consider New Opera. Please. — The New York Times · Jan 09, 2020
• Yes, We Need (Yet) Another Rachmaninoff Recording — The New York Times · Jan 03, 2020
• Review: Anna Netrebko Rings in the Year With a Met Gala — The New York Times · Jan 01, 2020
• Peter Schreier, 84, Elegant German Tenor Who Also Conducted, Dies — The New York Times · Dec 31, 2019
• Review: The Searing Beauty of Kentridge’s ‘Wozzeck’ at the Met — The New York Times · Dec 29, 2019
• Dalton Baldwin, an Eminence Among Accompanists, Dies at 87 — The New York Times · Dec 24, 2019
• From Harlem to Italy, Sounds of Gay Subversion — The New York Times · Dec 20, 2019
• Review: A Rare Showcase for Bach. His Sons, That Is. — The New York Times · Dec 20, 2019
• Review: Fresh Talent Fuels ‘The Magic Flute’ at the Met — The New York Times · Dec 16, 2019
• Review: A Radiant Revival of ‘Der Rosenkavalier’ — The New York Times · Dec 15, 2019
• Review: A Brother and Sister Triumph Together at Carnegie Hall — The New York Times · Dec 12, 2019
• The 25 Best Classical Music Tracks of 2019 — The New York Times · Dec 12, 2019
• Is ‘Playing It Safe’ Bad for Classical Music? — The New York Times · Dec 06, 2019
• Review: An Eerie Shift Translates ‘Der Freischütz’ to Texas — The New York Times · Dec 05, 2019
• Geffen Hall’s Renovation Could Transform How We Hear It — The New York Times · Dec 03, 2019
• A Star Pianist Brings Soft-Spoken Virtuosity to Scriabin — The New York Times · Nov 28, 2019
• Review: A Recital Showcases Opera Stars on Rehearsal Break — The New York Times · Nov 27, 2019
• Are Bruckner Symphonies Now the Proving Ground for Conductors? — The New York Times · Nov 27, 2019
• Review: A Must-Hear Maestro Leads ‘Requiem’ at the Shed — The New York Times · Nov 22, 2019
• Review: A Fearless, Barefoot Pianist Makes a Carnegie Debut — The New York Times · Nov 21, 2019
• Review: A Young Conductor Makes a Major Philharmonic Debut — The New York Times · Nov 15, 2019
• Review: A Conductor and Soprano Test Wagnerian Waters — The New York Times · Nov 14, 2019
• Review: ‘Akhnaten’ Puts You on Philip Glass Time — The New York Times · Nov 10, 2019
• Review: A Teenage Virtuoso Prevails in a Liszt Endurance Test — The New York Times · Nov 08, 2019
• Review: A Pianist Reveals Bach’s Inner Dancer — The New York Times · Nov 03, 2019
• Review: At the Philharmonic, a Major Return Played Safe — The New York Times · Oct 31, 2019
• Review: ‘Zauberland’ Pairs Schumann With a Syrian Refugee — The New York Times · Oct 30, 2019
• Rolando Panerai, Renowned Baritone and Callas Collaborator, Dies at 95 — The New York Times · Oct 30, 2019
• Review: Zeffirelli’s ‘La Bohème’ Returns, Brighter and Better — The New York Times · Oct 27, 2019
• Two Pianists Offer Contrasting Paths of Exploration — The New York Times · Oct 25, 2019
• Review: Mark Morris’s Dancing ‘Orfeo’ Returns to the Met Opera — The New York Times · Oct 21, 2019
• Review: Susanna Malkki Returns to the New York Philharmonic — The New York Times · Oct 20, 2019
• Review: A Fearless Soprano Shows What’s Possible — The New York Times · Oct 18, 2019
• A Swiss Orchestra Dances Beyond the Boundaries of Classical Music — The New York Times · Oct 18, 2019
• Paul Badura-Skoda, Who Could Make a Piano Sing, Dies at 91 — The New York Times · Oct 04, 2019
• Yannick Nézet-Séguin Leads a Revelatory ‘Turandot’ — The New York Times · Oct 04, 2019
• Jessye Norman Was a Diva, in the Best Way — The New York Times · Oct 01, 2019
• Review: The Philharmonic Shines Through Two Dark Operas — The New York Times · Sep 27, 2019
• Review: Plácido Domingo Is Gone, but He Still Haunted ‘Macbeth’ — The New York Times · Sep 26, 2019
