Zachary Woolfe

Zachary Woolfe is a music journalist. Below are 300 of 1309 articles datpiff.ink indexes across 1 publication. Each links out to the original at the publisher.

• With Twin Babies, the Opera Star Lise Davidsen Wonders What Comes Next — The New York Times · Mar 17, 2026
• Robert Wilson Expanded Our Sense of Theatrical Possibility — The New York Times · Aug 01, 2025
• Renée Fleming, Star Soprano, Tries Out the Director’s Chair — The New York Times · Jul 20, 2025
• In Just a Few Minutes, This Music Will Change Your Day — The New York Times · Jul 18, 2025
• In Des Moines, Big Operas and Big Ambitions Fill a Tiny Theater — The New York Times · Jul 10, 2025
• Peter Sellars Is Still Living His Life Through Art — The New York Times · Jul 08, 2025
• In Just a Few Minutes, This Music Will Change Your Day — The New York Times · Jun 20, 2025
• Review: ‘The Comet/Poppea’ Merges Opera’s Past and Present — The New York Times · Jun 19, 2025
• 5 Highlights From the Pianist Alfred Brendel’s Sprawling Career — The New York Times · Jun 18, 2025
• The Most Open-Eared Festival in America Is Ojai — The New York Times · Jun 10, 2025
• Watch Five Highlights From the Met Opera Season — The New York Times · Jun 06, 2025
• Lakota Music Project Merges Two Traditions for One Common Cause — The New York Times · Jun 03, 2025
• Hear the Sound of a New Generation of South Korean Musicians — The New York Times · Jun 02, 2025
• Waiting for Gustavo Dudamel, the Philharmonic Is Doing Just Fine — The New York Times · May 30, 2025
• Why Isn’t My Favorite Composer More Popular? — The New York Times · May 27, 2025
• Review: Dudamel Unveils a Love Letter to the Philharmonic — The New York Times · May 23, 2025
• Seven Takes on Opera’s Most Lurid Dance — The New York Times · May 14, 2025
• Review: A New ‘Antony and Cleopatra’ Opera Sags at the Met — The New York Times · May 13, 2025
• The Frick’s Gift to New York: A Superb New Concert Hall — The New York Times · May 12, 2025
• Pierre Audi, Eminent Force in the Performing Arts, Dies at 67 — The New York Times · May 03, 2025
• Review: The Met Opera’s New ‘Salome’ Fractures Its Princess — The New York Times · Apr 30, 2025
• Review: Yunchan Lim Embraces the Journey of Bach’s ‘Goldbergs’ — The New York Times · Apr 28, 2025
• Review: As New York’s Opera Scene Empties, Another Rises Upstate — The New York Times · Apr 24, 2025
• At Houston Grand Opera, ‘This Is a Good Time’ — The New York Times · Apr 22, 2025
• A New Conductor Isn’t Daunted by the Size of the Met — The New York Times · Apr 20, 2025
• She Knocks the Cobwebs Off the Violin Repertory — The New York Times · Apr 07, 2025
• The ‘Father’ of Native American Composers Hasn’t Gotten His Due — The New York Times · Mar 17, 2025
• Dudamel Leads a Premiere by a Youthful Ravel. Not Bad for a Kid. — The New York Times · Mar 14, 2025
• A Composer Both Fully Modern and Sincerely Spiritual — The New York Times · Mar 13, 2025
• Review: ‘Moby-Dick,’ the Opera, Cuts the Blubber — The New York Times · Mar 04, 2025
• The Details That Make the Vienna Philharmonic Like No Other Orchestra — The New York Times · Mar 03, 2025
• Review: Two Star Pianists, Thrillingly Side by Side — The New York Times · Feb 20, 2025
• Review: A Conductor Hushes the New York Philharmonic — The New York Times · Feb 14, 2025
• Review: Strauss’s ‘Salome,’ Squeezed Down to Some Clarinets — The New York Times · Feb 07, 2025
• A Composer Turns Down the Tempo, and Turns Up the Complexity — The New York Times · Feb 05, 2025
• The Orchestra of St. Luke’s Turns 50, as Nimble and Free as Ever — The New York Times · Jan 31, 2025
