Corinna da Fonseca-Wollheim

Corinna da Fonseca-Wollheim is a music journalist. Below are 300 of 654 articles datpiff.ink indexes across 1 publication. Each links out to the original at the publisher.

• His Music Captured Norway’s Colors. His Life Reflected Its Shadows. — The New York Times · Apr 28, 2026
• Review: A Handel Flop Reveals Itself as a Work of Brilliance — The New York Times · Mar 16, 2026
• A Philharmonic Conductor’s Concerts Surprise, for Better and Worse — The New York Times · Mar 06, 2026
• Two Approaches to Musical Time, From the Vienna Philharmonic — The New York Times · Mar 02, 2026
• What Can Musical Variations Teach Us About Creativity? — The New York Times · Feb 16, 2026
• What Happens in a Performer’s Brain While Playing Music? — The New York Times · Feb 10, 2026
• And One for Mahler … Experiments in Drunk Music Making — The New York Times · Feb 05, 2026
• Viva the Absurd: ‘What to Wear’ and a Wave of Opera Surrealism — The New York Times · Jan 16, 2026
• Review: Two New Bach Pieces? The Real Thrill Was in the Chase. — The New York Times · Dec 08, 2025
• Review: A Revolution Without Poetry in the Met Opera’s ‘Chénier’ — The New York Times · Nov 25, 2025
• Considering the American Character in Two Violin Concertos — The New York Times · Nov 24, 2025
• Music to Mourn Ukraine in World War II Returns With Fresh Urgency — The New York Times · Nov 05, 2025
• Review: The Met Opera Has Another Bel Canto Hit With ‘La Fille’ — The New York Times · Oct 26, 2025
• Boulez by Salonen: Roots, Branches and Family Ties — The New York Times · Oct 10, 2025
• Review: A New ‘La Sonnambula’ at the Met Embraces the Wild — The New York Times · Oct 07, 2025
• Where an Artist Draws a Crowd, and the Crowd Draws the Artist — The New York Times · Oct 02, 2025
• Review: A Tenor With an Affinity for Rugby and French Poetry — The New York Times · Sep 25, 2025
• When Musical Directions Don’t Say What to Do, but How to Be — The New York Times · Aug 19, 2025
• Bard Music Festival: An Innovator in Exile — The New York Times · Aug 10, 2025
• Review: Macheath, Polly and the Gang Wash Up in Five Points — The New York Times · Jun 13, 2025
• ‘Guntram’ Review: In Concert at Carnegie, Strauss’s First Opera — The New York Times · Jun 08, 2025
• The Classical Music Our Critics Can’t Stop Thinking About — The New York Times · Jun 05, 2025
• ‘Queen of Spades’ Review: A Fiery Soprano Breaks Through — The New York Times · May 25, 2025
• Carla Bley’s 1970s Experimental Masterpiece Gets a Belated Premiere — The New York Times · May 01, 2025
• Shostakovich, Boston Symphony Style — The New York Times · Apr 25, 2025
• Making Sparks Fly at the New York Philharmonic — The New York Times · Apr 10, 2025
• A 270-Year-Old Scottish Folk Fiddle Makes Its Carnegie Hall Debut — The New York Times · Apr 04, 2025
• Review: A Kronos Quartet Glow Up: New Players, Newly Lustrous Sound — The New York Times · Mar 31, 2025
• A Conductor’s Intensity on the Podium Matches Her Approachability Off — The New York Times · Mar 30, 2025
• A Festival Displays the Expressive Power of Tuning in Music — The New York Times · Mar 24, 2025
• For Cleveland Orchestra, It’s Beethoven (and Freedom) to the Rescue — The New York Times · Mar 20, 2025
• Sofia Gubaidulina, Composer Who Provoked Soviet Censors, Dies at 93 — The New York Times · Mar 13, 2025
• Review: A New York Philharmonic Evening of Small Epiphanies — The New York Times · Mar 07, 2025
• For the Sick and Dying, Live Music to Ease the Pain — The New York Times · Feb 11, 2025
• Review: Yuja Wang Tries Something New With the Philharmonic — The New York Times · Jan 24, 2025