• Review: A Splendid ‘Porgy and Bess’ Opens the Met Opera Season — The New York Times · Sep 24, 2019
• Christopher Rouse, Composer of Rage and Delicacy, Dies at 70 — The New York Times · Sep 23, 2019
• The Surprise of Jaap van Zweden’s Philharmonic Tenure? Surprise — The New York Times · Sep 19, 2019
• Richard Conrad, Briefly a Bel Canto Star, Dies at 84 — The New York Times · Sep 11, 2019
• At Tanglewood, You Can Hear 8 Concerts in 3 Days — The New York Times · Aug 15, 2019
• Anner Bylsma, Eminent Cellist With an Ear for the Past, Dies at 85 — The New York Times · Aug 08, 2019
• Guests Artists Enliven the Mostly Mozart Festival — The New York Times · Aug 05, 2019
• Review: Police Violence Reaches Opera in ‘Blue’ — The New York Times · Aug 02, 2019
• The Mostly Mozart Festival, Without Mozart — The New York Times · Jul 26, 2019
• Review: In ‘The Magic Flute,’ Mozart Meets Nosferatu — The New York Times · Jul 18, 2019
• Caramoor Invites the Birds to Take Part in a Songfest — The New York Times · Jul 15, 2019
• Vivian Perlis, Oral Historian of American Music, Dies at 91 — The New York Times · Jul 09, 2019
• Shrink an Orchestra to a Single Piano, Keeping the Magic — The New York Times · Jul 04, 2019
• Familiar Operas Are Stunningly Fresh in English — The New York Times · Jun 24, 2019
• Review: Bach’s ‘Goldbergs’ Arranged for Strings? Why Not? — The New York Times · Jun 21, 2019
• Yeou-Cheng Ma, Sister of Yo-Yo, Continues a Legacy — The New York Times · Jun 19, 2019
• Franco Zeffirelli Made Subtle, Striking Opera. Until He Exploded. — The New York Times · Jun 17, 2019
• Review: The Wrenching ‘Fire Shut Up in My Bones’ Becomes an Opera — The New York Times · Jun 16, 2019
• The Philharmonic and Met Opera Go Outdoors, in Good Weather and Bad — The New York Times · Jun 13, 2019
• Yannick Nezét-Séguin Brings Both of His Orchestras to Carnegie Hall — The New York Times · Jun 09, 2019
• Review: A Dark, Modern Version of Beethoven’s Only Opera — The New York Times · Jun 07, 2019
• Review: The Searing Power of an AIDS Symphony — The New York Times · May 31, 2019
• Review: A Symphony Talks Politics — The New York Times · May 23, 2019
• Review: One Afternoon, Two Spectacular Orchestras — The New York Times · May 20, 2019
• Jörg Demus, Pianist Known for His Expressivity, Dies at 90 — The New York Times · May 15, 2019
• Review: ‘El Cimarrón’ Weaves Politics and Music in a Runaway Slave’s Tale — The New York Times · May 12, 2019
• After 58 Years, Classical Music’s Star-Maker Says Goodbye — The New York Times · May 10, 2019
• Review: A New Generation Takes Up ‘Dialogues des Carmélites’ — The New York Times · May 05, 2019
• How the Metropolitan Opera Chooses a New Generation of Stars — The New York Times · Apr 30, 2019
• Two Major Met Opera Arrivals, Just 15 Hours Apart — The New York Times · Apr 28, 2019
• Review: A Refugee Crisis, Composed Into a Symphony — The New York Times · Apr 25, 2019
• Review: The Rare Problem of a New Opera That’s Too Short — The New York Times · Apr 16, 2019
• Review: The English Concert Brings a Marvelous ‘Semele’ — The New York Times · Apr 15, 2019
• Review: A Refugee Journey Inspires a Musical Collaboration — The New York Times · Apr 12, 2019
• Review: A Pianistic Master and an Upstart, 15 Years Later — The New York Times · Apr 08, 2019
• Review: The Philharmonic Invites, and the Audience Packs the House — The New York Times · Apr 05, 2019
• Review: With All-Boy Choirs Up for Debate, an Ensemble Soars — The New York Times · Apr 02, 2019
• Review: An Intimate ‘St. Matthew Passion’ Has a Shattering Effect — The New York Times · Mar 29, 2019