• How Directors Mine the Gold at the Heart of Wagner’s ‘Ring’ — The New York Times · Jan 29, 2025
• Review: The Philharmonic Breezes Through Wagner’s Epic ‘Ring’ — The New York Times · Jan 20, 2025
• The New Year Brings New Talent to the New York Philharmonic — The New York Times · Jan 09, 2025
• Bryn Terfel, Suave and Thundering, Is Back at the Met After 13 Years — The New York Times · Jan 07, 2025
• Review: The Met’s New ‘Aida’ Stages Spectacle Without Horses — The New York Times · Jan 01, 2025
• Best Classical Performances of 2024 — The New York Times · Dec 10, 2024
• Review: This Is the First Must-See of the Met Opera’s Season — The New York Times · Dec 01, 2024
• The Great Opera Tradition Died With Puccini — The New York Times · Nov 29, 2024
• Review: Yunchan Lim, a Piano Star at 20, Casts Light on Chopin — The New York Times · Nov 28, 2024
• Does the Conductor Klaus Mäkelä Deserve His Meteoric Rise? — The New York Times · Nov 24, 2024
• The Berlin Philharmonic Is the Best in the Business — The New York Times · Nov 20, 2024
• Review: Lise Davidsen Meets Puccini in ‘Tosca’ at the Met — The New York Times · Nov 13, 2024
• The Musician Building the Great Native American Songbook — The New York Times · Nov 05, 2024
• Review: ‘Il Trovatore’ at the Met Opera Doesn’t Catch Fire — The New York Times · Oct 27, 2024
• Review: A Standard Rushes Back to the Philharmonic — The New York Times · Oct 25, 2024
• In the Art Biennale’s Shadow, Venice Celebrates Music, Too — The New York Times · Oct 22, 2024
• Review: A Choir Stands Out in a Multimedia Performance — The New York Times · Oct 20, 2024
• Review: Philharmonic Returns to Classics, at Its Own Expense — The New York Times · Oct 06, 2024
• Bucking Trends, an Opera Company in Atlanta Is Growing — The New York Times · Oct 04, 2024
• The Metropolitan Opera’s Season Begins With a Boom — The New York Times · Oct 01, 2024
• Opera Is Still Obsessed With the Suffering of Women — The New York Times · Sep 29, 2024
• Review: A Devastated Drone Pilot Opens the Met Opera’s Season — The New York Times · Sep 24, 2024
• Review: Michael Tilson Thomas Returns to New York, and Mahler — The New York Times · Sep 13, 2024
• Review: This ‘Figaro’ Puts All Mozart’s Characters in One Voice — The New York Times · Sep 06, 2024
• A Pianist Who’s Not Afraid to Improvise on Mozart — The New York Times · Aug 27, 2024
• Review: ‘The Righteous’ Brings Stirring Prayer to Santa Fe Opera — The New York Times · Jul 28, 2024
• Lincoln Center’s Audiences Deserve Music Worthy of Them — The New York Times · Jul 24, 2024
• This Soprano Sings ‘the Sound of the Soul’ — The New York Times · Jul 12, 2024
• A Lost Masterpiece of Opera Returns, Kind Of — The New York Times · Jul 08, 2024
• The Composer Who Changed Opera With ‘a Beautiful Simplicity’ — The New York Times · Jul 05, 2024
• Four Takeaways From the Metropolitan Opera’s Risky Season — The New York Times · Jun 14, 2024
• Review: ‘Inside Light’ Gives a Taste of Stockhausen’s Opera Epic — The New York Times · Jun 09, 2024
• Gone in a Six-Year Flash: Farewell to the New York Phil’s Maestro — The New York Times · Jun 07, 2024
• Amid Orchestral Waves, the Sound of Cultures Conversing — The New York Times · May 29, 2024
• Memo to Orchestras: Do More Opera — The New York Times · May 27, 2024
• He Made the Met Opera’s Chorus the Best in the World — The New York Times · May 21, 2024
• Review: The Tragic Story of ‘An American Soldier’ Comes Home — The New York Times · May 19, 2024