• Review: Muti and Chicago Give a Singing Account of a Rare Verdi — The New York Times · Jan 22, 2025
• At Prototype Festival, Opera With Lynchian Strangeness — The New York Times · Jan 20, 2025
• She’s the Queen of the Queens of the Night — The New York Times · Dec 23, 2024
• A D.I.Y. ‘Messiah,’ Starring You and Yours as Choristers — The New York Times · Dec 19, 2024
• Review: William Kentridge’s Collaged Fever Dream of Shostakovich — The New York Times · Dec 06, 2024
• At the Brooklyn Academy, Musical Journeys Through Minefields — The New York Times · Nov 26, 2024
• At 80, a Concert Singer Finds Herself a Hot Commodity in Opera — The New York Times · Nov 12, 2024
• Can a Synthetic Voice Be Taught to Sing Opera? — The New York Times · Oct 21, 2024
• Review: Philharmonic Pays Tribute to Schoenberg — The New York Times · Oct 13, 2024
• Murder Most Unromantic in a New ‘Carmen’ at the Metropolitan Opera — The New York Times · Dec 31, 2023
• ‘Make Noise Enough’: Excavating Shakespeare’s Songs — The New York Times · Oct 26, 2023
• What Opera Singers Gained, and Lost, Performing While Pregnant — The New York Times · Jun 28, 2023
• Louis Andriessen, Lionized Composer With Radical Roots, Dies at 82 — The New York Times · Jul 01, 2021
• Fermenting Philip Glass: René Redzepi on Music and Cooking — The New York Times · Jun 09, 2021
• Making Music Visible: Singing in Sign — The New York Times · Apr 09, 2021
• Listening to Music in the Desert at Dawn — The New York Times · Mar 31, 2021
• Listen to Five of the World’s Newest, Wildest Instruments — The New York Times · Mar 12, 2021
• A Composer’s Notes Echo After His Death — The New York Times · Mar 05, 2021
• To Express the Sound of a Country’s Soul, He Invented New Instruments — The New York Times · Feb 19, 2021
• Eva Coutaz, a Record Label Force for Quality, Dies at 77 — The New York Times · Feb 04, 2021
• How Classical Music Can Help You Hear the Open Road — The New York Times · Jan 13, 2021
• Meet the People Who Can’t Bring You ‘Messiah’ This Year — The New York Times · Dec 23, 2020
• Swapping Songs With Chess Grandmaster Garry Kasparov — The New York Times · Dec 18, 2020
• Musical Travel Companions for a Year of Going Nowhere — The New York Times · Nov 26, 2020
• After a Decade of Silence, a Composer Reappears — The New York Times · Nov 05, 2020
• Part Teacher, Part Den Mother, a Composer Fosters Diversity — The New York Times · Oct 23, 2020
• A Flutist Steps Into the Solo Spotlight — The New York Times · Oct 13, 2020
• Itzhak Perlman, Violin Legend, Still Proves the Critics Wrong — The New York Times · Aug 26, 2020
• How a Historian Stuffed Hagia Sophia’s Sound Into a Studio — The New York Times · Jul 30, 2020
• Exit Arias: What Opera Can Teach Us About Dying — The New York Times · Jul 09, 2020
• Ida Haendel, Violin Virtuoso With ‘Fire and Ice’ in Her Playing, Dies — The New York Times · Jul 08, 2020
• Concerts Disappeared. Piano Sales Survived. — The New York Times · Jun 29, 2020
• Opera Over the Phone Offers Passion in a Pandemic — The New York Times · Jun 22, 2020
• A Pulse-Slowing Playlist for an Unmoored Time — The New York Times · May 26, 2020
• Loud, Louder, Loudest: How Classical Music Started to Roar — The New York Times · Apr 17, 2020
• Join a Musical Meditation Bringing Together Hundreds Worldwide — The New York Times · Apr 03, 2020
• Edward Tarr, Renowned Trumpeter Who Delved Into Past, Dies at 83 — The New York Times · Mar 30, 2020
• After a Decade, a Monteverdi Masterpiece Flies Free — The New York Times · Dec 27, 2019
• Scorched Silence, Fragile Rebirth, Award-Winning Music — The New York Times · Dec 13, 2019