• Power and Love: What We Can All Learn From Wagner’s ‘Ring’ — The New York Times · Mar 28, 2019
• Review: Leon Botstein Dusts Off a Surreal 1930s Opera — The New York Times · Mar 24, 2019
• Review: A Baritone Ends His Residency With a Poetic Homage — The New York Times · Mar 22, 2019
• Thomas Adès Brings Fresh Wildness to the Boston Symphony — The New York Times · Mar 21, 2019
• The Father-Daughter Bond at the Heart of Opera’s Greatest Epic — The New York Times · Mar 19, 2019
• Review: Beatrice Rana, a Young Pianist, Holds Carnegie Rapt — The New York Times · Mar 13, 2019
• Nine Concerts in Seven Days at the World’s Most Famous Concert Hall — The New York Times · Mar 11, 2019
• Review: The Met’s ‘Ring’ Stops Creaking, but Still Doesn’t Work — The New York Times · Mar 10, 2019
• Esa-Pekka Salonen Says Tweak the Orchestra, Don’t Blow it Up — The New York Times · Mar 07, 2019
• Review: At 91, a Conductor Inspires the New York Philharmonic — The New York Times · Mar 01, 2019
• Hear 7 of the Best Works From a Neglected Era of American Music — The New York Times · Mar 01, 2019
• Review: A Carnegie Recital Pushes the Piano to Its Limits — The New York Times · Feb 27, 2019
• Review: A Tenor Offers a Subtle Model of Adventurousness — The New York Times · Feb 25, 2019
• Review: Ambrogio Maestri Returns for Another Round as ‘Falstaff’ — The New York Times · Feb 24, 2019
• Review: Thomas Dausgaard Should Be a Philharmonic Regular — The New York Times · Feb 15, 2019
• Review: ‘Rigoletto’ at the Met Opera Sounds Almost Desperate — The New York Times · Feb 13, 2019
• Review: Trifonov, in Risky Program, Doesn’t Fail to Thrill — The New York Times · Feb 10, 2019
• Review: A Tenor Reaches 18 High C’s at the Metropolitan Opera — The New York Times · Feb 08, 2019
• Five Days, Three Pianists, Three Generations — The New York Times · Feb 06, 2019
• A Singer for Whom Words Always Came First — The New York Times · Feb 06, 2019
• Review: With Protest and Fire, an Oratorio Mourns a Tragedy — The New York Times · Jan 25, 2019
• Review: Cantata Profana Captures the Death of a Saint — The New York Times · Jan 20, 2019
• Review: The Philharmonic Reveals the Rhetoric of Rachmaninoff — The New York Times · Jan 17, 2019
• Review: In ‘Pelléas,’ the Met Opera’s Music Director Takes Charge — The New York Times · Jan 16, 2019
• Review: ‘Dear Erich’ Combines Opera, Jazz and the Holocaust — The New York Times · Jan 10, 2019
• Review: A ‘Sonic Great Wall’ Breaks Down Musical Barriers — The New York Times · Jan 08, 2019
• Review: Met Opera’s ‘Adriana Lecouvreur’ Bristles With Passion and Danger — The New York Times · Jan 01, 2019
• Aldo Parisot, Eminent Cello Teacher and Yale Fixture, Dies at 100 — The New York Times · Jan 01, 2019
• Review: ‘The Magic Flute,’ Trimmed for Families at the Met Opera — The New York Times · Dec 20, 2018
• Review: Gustavo Dudamel Delivers a Seething ‘Otello’ — The New York Times · Dec 16, 2018
• Review: Martin Frost, Clarinet Virtuoso, Dazzles as He Dances — The New York Times · Dec 13, 2018
• The 25 Best Classical Music Tracks of 2018 — The New York Times · Dec 13, 2018
• Review: ‘La Traviata’ Opens a New Era at the Met Opera — The New York Times · Dec 05, 2018
• The Best Classical Music of 2018 — The New York Times · Dec 05, 2018
• Review: At the Philharmonic, a Screaming Reflection on War — The New York Times · Nov 30, 2018
• Three Varied Visions of Spirituality at the White Light Festival — The New York Times · Nov 18, 2018
• Shadow, and Support, of Government Follows Hungarian Opera — The New York Times · Nov 04, 2018