• Review: An Absent Player in the Spotlight at the Philharmonic — The New York Times · May 09, 2024
• Can Marin Alsop Shatter Another Glass Ceiling? — The New York Times · May 06, 2024
• Review: A Conductor Surprises by Embracing the Ordinary — The New York Times · May 02, 2024
• Review: Children Sing of Resistance at the Philharmonic — The New York Times · Apr 21, 2024
• At Carnegie Hall, Weimar Is Irresistible but Vaguely Defined — The New York Times · Apr 14, 2024
• A ‘Missionary for Opera’ Steps Down in Chicago — The New York Times · Apr 12, 2024
• ‘Fire Shut Up in My Bones’ Review: A Met Milestone Returns — The New York Times · Apr 09, 2024
• The Era of Klaus Mäkelä, Conducting Phenom, Begins in Chicago — The New York Times · Apr 05, 2024
• Puccini’s ‘Butterfly’ and ‘Turandot’: More Than Appropriation — The New York Times · Apr 02, 2024
• After 25 Years, a Singer Is the ‘Heart and Soul’ of the Met — The New York Times · Mar 27, 2024
• The Philharmonic Adds 2 Premieres to a Diet of Classics — The New York Times · Mar 22, 2024
• At Carnegie Hall, the New Pianists Are Young and Younger — The New York Times · Mar 20, 2024
• Review: Shanghai’s Open Door to Jews, Remembered in Music — The New York Times · Mar 01, 2024
• Review: A Soprano Cements Her Stardom in the Met’s New ‘Forza’ — The New York Times · Feb 27, 2024
• Review: A Musician’s Portrait, as Both Composer and Pianist — The New York Times · Feb 23, 2024
• Review: A Teenage Pianist Takes on the Canon at Carnegie Hall — The New York Times · Feb 22, 2024
• Jaap van Zweden Bids Farewell, and Other Classical Highlights — The New York Times · Feb 20, 2024
• Review: The Boston Symphony Plays a Sober ‘Lady Macbeth’ — The New York Times · Jan 31, 2024
• At 80, the Modest Queen of Contemporary Music Keeps Exploring — The New York Times · Jan 30, 2024
• Ewa Podles, a Rare Contralto With Sweeping Range, Dies at 71 — The New York Times · Jan 22, 2024
• Opera Greets the Morning at the Prototype Festival — The New York Times · Jan 14, 2024
• Review: The Philharmonic’s Maestro Revels in the Classics — The New York Times · Jan 05, 2024
• Review: The Met’s New ‘Carmen’ Trades Castanets for Cutoffs — The New York Times · Jan 01, 2024
• ‘Maestro’ Won’t Let Leonard Bernstein Fail — The New York Times · Dec 22, 2023
• Can One of Opera’s Greatest Singers Get Her Voice Back? — The New York Times · Dec 20, 2023
• Trinity Church’s ‘Messiah’ Is Still the Gold Standard — The New York Times · Dec 14, 2023
• Best Classical Music Performances of 2023 — The New York Times · Dec 05, 2023
• Review: Daniel Barenboim Misses His American Swan Song — The New York Times · Dec 01, 2023
• Maria Callas Was Opera’s Defining Diva. She Still Is. — The New York Times · Nov 29, 2023
• For New Music, There’s No Quartet Like JACK — The New York Times · Nov 26, 2023
• Review: The Philharmonic Feasts on ‘The Planets’ — The New York Times · Nov 23, 2023
• Lise Davidsen Is an Opera Star Worth Traveling For — The New York Times · Nov 20, 2023
• Review: ‘Florencia’ Brings Spanish Back to the Met Opera — The New York Times · Nov 17, 2023
• At 50, the Kronos Quartet Is Still Playing for the Future — The New York Times · Nov 06, 2023
• The Family That Turned Malcolm X’s Life Into Opera — The New York Times · Nov 01, 2023
• Review: An Opera About Drones Brings a Pilot’s War Home — The New York Times · Oct 29, 2023
• Review: Years Late, a Young Pianist Finally Gets to Carnegie — The New York Times · Oct 23, 2023
• At the Met, a Refurbished ‘Bohème’ and an Art Deco ‘Ballo’ — The New York Times · Oct 22, 2023