• After Trauma, a Silenced Vocalist Sings Again — The New York Times · Nov 21, 2019
• Chou Wen-chung, Composer and Calligrapher in Sound, Dies at 96 — The New York Times · Oct 29, 2019
• How the Silence Makes the Music — The New York Times · Oct 02, 2019
• Bringing the Colors Back to a Mystic’s Music — The New York Times · Sep 20, 2019
• Mario Davidovsky, Composer Who Made Electronics Sing, Dies at 85 — The New York Times · Aug 28, 2019
• Traditional Irish Sessions Are Thriving. Try Not to Spill the Beer. — The New York Times · Jul 23, 2019
• His Music Full of Echoes, a Maverick Composer Turns 90 — The New York Times · Apr 11, 2019
• Review: The Met Makes a Case for Mozart’s Least-Loved Opera — The New York Times · Mar 31, 2019
• Review: Conjuring the Splintered Self With Electronics and Voice — The New York Times · Mar 29, 2019
• Review: The Met’s ‘Walküre’ Has a Cast Worth Bragging About — The New York Times · Mar 26, 2019
• Review: Anne-Sophie Mutter Pays Tribute to Previn at Carnegie Hall — The New York Times · Mar 13, 2019
• Review: Under Salonen, the Philharmonia Orchestra Shines — The New York Times · Mar 12, 2019
• Review: A Road Test for Concertgebouw and Daniel Harding — The New York Times · Feb 17, 2019
• Review: Singing the Lone Survivors of Nearly Lost Music — The New York Times · Feb 11, 2019
• Review: Death, Two Ways, at the New York Philharmonic — The New York Times · Feb 08, 2019
• Review: A Lifeless Revival of ‘Don Giovanni’ at the Met — The New York Times · Feb 03, 2019
• In Focus Festival, Juilliard Salutes Public Broadcasters — The New York Times · Jan 27, 2019
• Review: A Rising French Singer Makes a Delicately Brilliant Debut — The New York Times · Jan 18, 2019
• Review: A Haunting Tribute to Josephine Baker Arrives at the Met Museum — The New York Times · Jan 17, 2019
• Memo to the New York Philharmonic: Louder Isn’t Better — The New York Times · Jan 11, 2019
• At GlobalFest, a World of Music, Costumes and Messages — The New York Times · Jan 07, 2019
• Out of Silence, the Music of Meditation — The New York Times · Jan 04, 2019
• A Critic Gives Prizes for 5 ‘Messiah’ Concerts in New York — The New York Times · Dec 21, 2018
• Review: The Rarely Heard Christmas Music of a Baroque Master — The New York Times · Dec 17, 2018
• Review: Anna Netrebko Sang a Recital. Of Course She Brought Props. — The New York Times · Dec 10, 2018
• Review: Intimate Schubert Expands to Fill the Orchestra — The New York Times · Dec 07, 2018
• After Struggling With Homelessness, a Chorus Sings of Gratitude — The New York Times · Dec 04, 2018
• Review: Chris Thile Is the God of Small Sounds — The New York Times · Nov 29, 2018
• Review: A Rediscovered Symphony Radiates Cosmic Grandeur — The New York Times · Nov 21, 2018
• A Baroque Specialist Gets the Philharmonic to Play From the Gut — The New York Times · Nov 20, 2018
• Review: A Cast Change Adds Suspense to the Met Opera’s ‘Pearl Fishers’ — The New York Times · Nov 15, 2018
• Review: A Rare Staging Finds the Magic in Schumann’s ‘Faust’ — The New York Times · Nov 07, 2018
• Review: An Orchestral Season That’s (Almost) Entirely Female — The New York Times · Nov 05, 2018
• Review: A New Conductor Inspires the Orchestra of St. Luke’s — The New York Times · Oct 26, 2018
• Review: Hilary Hahn Plays an Unabashedly Romantic Bach — The New York Times · Oct 24, 2018
• Review: Two Chamber Concerts, One Sparkling, One Depressing — The New York Times · Oct 19, 2018
• Does Brahms’s Obsession With Rhythmic Instability Explain His Music’s Magic? — The New York Times · Oct 19, 2018
