Alastair Macaulay

Alastair Macaulay is a music journalist. Below are 300 of 1499 articles datpiff.ink indexes across 1 publication. Each links out to the original at the publisher.

• Sandra Neels, Eminent in Modern Dance for 60 Years, Dies at 85 — The New York Times · Jul 04, 2025
• Erik Aschengreen, 88, Dies; Historian and Critic Illuminated Danish Dance — The New York Times · Sep 15, 2023
• Class Is in Session. The Teacher? Mark Morris. — The New York Times · Jul 28, 2023
• Robert Gottlieb Didn’t Just Shape Manuscripts. He Shaped Dance, Too. — The New York Times · Jun 23, 2023
• Valda Setterfield Dies at 88; a Star in the Postmodern Dance Firmament — The New York Times · Apr 21, 2023
• Lynn Seymour, Acclaimed Ballerina and a Dramatic Force, Dies at 83 — The New York Times · Mar 15, 2023
• Setting the Tempo With One Eye on the Stage — The New York Times · Jan 13, 2023
• Beryl Grey, Acclaimed British Ballerina, Is Dead at 95 — The New York Times · Dec 16, 2022
• Birju Maharaj, Virtuoso of Classical Indian Dance, Dies at 83 — The New York Times · Feb 02, 2022
• Sunil Kothari, Eminent Scholar of Indian Dance, Dies at 87 — The New York Times · Jan 06, 2021
• At MoMA, a Musical Pioneer’s Rainforest Squeaks and Chirrups — The New York Times · Oct 29, 2019
• Merce Cunningham’s Rare Birds — The New York Times · Aug 15, 2019
• Trisha Brown Dances Animate a Scottish Landscape — The New York Times · Aug 13, 2019
• Julia Farron, Acclaimed Ballerina From Age 14, Is Dead at 96 — The New York Times · Jul 24, 2019
• Petipa: Precursor to Modern Ballet or Hierarchical Elitist? — The New York Times · Jul 23, 2019
• The Shifting Fortunes of Manon, Ballet’s Femme Fatale — The New York Times · Jun 12, 2019
• What Merce Cunningham Taught the Judson Dance Rebels — The New York Times · May 10, 2019
• A Balanchine Muse and Star Returns to New York City Ballet — The New York Times · Apr 23, 2019
• The Ambiguous Layers of Martha Graham’s ‘El Penitente’ — The New York Times · Mar 26, 2019
• She’s Been Writing About Dance for 55 Years. She’s Not Done Yet. — The New York Times · Mar 12, 2019
• Balanchine’s Dark Waltzes: Can Love Suffice? — The New York Times · Feb 26, 2019
• Pavlova’s Shoes, Nijinsky’s Diary, and Other Dance Treasures From the Public Library — The New York Times · Feb 07, 2019
• Balanchine’s ‘Apollo’: On Gods, Ballet and the Creation of Poetic Art — The New York Times · Jan 15, 2019
• Hail, Dance, and Farewell to the Critic’s Life — The New York Times · Dec 28, 2018
• Review: E Pluribus ‘Nutcracker,’ as a British Critic Signs Off — The New York Times · Dec 24, 2018
• 4 New Cavaliers Go Full Throttle in ‘The Nutcracker’ — The New York Times · Dec 24, 2018
• The Ambiguous Sexism of Marius Petipa, Ballet’s Towering Master — The New York Times · Dec 21, 2018
• Review: The Inspired Poetry of Gandini Juggling — The New York Times · Dec 14, 2018
• Celebrating Two Birthdays: City Center and the Ailey Company — The New York Times · Dec 13, 2018
• Review: At MoMA, Dances by Steve Paxton, an Original Too Rarely Seen — The New York Times · Dec 10, 2018
• Best Dance of 2018 — The New York Times · Dec 07, 2018
• Balanchine’s Kaleidoscopic Waltzing Flowers in ‘The Nutcracker’ — The New York Times · Nov 23, 2018
• Review: The Unraveling Fantasy of John Heginbotham’s ‘Fantasque’ — The New York Times · Nov 18, 2018
• It’s Starting to Look a Lot Like Choreography on Opera Stages — The New York Times · Nov 16, 2018
• Review: 10 Glimpses of Twyla Tharp the Minimalist — The New York Times · Nov 15, 2018
• Review: In Alexei Ratmansky’s ‘Bayadère,’ Mostly Good Revelations — The New York Times · Nov 05, 2018
• Review: The Revelatory Early Works of Lucinda Childs at MoMA — The New York Times · Oct 31, 2018
• A Robbins Rarity, ‘Watermill,’ Reimagined as a Chamber Piece — The New York Times · Oct 25, 2018
• Too Many Cooks at American Ballet Theater? — The New York Times · Oct 21, 2018
• At MoMA, Judson Dance Looks Back With Anger and Toughness — The New York Times · Oct 19, 2018
• Review: At Ballet Theater, a Gala Stage for Women’s Work — The New York Times · Oct 18, 2018
• Goodbye to All That Blaze: Joaquin De Luz Dances His Farewell — The New York Times · Oct 16, 2018
• Review: Tere O’Connor’s ‘Long Run,’ a Dance All About Dance — The New York Times · Oct 14, 2018
• At New York City Ballet, Balancing the Art of Transition — The New York Times · Oct 07, 2018
• At the Joyce, a Rearranged Theater Brings Mystery and Orthodoxy — The New York Times · Oct 01, 2018
• ‘We, the Dancers’: At City Ballet’s Gala, Affirming Ballet’s Honor — The New York Times · Sep 28, 2018