• After 47 Years, the Emerson Quartet Has One More Weekend — The New York Times · Oct 19, 2023
• Review: Arca Struts the Catwalk Between Diva and Meta Diva — The New York Times · Oct 12, 2023
• Review: After Hovering, Steve Reich Brings Back the Pulse — The New York Times · Oct 06, 2023
• James Jorden, Creator of an Essential Opera Blog, Dies at 69 — The New York Times · Oct 04, 2023
• ‘Celebrate Jaap!’ the Philharmonic Says as a Maestro Departs — The New York Times · Oct 01, 2023
• Review: ‘Dead Man Walking’ Opens a Met Season Heavy on the New — The New York Times · Sep 27, 2023
• John Cage Shock: When Japan Fell for Cage and Vice Versa — The New York Times · Sep 23, 2023
• Review: In Berlin, Opera Scales Up to Fill an Airport Hangar — The New York Times · Sep 18, 2023
• Anna Netrebko Returns to Berlin, Amid Protests and Some Boos — The New York Times · Sep 17, 2023
• Review: This London ‘Ring’ Is on the Met Opera’s Radar — The New York Times · Sep 12, 2023
• Despite Tensions, Salzburg Remains a Crammed Summer Stage — The New York Times · Aug 09, 2023
• At Bayreuth, the Work on Wagner’s Operas Is Never Done — The New York Times · Aug 01, 2023
• Has Scott Joplin’s ‘Thoroughly American Opera’ Found Its Moment? — The New York Times · Jul 27, 2023
• Review: Wagner Would Have Liked AR, but Not This ‘Parsifal’ — The New York Times · Jul 26, 2023
• Review: ‘Henri VIII,’ an Operatic Rarity About a Tudor Tyrant — The New York Times · Jul 23, 2023
• Review: Ted Hearne’s Sweet, Sad American Elegy — The New York Times · Jul 10, 2023
• At the Sonic Sphere, a ‘Whoa’ Moment (and Some Music) — The New York Times · Jul 02, 2023
• Review: A Composer’s ‘Lear’ Freshens a Shakespeare Evening — The New York Times · Jun 23, 2023
• For Riccardo Muti, a Grand Sort-of-Finale in Chicago — The New York Times · Jun 17, 2023
• Is It the End of an Era at the Metropolitan Opera? — The New York Times · Jun 08, 2023
• Geffen and Gustavo: Mixed Boons for the New York Philharmonic — The New York Times · Jun 06, 2023
• Turning 100, the New Jersey Symphony Sticks to Home — The New York Times · Jun 05, 2023
• Kaija Saariaho: 11 Essential Works — The New York Times · Jun 03, 2023
• Audiences Are Coming Back to Orchestras After ‘Scary’ Sales Last Fall — The New York Times · May 23, 2023
• Review: Gustavo Dudamel Leads His New York Philharmonic — The New York Times · May 20, 2023
• A Six-Hour Opera Goes On for One Euphoric Night Only — The New York Times · May 15, 2023
• Review: Yunchan Lim, Teenage Piano Star, Arrives in New York — The New York Times · May 11, 2023
• Review: At the Met, a New ‘Don Giovanni’ Has a Stark Vitality — The New York Times · May 07, 2023
• Les Arts Florissants Returns to New York, Endangered — The New York Times · Apr 27, 2023
• Review: In ‘La Bohème’ at the Met, the Star Is in the Pit — The New York Times · Apr 23, 2023
• Review: ‘Champion,’ at the Met Opera, Spars With History — The New York Times · Apr 11, 2023
• Review: ‘Ainadamar’ Turns Lorca Into Death-Haunted Opera — The New York Times · Apr 09, 2023
• Angela Gheorghiu, Diva of the Old School, Is Back at the Met — The New York Times · Apr 07, 2023
• Daft Punk’s Thomas Bangalter Reveals Himself: As a Composer — The New York Times · Apr 03, 2023
• Review: A Concerto Makes Two Soloists a Many-Tentacled Creature — The New York Times · Mar 30, 2023
• Review: In Chicago, an Opera Triptych Reaches for Connection — The New York Times · Mar 26, 2023
• Review: Jaap van Zweden Returns to a Changed Philharmonic — The New York Times · Mar 19, 2023
• Review: A Handel Oratorio Gave the People What They Wanted — The New York Times · Mar 13, 2023