• Review: Berlioz, Rendered Newly Audacious at Carnegie Hall — The New York Times · Oct 16, 2018
• Review: In ‘Place,’ a Composer Questions His Comfort, and Power — The New York Times · Oct 12, 2018
• Review: Jonas Kaufmann Dials Up the Swoon Factor — The New York Times · Oct 07, 2018
• Review: Puccini’s American Opera Needs a New American Vision — The New York Times · Oct 05, 2018
• Review: A Thrilling ‘La Bohème’ at the Met, Radiating Warmth — The New York Times · Sep 26, 2018
• Handel and Philip Glass, but Make It Fashion — The New York Times · Sep 21, 2018
• Review: In a Gilded Space, a Choir Reflects on War and Peace — The New York Times · Sep 20, 2018
• Review: Chutzpah? An Afro-Cuban-Yiddish Opera Worth a Schlep — The New York Times · Sep 17, 2018
• A Friend of Beethoven, Now Rediscovered in His Own Right — The New York Times · Sep 07, 2018
• Twisting for Solos, the Violist Is a Quartet’s Odd Player Out — The New York Times · Aug 31, 2018
• The Story of ‘the Most Underrated Composer in History’ — The New York Times · Aug 15, 2018
• Review: An ‘Opera for Objects’ Makes Music Out of Fear — The New York Times · Aug 07, 2018
• Finding a Musical Ideal in the Vermont Woods — The New York Times · Jul 24, 2018
• Cancer Haunts a Composer’s Life and Work — The New York Times · Jun 03, 2018
• Strapping On His Cello for a 600-Mile Bach Pilgrimage — The New York Times · May 09, 2018
• Nora Fischer Bursts the Classical Music Bubble — The New York Times · Apr 27, 2018
• Past and Present, the Orpheus Myth Makes Us Rethink Music — The New York Times · Apr 20, 2018
• A Renaissance for an Instrument of Melancholy Magic — The New York Times · Feb 23, 2018
• Europe’s ‘Rising Star’ Musicians Give as Much as They Get — The New York Times · Jan 30, 2018
• Christoph Waltz, Directing Opera, Moves From Tarantino to Verdi — The New York Times · Dec 11, 2017
• Berlin’s State Opera Has Served Kings, Presidents and Dictators. Now What? — The New York Times · Dec 08, 2017
• A Violinist as Riveting in Silence as in Sound — The New York Times · Dec 01, 2017
• Review: Violinist Gidon Kremer Shares 24 Soviet Snapshots — The New York Times · Nov 01, 2017
• Review: Renée Fleming at Carnegie, Between Opera and ‘Carousel’ — The New York Times · Oct 24, 2017
• Listen to Bach, Transformed for String Quartet — The New York Times · Oct 18, 2017
• Review: The Berlin Philharmonic Stages a Musically Glorious ‘Vixen’ — The New York Times · Oct 17, 2017
• With New Leadership, New York Philharmonic Warms to Philip Glass — The New York Times · Sep 15, 2017
• A Cellist’s Challenge: Playing Bach, Surrounded by Twisting Bodies — The New York Times · Sep 10, 2017
• Review: ‘Pinocchio,’ the Opera, Is a Hit for a Renovated Theater — The New York Times · Sep 07, 2017
• The Locrian Chamber Players Put ‘New Music’ on the Manhattan Map — The New York Times · Aug 18, 2017
• Dell’Arte Opera Offers a Cavalli to Fill a Summer Lull — The New York Times · Aug 11, 2017
• Concert Choreography: When Musicians Get Up and Move — The New York Times · Jul 28, 2017
• Mozart on the Water: Bargemusic Presents Mark Peskanov — The New York Times · Jul 19, 2017
• National Youth Orchestras Bring Friendly Competition to New York — The New York Times · Jul 12, 2017
• At G-20, Beethoven Sends a Mixed Message to Trump — The New York Times · Jul 09, 2017
• Ticktock as Taskmaster: A Show About Metronomes and Musical Time — The New York Times · Jun 30, 2017
• Cellist in an Echo Chamber, Echo Chamber — The New York Times · Jun 22, 2017
• An Operatic Rarity Picks Up Where Mozart and Rossini Left Off — The New York Times · Jun 16, 2017