• The Case for Greatness in Classical Music — The New York Times · Nov 02, 2018
• Review: A Vital and Sweeping ‘Porgy and Bess’ Debuts in London — The New York Times · Oct 28, 2018
• Review: ‘Marnie’ Stays in the Shadows in Nico Muhly’s Opera — The New York Times · Oct 21, 2018
• Review: Jonas Kaufmann, Back at the Met, Is Good, Not Great — The New York Times · Oct 18, 2018
• Review: Rufus Wainwright’s ‘Hadrian’ Is a Step Forward, but Still Frustrating — The New York Times · Oct 14, 2018
• Review: With ‘Tao,’ Philharmonic Dives Deeper Into Andriessen — The New York Times · Oct 11, 2018
• The Philharmonic Takes New Music Beyond Geffen Hall — The New York Times · Oct 09, 2018
• A Rare Side-by-Side of a Thrilling Stravinsky — The New York Times · Oct 07, 2018
• Review: After a Concert, a Nightcap to Demystify New Music — The New York Times · Oct 01, 2018
• Review: The Philharmonic Puts a Young Composer’s Twist on Bruckner — The New York Times · Sep 28, 2018
• Review: Anna Netrebko Makes ‘Aida’ Her Own at the Met Opera — The New York Times · Sep 27, 2018
• Review: The Met’s New ‘Samson’ Succeeds Only as Kitsch — The New York Times · Sep 25, 2018
• Review: The Jaap van Zweden Era Begins at the Philharmonic — The New York Times · Sep 21, 2018
• Review: ‘There Will Be Blood,’ With a Haunting Live Soundtrack — The New York Times · Sep 13, 2018
• A First for New York: New Conductors at the Met Opera and Philharmonic — The New York Times · Sep 11, 2018
• The Man Who Gives Form to the Sprawling Salzburg Festival — The New York Times · Aug 31, 2018
• In Praise of Bernstein as Conductor: Movement That Mesmerized — The New York Times · Aug 23, 2018
• At Salzburg, an Unlikely Operatic Trio of Women Finding Their Way — The New York Times · Aug 17, 2018
• At Salzburg Festival, Two Bold Directors Claim Their Stages — The New York Times · Aug 12, 2018
• Lincoln Center Still Has Mostly Mozart, but What Is It? — The New York Times · Aug 03, 2018
• Curious About Classical Music? Here’s Where to Start — The New York Times · Aug 02, 2018
• Review: Rubinstein’s ‘Demon’ Is Redeemed in a Rare Staging — The New York Times · Jul 31, 2018
• Review: A Dazzling ‘Creation’ Brings Light to Lincoln Center — The New York Times · Jul 20, 2018
• Is ‘Mass’ Leonard Bernstein’s Best Work, or His Worst? — The New York Times · Jul 13, 2018
• Review: Man-Made and Natural Music Merge on a Steamy Sunday — The New York Times · Jul 03, 2018
• As the Frick Expands, New York City Music Suffers — The New York Times · Jun 29, 2018
• Review: A Tiny Garage Explodes in Pianistic Madness — The New York Times · Jun 25, 2018
• Review: The Philharmonic’s Women Can Wear Pants in the Park — The New York Times · Jun 14, 2018
• A Soldier’s Racially Charged Suicide Becomes a Powerful Opera — The New York Times · Jun 13, 2018
• Review: ‘Brokeback Mountain,’ the Opera, Falls Short of Its Potential — The New York Times · Jun 01, 2018
• Review: A Long-Awaited New Opera Is a Raucous Beauty — The New York Times · May 11, 2018
• Review: A Star Pianist Finally Lets Us See Him Sweat — The New York Times · May 06, 2018
• Trifonov and Andsnes: Different Generations, Same Curiosity — The New York Times · May 04, 2018
• Review: An Afternoon of Opera Stars in the Making — The New York Times · May 01, 2018
• ‘I Could Barely Sing a High C’: Pretty Yende Finally Conquers Lucia — The New York Times · Apr 25, 2018
• Review: Third Tenor’s Not Quite a Charm in the Met’s ‘Roméo’ — The New York Times · Apr 24, 2018
• Review: Anna Netrebko Emerges as a Powerful New Tosca at the Met — The New York Times · Apr 22, 2018