• The Vienna Philharmonic Tends the Classics With a Perfect Partner — The New York Times · Mar 06, 2023
• Two Operas, Two Sopranos, Two Very Different Impacts — The New York Times · Mar 05, 2023
• Review: A Blunt New ‘Lohengrin’ at the Met Stars a Shining Knight — The New York Times · Feb 27, 2023
• A Dave Brubeck Cantata Boasts Star Soloists: His Sons — The New York Times · Feb 24, 2023
• Jessye Norman Rejected These Recordings. Should They Be Released? — The New York Times · Feb 23, 2023
• Welcome to New York. Show Us Your Mahler Ninth. — The New York Times · Feb 22, 2023
• Review: A New Opera Puts Real Emotions in a Fantasy Garden — The New York Times · Feb 20, 2023
• Review: A Concerto Conjures the Creation, With Video — The New York Times · Feb 17, 2023
• The Story of a Production That Changed the Metropolitan Opera — The New York Times · Feb 15, 2023
• Wagner’s ‘Lohengrin’ Uses the Word ‘Führer.’ Keep It There. — The New York Times · Feb 15, 2023
• Review: No Dudamel Yet, but a Celebration at the Philharmonic — The New York Times · Feb 09, 2023
• Will Gustavo Dudamel Be New York’s New Bernstein? — The New York Times · Feb 07, 2023
• Review: At 95, a Conductor Is Still Showing New Facets — The New York Times · Feb 03, 2023
• Review: Yuja Wang Sweeps Through a Rachmaninoff Marathon — The New York Times · Jan 29, 2023
• A Mighty Generation of Musicians. A Moving Final Chapter. — The New York Times · Jan 17, 2023
• With Different Singers, One Opera Classic Can Seem Like Two — The New York Times · Jan 11, 2023
• A Penetrating Cry in the Dark at the Prototype Festival — The New York Times · Jan 08, 2023
• Review: A Philharmonic Contender Returns to the Podium — The New York Times · Jan 06, 2023
• Review: The Met Opera Found an Audience for ‘Fedora.’ For Now. — The New York Times · Jan 01, 2023
• Review: The Met Opera’s Grand Old ‘Aida’ Isn’t Dead Yet — The New York Times · Dec 04, 2022
• Review: A Shostakovich Symphony Finally Reaches the Philharmonic — The New York Times · Dec 02, 2022
• Best Classical Music Performances of 2022 — The New York Times · Dec 01, 2022
• A Not-Quite-Star Maestro Has a Starry Season at the Met — The New York Times · Nov 29, 2022
• Review: At the Philharmonic, a Taste of Holiday Bounty — The New York Times · Nov 24, 2022
• Review: In ‘The Hours,’ Prima Donnas and Emotions Soar — The New York Times · Nov 23, 2022
• They Were Ahead of the Curve on Diversity in Classical Music — The New York Times · Nov 23, 2022
• Review: The Berlin Philharmonic Gives a Master Class at Carnegie — The New York Times · Nov 13, 2022
• The Philharmonic Tests Its New Home With the Classics — The New York Times · Nov 03, 2022
• Review: Dimming the Lights for Sensuously Flowing Bach — The New York Times · Oct 28, 2022
• How the Philharmonic’s New Home Sounds, From Any Seat — The New York Times · Oct 21, 2022
• After Decades, the Philharmonic’s Hall Sounds and Feels More Intimate — The New York Times · Oct 13, 2022
• In ‘Tár,’ a Female Maestro Falls Into the Same Old Traps — The New York Times · Oct 13, 2022
• One of the World’s Great Maestros Is Suddenly a Free Agent — The New York Times · Oct 04, 2022
• An Opera Festival That Keeps Faith With Shutdown’s Innovations — The New York Times · Oct 03, 2022
• Eight Ways of Looking at a Singular Composer — The New York Times · Oct 02, 2022
• Review: In the Met Opera’s ‘Medea,’ a Soprano Stands Alone — The New York Times · Sep 28, 2022
• A Work of Mourning Comes to New York, With No Rothkos in Sight — The New York Times · Sep 26, 2022