• Women’s Voices of Afghanistan Rise in Gemma Peacocke’s Song Cycle — The New York Times · Jun 14, 2017
• Watch 5 Moments When Classical Music Met Politics — The New York Times · Jun 08, 2017
• Review: ‘Les Indes Galantes,’ a Baroque View of Colonial Relations — The New York Times · Jun 05, 2017
• Review: Japan Meets France, Through a Pianist’s Sensitivity — The New York Times · Jun 02, 2017
• From Silence to Noise: Rauschenberg’s Influence on Music — The New York Times · May 25, 2017
• Review: Squeezing Music Made for One Hall Into the Geffen — The New York Times · May 21, 2017
• Review: A Quartet With Sunny Energy and Grunge-Band Grit — The New York Times · May 19, 2017
• Maurizio Pollini to Play Chopin at Carnegie Hall — The New York Times · May 19, 2017
• Review: Brooklyn Youth Chorus Explores Issues Facing Its Members — The New York Times · May 15, 2017
• Review: Mozart’s ‘Secret Gardener’ Amid Real Flowers — The New York Times · May 12, 2017
• Immortal Fingertips: Music Teachers Live On Through Their Students — The New York Times · May 12, 2017
• Calidore String Quartet Comes to New York — The New York Times · May 10, 2017
• Review: An Operatic ‘Cyrano,’ Undeterred by a Giant Nose — The New York Times · May 03, 2017
• Review: Philip Glass’s ‘Madrigal Opera,’ Transparent and Opaque — The New York Times · May 01, 2017
• Review: An Old Stravinsky ‘Funeral Song’ Rumbles Anew — The New York Times · Apr 28, 2017
• Operatic Codependency? We Put Wagner on the Couch — The New York Times · Apr 24, 2017
• At 30, Bang on a Can Still Seethes With Energy — The New York Times · Apr 21, 2017
• Marc-André Hamelin and Leif Ove Andsnes Accept a Stravinsky Challenge — The New York Times · Apr 19, 2017
• With Politics as Backdrop, Hamburg’s New Hall Looks to America — The New York Times · Apr 14, 2017
• Classical Music in NYC This Week — The New York Times · Apr 13, 2017
• Anne Schwanewilms Performs Wolf and Strauss at Lincoln Center — The New York Times · Apr 12, 2017
• The Shift Festival: A Reincarnation, With Cherry Blossoms — The New York Times · Mar 31, 2017
• Review: The Desdemona in This ‘Otello’ Spits Fire — The New York Times · Mar 17, 2017
• International Street Cannibals, Feasting on Schoenberg — The New York Times · Mar 15, 2017
• Review: John Adams Wrestles the Ghosts of His Musical Fathers — The New York Times · Mar 10, 2017
• Review: A Composer Inspired by Quarks and Chromosomes — The New York Times · Mar 06, 2017
• Review: Experiencing ‘Léonore’ Before Beethoven, and Others, Got to It — The New York Times · Feb 24, 2017
• The Vienna Philharmonic Remembers Schubert — The New York Times · Feb 15, 2017
• What Baroque Venice Can Teach Us About Modern Politics — The New York Times · Feb 03, 2017
• When a Composer Just Doesn’t Do It for You (No Matter How Much You Listen) — The New York Times · Jan 30, 2017
• How Young Singers Get Used to ‘Dust’ in Their Mouths — The New York Times · Jan 27, 2017
• Review: Two Pinch-Hitters, Reveling in ‘Carmen’ — The New York Times · Jan 20, 2017
• New Works Reveal Reed Instruments’ Unexpected Dimensions — The New York Times · Jan 18, 2017
• Review: The First Concert at the New Elbphilharmonie in Germany — The New York Times · Jan 13, 2017
• Finally, a Debut for the Elbphilharmonie Hall in Hamburg — The New York Times · Jan 10, 2017
• Review: ‘Mata Hari,’ a Different Kind of Queen of the Night — The New York Times · Jan 06, 2017
• Is ‘The Mikado’ Too Politically Incorrect to Be Fixed? Maybe Not. — The New York Times · Dec 30, 2016
• Conjuring Musical and Colonial Ghosts — The New York Times · Dec 29, 2016
• Christian Gerhaher: From His Voice to Your Ears — The New York Times · Dec 07, 2016