• Romancing the Horn: Opera Stars Record Like It’s 1900 — The New York Times · Apr 20, 2018
• Review: Jonas Kaufmann Takes a Big Step Toward ‘Tristan’ — The New York Times · Apr 13, 2018
• Review: An Orchestral Odyssey Through Chaos and Beauty — The New York Times · Apr 05, 2018
• Review: An Ecstatic ‘Rosenkavalier’ Introduces a Conductor to Carnegie — The New York Times · Mar 30, 2018
• Review: Handel’s ‘Rinaldo,’ in Concert and Profoundly Authentic — The New York Times · Mar 26, 2018
• Review: Vittorio Grigolo Is the Reason to See the Met’s ‘Lucia’ — The New York Times · Mar 23, 2018
• Review: As James Levine Sues, the Met Opera Opens a New ‘Così’ — The New York Times · Mar 16, 2018
• Review: An Extraordinary ‘Elektra’ Shows a Path Forward for the Met — The New York Times · Mar 02, 2018
• How Jonny Greenwood Wove the ‘Phantom Thread’ Score — The New York Times · Feb 21, 2018
• Review: Restrained Wagner at the New York Philharmonic — The New York Times · Feb 15, 2018
• Review: A Bold Pianist Rescues an Overlooked Concerto — The New York Times · Feb 09, 2018
• Review: A Conductor Delivers a Magnificent ‘Parsifal’ at the Met — The New York Times · Feb 06, 2018
• 5 Hours of Glenn Gould Outtakes. Why? Listen and Find Out. — The New York Times · Feb 02, 2018
• Review: Cool and Subdued, a Pianist Saves Debussy From Cliché — The New York Times · Jan 31, 2018
• Review: A Mariachi Opera Addresses Roiling Issues of Immigration — The New York Times · Jan 26, 2018
• Review: A Whispered Opera Requests Your Close-Up Attention — The New York Times · Jan 25, 2018
• Review: The Elusive Jonas Kaufmann Finally Returns to New York — The New York Times · Jan 21, 2018
• Review: Concertgebouw Orchestra Shows Off Its Legacy at Carnegie — The New York Times · Jan 19, 2018
• What a Hologram of Maria Callas Can Teach Us About Opera — The New York Times · Jan 15, 2018
• Review: Risk-Taking New Opera Tells a Tragic 1950s Gay Love Story — The New York Times · Jan 14, 2018
• Review: A Conductor’s Exciting Return to the New York Philharmonic — The New York Times · Jan 12, 2018
• Review: A Nostalgia Trip at the New York Philharmonic — The New York Times · Jan 05, 2018
• Review: The Met Opera’s ‘Tosca’ Overcomes Months of Chaos — The New York Times · Jan 01, 2018
• The Best Opera Recording Ever Is Maria Callas Singing ‘Tosca.’ Hear Why. — The New York Times · Dec 29, 2017
• Leontyne Price, Legendary Diva, Is a Movie Star at 90 — The New York Times · Dec 22, 2017
• Review: The Met’s Holiday ‘Hansel’ Is Surreal (and Timely) — The New York Times · Dec 19, 2017
• The 25 Best Classical Music Recordings of 2017 — The New York Times · Dec 13, 2017
• Review: Listening at the Met, After James Levine — The New York Times · Dec 07, 2017
• Should I Put Away My James Levine Recordings? — The New York Times · Dec 05, 2017
• Exhausted by Harmony, Schoenberg Found Atonality — The New York Times · Dec 04, 2017
• Review: John Adams Mines Gold Rush History for His New Opera — The New York Times · Dec 01, 2017
• Review: The Quietly Cosmic Sound of Desert Stillness — The New York Times · Nov 20, 2017
• Review: A Virtuoso Pianist Is a Virtuoso Composer, Too — The New York Times · Nov 16, 2017
• Lyric Opera of Chicago Offers Very Theatrical ‘Die Walküre’ — The New York Times · Nov 11, 2017
• Review: Son Confronts Father to End a Leonard Bernstein Festival — The New York Times · Nov 10, 2017
• Review: Celebrating 40 Years of Championing American Composers — The New York Times · Nov 08, 2017
• Review: A Russian Pianist Who Doesn’t Play It Safe (Even With Chopin) — The New York Times · Oct 29, 2017