• How Much Would You Pay to Hear Great Music? — The New York Times · Sep 23, 2022
• Review: A Molten Song Recital, Without Comic Relief — The New York Times · Sep 18, 2022
• Review: In ‘Antony and Cleopatra,’ John Adams Goes Conventional — The New York Times · Sep 11, 2022
• An American Leads the Odesa Philharmonic to Berlin — The New York Times · Sep 07, 2022
• Review: A Ukrainian Orchestra Speaks With Quiet Intensity — The New York Times · Aug 19, 2022
• At the Salzburg Festival, Riches, Retreads and Notes of Caution — The New York Times · Aug 14, 2022
• Review: A New ‘Ring’ at Bayreuth Does Wagner Without Magic — The New York Times · Aug 07, 2022
• Review: A New Opera Tells an Original Story With an Open Heart — The New York Times · Jul 22, 2022
• Classical Music Has a Hazy Future in Lincoln Center’s Summers — The New York Times · Jul 20, 2022
• A Behind-the-Scenes Eminence Shapes a Festival’s Future — The New York Times · Jul 19, 2022
• At This Summer’s Aix Festival, the Only Laughter Is Bitter — The New York Times · Jul 12, 2022
• At the Opera, Humans Bear Witness to Atrocity, or Ignore It — The New York Times · Jul 08, 2022
• Review: Before Riccardo Muti Leaves Chicago, a Verdi Farewell — The New York Times · Jun 24, 2022
• In a Jam-Packed Weekend at Ojai, a Musical Family Gathers — The New York Times · Jun 14, 2022
• At the Met This Season, Opera Was Icing on the Cake — The New York Times · Jun 12, 2022
• Review: For Franck’s 200th, an Organist Pays Grand Tribute — The New York Times · Jun 08, 2022
• Review: Beatrice Rana Plays Tchaikovsky at Human Scale — The New York Times · Jun 03, 2022
• Diamanda Galás Gives Voice to Unbearable Pain, Once More — The New York Times · Jun 02, 2022
• Review: A ‘Rake’ Takes a Treasured Spot in the Opera Season — The New York Times · May 31, 2022
• An Opera About Harvey Milk Finally Finds Itself — The New York Times · May 25, 2022
• The ‘Philosopher King’ of Percussion Starts His Next Chapter — The New York Times · May 23, 2022
• In Cleveland, Schubert Outsings Even the Mighty ‘Otello’ — The New York Times · May 22, 2022
• Review: After 36 Years, a Malcolm X Opera Sings to the Future — The New York Times · May 15, 2022
• Review: ‘Hamlet’ Boldly Engulfs the Metropolitan Opera — The New York Times · May 15, 2022
• Review: A Cellist Accompanied by His Sister. Or Vice Versa? — The New York Times · May 05, 2022
• Review: In ‘Lucia’ at the Met, a Modern Woman Comes Undone — The New York Times · Apr 24, 2022
• Review: A Chinese Concerto and a Romantic Classic Gaze Back — The New York Times · Apr 08, 2022
• Putin Says Tchaikovsky Is Being Canceled. The Met Opera Disagrees. — The New York Times · Mar 27, 2022
• Review: The Philharmonic’s Conductor Returns to His Perch — The New York Times · Mar 25, 2022
• Review: ‘The Hours’ Will Bring Renée Fleming Back to the Met — The New York Times · Mar 20, 2022
• When the Orchestra Is the Star of the Opera — The New York Times · Mar 16, 2022
• Review: With Anthems and Flags, the Met Opera Plays for Ukraine — The New York Times · Mar 15, 2022
• Review: At Carnegie, Going Beyond the Rapid-Fire Vivaldi — The New York Times · Mar 11, 2022
• Review: Gustavo Dudamel Could Be the New York Philharmonic’s Future — The New York Times · Mar 10, 2022
• Review: A Soprano’s Sound Floods the Met in ‘Ariadne’ — The New York Times · Mar 03, 2022
• Putin’s Maestro, and the Limits of Cultural Exchange in Wartime — The New York Times · Mar 02, 2022
• Review: ‘Don Carlos’ Finally Brings French Verdi to the Met — The New York Times · Mar 01, 2022