• ‘A Gun Show’ Raises Questions Beyond the Music — The New York Times · Dec 01, 2016
• Review: Welcome to ‘Versailles’ for Music in the King’s Apartments — The New York Times · Nov 29, 2016
• Review: No Blood Spilled at This Concert (Though It Seemed So) — The New York Times · Nov 18, 2016
• The New Wizard Teaching at the Hogwarts for Choir — The New York Times · Nov 18, 2016
• Review: A Perfectly Acceptable Slice of Bach — The New York Times · Nov 16, 2016
• A Feast of One Composer’s Dreamy Reticence and Rhythmic Irascibility — The New York Times · Nov 16, 2016
• ‘Manon Lescaut’ at the Met Opera: A Courtesan in Need of Context — The New York Times · Nov 15, 2016
• Review: A Musical Homage to Aviation, From Plato to Earhart — The New York Times · Oct 31, 2016
• Review: ‘Canticles of the Holy Wind’ Summons the Elements at the Met — The New York Times · Oct 30, 2016
• Bow Aquiver, a Calligraphic Violinist Comes to Lincoln Center — The New York Times · Oct 27, 2016
• At Juilliard, Can You Hear the Sprezzatura? — The New York Times · Oct 26, 2016
• At the Classical New York Festival of Song, Music for Deciding a Vote — The New York Times · Oct 26, 2016
• Schubert’s Chilly Winter Journey, Told Two Ways — The New York Times · Oct 24, 2016
• Review: A Musical Tour of Mendelssohn’s Europe — The New York Times · Oct 19, 2016
• Review: The Joys of a Conductorless Chamber Performance — The New York Times · Oct 16, 2016
• ‘Vortex Temporum,’ a Sensual Blend of Music and Dance — The New York Times · Oct 16, 2016
• A Legend of the International Culture Scene Makes His Mark on New York — The New York Times · Oct 13, 2016
• Strauss’s ‘Elektra’ Sure Seems to Resemble Another Work — The New York Times · Oct 06, 2016
• Review: ‘L’Italiana in Algeri,’ a Comedy With Coloratura and Pasta — The New York Times · Oct 05, 2016
• St. Paul Chamber Orchestra Comes to New York — The New York Times · Oct 05, 2016
• Review: An Unsatisfying Opera (or Is It a Lecture?) — The New York Times · Oct 03, 2016
• Review: One Birthday Tribute (of Many) for Steve Reich — The New York Times · Sep 16, 2016
• A New Season for Reshuffled, Mature String Quartets — The New York Times · Sep 15, 2016
• Review: Sept. 11’s Monumental Despair, Evoked by Solo Piano — The New York Times · Sep 12, 2016
• 10 Things to Do Now in NYC — The New York Times · Aug 26, 2016
• Review: New Music Inspired by Christ’s Agony and Dating Apps — The New York Times · Aug 24, 2016
• Bartok, by Heart, From the Chiara String Quartet — The New York Times · Aug 24, 2016
• At Mostly Mozart, a Self-Effacing Magnetism — The New York Times · Aug 21, 2016
• Review: A Musical Tale of the Cosmos, Birth and Death — The New York Times · Aug 08, 2016
• Martin Frost Explores the Soul of the Clarinet — The New York Times · Aug 04, 2016
• Einojuhani Rautavaara, Composer, Dies at 87; His Lush Music Found Wide Appeal — The New York Times · Aug 03, 2016
• Beloved Concertos at the Mostly Mozart Festival — The New York Times · Aug 03, 2016
• Review: With Flower Pots and Toys, an Ensemble’s Fresh Take on Percussion — The New York Times · Jul 31, 2016
• Heard of ‘Aureliano in Palmira’? You Probably Know the Overture — The New York Times · Jul 15, 2016
• Steve Reich’s Minimalist Music, Dark and Bright — The New York Times · Jul 13, 2016
• Review: Gay Love in the Time of McCarthy — The New York Times · Jun 20, 2016
• Review: 2 Murderous Men in 2 Operas About Killing for Politics — The New York Times · Jun 17, 2016
• A Musical Biography About Astor Piazzolla — The New York Times · Jun 15, 2016
• Man, Can You Hear That Crazy Forest Green? — The New York Times · Jun 14, 2016