• Review: A Pianist Explores Mozart the Late Bloomer — The New York Times · Feb 23, 2022
• Review: At Rothko Chapel, a Composer Is Haunted by a Hero — The New York Times · Feb 21, 2022
• Review: Another Week, Another Philharmonic Podium Candidate — The New York Times · Feb 18, 2022
• Review: Without a Note of Beethoven, an Orchestra Shines — The New York Times · Feb 09, 2022
• Review: At the Philharmonic, Enveloping and Harrowing Sincerity — The New York Times · Feb 04, 2022
• Review: International Orchestras Are Finally Back at Carnegie — The New York Times · Feb 01, 2022
• Review: An Opera Sings of a World on the Verge of Ending — The New York Times · Jan 31, 2022
• Review: Philip Glass and the Bangles, Mashed at the Symphony — The New York Times · Jan 28, 2022
• A Day of Divas — The New York Times · Jan 24, 2022
• Broadway Meets the Avant-Garde in a Juilliard Music Festival — The New York Times · Jan 20, 2022
• Singing Will Return to Tanglewood This Summer — The New York Times · Jan 20, 2022
• Review: A Pianist Makes Carnegie Hall His Home — The New York Times · Jan 14, 2022
• 4 Operas in 48 Hours: A Critic’s Marathon at the Met — The New York Times · Jan 10, 2022
• Review: A Conductor Adds Her Name to Philharmonic Contenders — The New York Times · Jan 07, 2022
• Review: For Once, Singing of Complete and Utter Clarity — The New York Times · Dec 10, 2021
• Amid Virus Surge, Salzburg Festival Announces Next Summer — The New York Times · Dec 10, 2021
• A Tenor’s Met Career Seemed Over. Not So Fast. — The New York Times · Dec 09, 2021
• One Composer, Four Players, ‘Seven Pillars’ — The New York Times · Dec 02, 2021
• Met Opera’s Conductor Drops Out of ‘Figaro’ — The New York Times · Nov 30, 2021
• Review: On Thanksgiving, Gratitude for a Dependable Violin — The New York Times · Nov 25, 2021
• Review: The Met Opera’s ‘Eurydice’ Tries to Raise the Dead — The New York Times · Nov 24, 2021
• Review: The Met Opera’s Next ‘Ring’ Will Be a Sea Change — The New York Times · Nov 21, 2021
• Yannick Nézet-Séguin Is New York’s Conductor Now — The New York Times · Nov 19, 2021
• Review: Two Tenors. Many, Many High Notes. — The New York Times · Oct 28, 2021
• Review: Wagnerian Comedy Is No Joke in the Met’s ‘Meistersinger’ — The New York Times · Oct 27, 2021
• Review: Chamber Music Society Returns, Unchanged — The New York Times · Oct 20, 2021
• Review: Schumann at the Philharmonic. Robert, Too. — The New York Times · Oct 15, 2021
• Carlisle Floyd: Artists Share Memories of a Composer — The New York Times · Oct 04, 2021
• Review: After a Met Opera Milestone, ‘Boris’ Brings Another — The New York Times · Sep 29, 2021
• Review: The Philharmonic Tries Out Another Temporary Home — The New York Times · Sep 24, 2021
• A Black Composer Finally Arrives at the Metropolitan Opera — The New York Times · Sep 23, 2021
• Finally, a Lot of Classical Music and Opera to Hear This Season — The New York Times · Sep 17, 2021
• A Malcolm X Opera Will Come to the Met — The New York Times · Sep 16, 2021
• Review: The Met Opera Reunites, With Mahler’s ‘Resurrection’ — The New York Times · Sep 05, 2021
• Met Opera to Return to Indoor Performance for 9/11 Tribute — The New York Times · Aug 20, 2021
• After a Quarter-Century, the Queen of Salzburg Calls It Quits — The New York Times · Aug 17, 2021
• A Festival Has a Monumental Premiere (and Some Other Operas, Too) — The New York Times · Jul 12, 2021
• Review: A Composer Creates Her Masterpiece With ‘Innocence’ — The New York Times · Jul 07, 2021