• When Classical Musicians Go Digital — The New York Times · Jun 09, 2016
• Review: Wilde’s Wacky ‘Earnest,’ Now With Arias — The New York Times · Jun 03, 2016
• Review: Jennifer Koh Asks 32 Musicians to Respond to Paganini — The New York Times · Jun 02, 2016
• Review: The New York Youth Symphony, Empowered at Carnegie Hall — The New York Times · May 30, 2016
• Review: Summoning Erwin Schulhoff’s Zest for Life — The New York Times · May 26, 2016
• Review: The Orion Quartet Plays Kirchner, Disguised as Bartok — The New York Times · May 20, 2016
• Review: ‘The Colorado,’ a Music-Driven Eco-Documentary — The New York Times · May 19, 2016
• Salon Sanctuary and Midtown Concerts Offer Early Music — The New York Times · May 19, 2016
• Review: Jennifer Johnson Cano and Dimitri Pittas at the Morgan — The New York Times · May 16, 2016
• Review: Yarn/Wire Plucks and Strikes, Rubs and Strums — The New York Times · May 12, 2016
• Review: The Opera Orchestra of New York Shares a Story Inspired by a Byron Poem — The New York Times · May 05, 2016
• Review: Jean-Sélim Abdelmoula Displays Both Delicate and Robust Tones — The New York Times · May 04, 2016
• Love and Loss, Set to Music, During the Holocaust — The New York Times · May 04, 2016
• Players Are Wanted for Ben Johnston’s Works. Some Sacrifice Is Required. — The New York Times · Apr 28, 2016
• Review: Argento Chamber Ensemble Pays Homage to a Central Figure of the Avant-Garde — The New York Times · Apr 26, 2016
• Review: James Levine Opens Last Run as Metropolitan Opera Music Director — The New York Times · Apr 24, 2016
• Review: Ginastera and Fauré, With a Nod to Prince — The New York Times · Apr 24, 2016
• Review: Songs of Exile With Matthias Goerne — The New York Times · Apr 22, 2016
• Review: ‘American Visions,’ a Graceful Take on Race, Patriotism and Longing — The New York Times · Apr 20, 2016
• The Utah Symphony, Blossoming Again — The New York Times · Apr 20, 2016
• Review: Salut Salon Mixes Whimsy and Virtuosity — The New York Times · Apr 18, 2016
• Review: Les Arts Florissants in a Heady Mix of Cabaret and Miley Cyrus — The New York Times · Apr 15, 2016
• Review: An All-Vivaldi Program, With a Twist or Two — The New York Times · Apr 14, 2016
• Review: American Contemporary Music Ensemble at the Kitchen — The New York Times · Apr 11, 2016
• Review: Timo Andres and Gabriel Kahane Redefine Mixtape in Moving Concert — The New York Times · Apr 11, 2016
• Review: New Jersey Symphony Orchestra Gives Xian Zhang a Handy Introduction — The New York Times · Apr 10, 2016
• Review: American Composers Orchestra Concert Tilts Eastward — The New York Times · Apr 03, 2016
• Review: ‘Spanish Nights’ of Falla and Massenet — The New York Times · Apr 01, 2016
• Vanishing Languages, Reincarnated as Music — The New York Times · Mar 30, 2016
• Review: Yundi Plays Chopin at Carnegie Hall — The New York Times · Mar 24, 2016
• ‘Yardbird’ Imagines a Ghostly Charlie Parker Encore — The New York Times · Mar 23, 2016
• Review: Orpheus’s Shifting Glimmers From Angled Glass — The New York Times · Mar 20, 2016
• Review: Five Young Winners, and Others, at National Council Auditions — The New York Times · Mar 14, 2016
• Finding Beauty in Georg Friedrich Haas’s Darkness — The New York Times · Feb 28, 2016
• Piotr Anderszewski’s Riddles of Bach and Schumann — The New York Times · Feb 25, 2016
• Review: The Budapest Festival Orchestra, Martial and Lyrical — The New York Times · Feb 20, 2016
• Review: Miranda Cuckson and Ekmeles Draw Links Across Time — The New York Times · Feb 18, 2016
• Review: So Percussion, Glenn Kotche and Shara Worden Join in Making a Joyful Noise — The New York Times · Feb 16, 2016
• Review: New York Philharmonic’s Chinese New Year, From Breezy to Languid — The New York Times · Feb 10, 2016
• Review: Ashley Fure Highlighted in a Composer Portrait at Columbia — The New York Times · Feb 08, 2016
• Review: Dither Delivers an Electric-Guitar Master Class — The New York Times · Feb 03, 2016
• Review: Juilliard Orchestra Charts a Path to Babbitt at the Focus! Festival — The New York Times · Feb 01, 2016
• Review: Jerusalem Quartet Starts a Weeklong Marathon — The New York Times · Jan 29, 2016
• Review: Matan Porat Plays an Improvised Score to ‘The General’ — The New York Times · Jan 27, 2016
• Beethoven String Quartet Cycle at Lincoln Center — The New York Times · Jan 27, 2016
• Review: In Pairing of ‘Pagliacci’ and ‘Cavalleria Rusticana,’ One Rises Above the Other — The New York Times · Jan 24, 2016
• Early-Music Ensembles: Praised as Pure, but Seeking More — The New York Times · Jan 20, 2016
• Composers’ Collectives Offer Creativity and Challenges — The New York Times · Jan 17, 2016
• Review: Dez Mona’s ‘Sága,’ Acoustic Time Travel in a Song Cycle About Roots — The New York Times · Jan 10, 2016
• Review: In ‘Angel’s Bone,’ Terrified Seraphim at the Mercy of Mortals — The New York Times · Jan 07, 2016
• Review: Pérotin and Lang, 800 Years Apart, at Trinity Church — The New York Times · Jan 06, 2016
• Prototype Festival Shows Off Contemporary Chamber Operas — The New York Times · Dec 30, 2015
• Review: New York String Orchestra Offers Youthful Energy and a Lush Sound — The New York Times · Dec 27, 2015
• Review: Musica Sacra’s ‘Messiah,’ Buoyant and Burnished at Carnegie Hall — The New York Times · Dec 23, 2015
• In Make Music Winter, Critics Find Their Inner Yodelers and Pilgrims — The New York Times · Dec 22, 2015
• Review: Danish Piano Trio Shares Well-Loved Sounds and Little-Known Gems — The New York Times · Dec 18, 2015
• In Handel’s ‘Messiah,’ the Trumpet as Divine Agent — The New York Times · Dec 17, 2015
• Review: Variety and Risk in Trinity Wall Street’s ‘Messiah’ — The New York Times · Dec 17, 2015
• Review: A Broadened Christmas Repertoire at Holy Trinity Lutheran Church — The New York Times · Dec 14, 2015
• Review: ‘La Donna del Lago,’ With Fiercely Athletic Vocals — The New York Times · Dec 13, 2015
• Review: Matthew Welch Offers Ethereal Chamber Music at the Stone — The New York Times · Dec 09, 2015
• Review: The Versatile Soprano Diana Damrau Sings at Carnegie Hall — The New York Times · Dec 07, 2015
• Diana Damrau and Joyce DiDonato, Bel Canto Divas, Return to New York — The New York Times · Dec 02, 2015
• Review: ‘The Fiery Angel,’ Devilishly Tough Prokofiev — The New York Times · Dec 01, 2015
• Review: Franco Zeffirelli's 'La Bohème' Revisits a Take on Love and Loss — The New York Times · Nov 24, 2015
• Review: Rachmaninoff Chemistry at the 92nd Street Y — The New York Times · Nov 23, 2015
• Review: JACK Quartet and Anthony McGill Perform a Menu of American Delicacies — The New York Times · Nov 22, 2015
• Review: New Juilliard Ensemble Embraces Rilke — The New York Times · Nov 18, 2015
• Review: ‘Appomattox’ at the Kennedy Center — The New York Times · Nov 15, 2015
• Review: ‘Book of Hanging Gardens,’ Sung by Christian Gerhaher — The New York Times · Nov 11, 2015
• Review: Peter Evans Teaches His Trumpet a New Vocabulary — The New York Times · Nov 06, 2015
• Review: Evgeny Kissin the Curator Illustrates His Breadth — The New York Times · Nov 04, 2015
• Review: A High-Energy St. Lawrence String Quartet at Zankel Hall — The New York Times · Nov 04, 2015