• From a Composer’s Resurgence, a Masterpiece Rises — The New York Times · Jun 23, 2021
• Tania León Wins Music Pulitzer for ‘Stride’ — The New York Times · Jun 11, 2021
• Want More Diverse Conductors? Orchestras Should Look to Assistants. — The New York Times · Jun 04, 2021
• The Philharmonic Grows in a Shipping Container in Brooklyn — The New York Times · May 09, 2021
• The New York Philharmonic Is Coming. In a Shipping Container. — The New York Times · Apr 30, 2021
• The Renaissance’s Most Influential Composer, 500 Years Later — The New York Times · Apr 29, 2021
• Gustavo Dudamel, Superstar Conductor, Will Lead Paris Opera — The New York Times · Apr 16, 2021
• 400 Days Later, the New York Philharmonic Returns — The New York Times · Apr 15, 2021
• Tanglewood Is Back This Summer, With Beethoven and Yo-Yo Ma — The New York Times · Apr 08, 2021
• A Pandemic Opportunity: Geffen Hall’s Overhaul Accelerates — The New York Times · Apr 05, 2021
• Drag Star Sasha Velour Lip-Syncs for Her Operatic Life — The New York Times · Mar 29, 2021
• Music’s Most Treacherous Assignment: Finishing Mozart — The New York Times · Mar 26, 2021
• What’s in Our Queue? ‘The Crown’ and More — The New York Times · Mar 18, 2021
• He Was a ‘Bad Boy’ Harpsichordist, and the Best of His Age — The New York Times · Feb 26, 2021
• Sincere, Outdoorsy, Trippy, a Music Festival Breathes Los Angeles — The New York Times · Jan 15, 2021
• Two Friends, Two Continents, Very Different Pandemics — The New York Times · Jan 13, 2021
• Forced Online, an Opera Festival Searches for Intimacy — The New York Times · Jan 11, 2021
• Tyshawn Sorey: The Busiest Composer of the Bleakest Year — The New York Times · Jan 01, 2021
• Bryn Terfel Returns to the Metropolitan Opera. (Sort Of.) — The New York Times · Dec 11, 2020
• The Salzburg Festival, Reduced This Year, Roars Back in 2021 — The New York Times · Dec 10, 2020
• When Opera Entered the Chat — The New York Times · Dec 09, 2020
• Rosanna Carteri, Soprano Who Retired at Her Peak, Dies at 89 — The New York Times · Nov 12, 2020
• Listening to Beethoven, While Walking the Dog and Dodging Cars — The New York Times · Nov 10, 2020
• Review: In a Cemetery, Music Lives — The New York Times · Oct 23, 2020
• Erin Wall, 44, Dies; Acclaimed Soprano in Mozart and Strauss — The New York Times · Oct 14, 2020
• New York Philharmonic Cancels the Rest of Its Season — The New York Times · Oct 13, 2020
• From a Historic Piano Duel to a Finger-Blurring New Album — The New York Times · Sep 18, 2020
• Musicians on How to Bring Racial Equity to Auditions — The New York Times · Sep 10, 2020
• New York Philharmonic Restarts the Music With a Pickup Truck — The New York Times · Aug 26, 2020
• Rhiannon Giddens to Lead Silkroad’s Musical Explorations — The New York Times · Jul 28, 2020
• Black Artists on How to Change Classical Music — The New York Times · Jul 16, 2020
• Metropolitan Opera Will Livestream Its Biggest Stars — The New York Times · Jul 11, 2020
• New York Philharmonic Cancels Fall Season — The New York Times · Jun 10, 2020
• The Gentle, Brilliant Bros of French Baroque Music — The New York Times · Jun 09, 2020
• Bucking Cancellations, Salzburg Festival Has Plans for August — The New York Times · Jun 09, 2020
• The Sheku Effect: A Classical Music Star Rises — The New York Times · Jun 04, 2020
• Lincoln Center’s Artistic Leader to Leave After Three Decades — The New York Times · May 29, 2020
• The Metropolitan Opera Season That Vanished — The New York Times · May 13, 2020
• Metropolitan Opera, Facing Sharp Losses, Furloughs Dozens — The New York Times · May 05, 2020