• Review: Bringing Ted Shawn Back Into the Limelight — The New York Times · Sep 23, 2018
• Review: City Ballet, in Turmoil, Shows the Value of What’s at Stake — The New York Times · Sep 19, 2018
• Review: The Humanity of Yvonne Rainer’s Natural and Peculiar Dances — The New York Times · Sep 18, 2018
• Indian Dance: Motion in Stillness, Stillness in Motion — The New York Times · Aug 21, 2018
• Review: Marcelo Gomes Returns to Honor Frederick Ashton — The New York Times · Aug 19, 2018
• Review: The Profound Eloquence of Odissi Dance — The New York Times · Aug 14, 2018
• Review: Mark Morris’s New Pastoral Says Less Than Its Music — The New York Times · Aug 10, 2018
• How a Mark Morris Dance Reimagines Love — The New York Times · Aug 08, 2018
• At Vail, Tiler Peck Choreographs and Michelle Dorrance Wows — The New York Times · Aug 07, 2018
• At Vail Festival, Dance Artists Renew and Extend Themselves — The New York Times · Aug 05, 2018
• Opposites Who Reveal Ballet’s Expressive Range — The New York Times · Jul 20, 2018
• Review: At BalletX, a New Work Alive With Suspense and Surrealism — The New York Times · Jul 13, 2018
• Review: With Batsheva, Politics Inside and Outside the Joyce Theater — The New York Times · Jul 11, 2018
• Review: Pam Tanowitz’s ‘Four Quartets’ Hits Poetic Heights — The New York Times · Jul 08, 2018
• The Changing Shape of American Ballet Theater — The New York Times · Jul 05, 2018
• Ballet Today, the Good and the Bad, on Display at the Joyce — The New York Times · Jun 29, 2018
• For Gay Pride, Dark Dances of Mystery, Anguish and Desire — The New York Times · Jun 26, 2018
• Review: Mark Morris’s Lonely Hearts Club Band — The New York Times · Jun 22, 2018
• Review: Royal Danes Deliver Fresh Shots of Bournonville — The New York Times · Jun 21, 2018
• 4 Buzzy ‘Romeo and Juliet’ Debuts, 1 Fainthearted Production — The New York Times · Jun 15, 2018
• All About Odette, Tchaikovsky’s Swan Queen — The New York Times · Jun 12, 2018
• Review: ‘Frame by Frame,’ a Ballet That Puts a Filmmaker Center Stage — The New York Times · Jun 03, 2018
• New York City Ballet Is in Limbo, but in Bloom — The New York Times · May 31, 2018
• A Ballet Heroine, Step by Step — The New York Times · May 24, 2018
• Review: From Tap to Sci-Fi Rites at Ballet Theater Gala — The New York Times · May 22, 2018
• City Ballet’s ‘Robbins 100’: Making Music Theatrical — The New York Times · May 22, 2018
• Many Giselles, but Only One Osipova — The New York Times · May 20, 2018
• In ‘Firebird,’ the Choreographer’s Art Is in Storytelling — The New York Times · May 15, 2018
• They’ve Come Undone: Giselle, Lucia and Romantic Madness — The New York Times · May 10, 2018
• Jerome Robbins, the Experimentalist — The New York Times · May 10, 2018
• Review: City Ballet Salutes Jerome Robbins, a Master of 2 Realms — The New York Times · May 04, 2018
• Review: At New York Theater Ballet, Safe Bets Become Bold — The New York Times · Apr 29, 2018
• San Francisco Ballet’s Limpid Sophistication Shines in ‘Unbound’ — The New York Times · Apr 27, 2018
• Jerome Robbins, Ballet’s Mr. ‘Take It Easy, Baby,’ at 100 — The New York Times · Apr 27, 2018
• Two Seconds That Explain Balanchine — The New York Times · Apr 24, 2018
• Review: San Francisco Ballet’s Unbound Festival Plunges Into the New — The New York Times · Apr 22, 2018
• ‘Carousel’ Dances Are a New Feather in the Enigmatic Justin Peck’s Cap — The New York Times · Apr 19, 2018
• Merce Cunningham’s Centennial Will Bring a Global Celebration — The New York Times · Apr 16, 2018
• Review: ‘Transmissions’ Evokes a Climate (Poetic, With a Chance of Ballet) — The New York Times · Mar 26, 2018
• Review: Anna Sperber’s Mysteries Remain Intact — The New York Times · Mar 22, 2018
• Review: At Washington Ballet, 3 Affable, Immature Premieres — The New York Times · Mar 16, 2018
• At Flamenco Festival, Finding the Force Beneath the Glitz — The New York Times · Mar 12, 2018
• In Philadelphia, Ballet Neighbors Divided by Style — The New York Times · Mar 09, 2018
• Taking the Pulse of New York City Ballet Without Peter Martins — The New York Times · Feb 23, 2018
• How Balanchine Turns a Fairy Story Into Tragedy — The New York Times · Feb 20, 2018
• Review: ‘Romeo + Juliet,’ a Movielike Ballet in Need of Better Direction — The New York Times · Feb 14, 2018
• Nuggets of Ballet Wisdom From Bodies Trained by Balanchine — The New York Times · Feb 13, 2018
• Review: In ‘Latitude,’ Dance in Silence Makes Its Own Inner Music — The New York Times · Feb 11, 2018
• Review: Lafayette’s Double Bill of Baroque Opera and Dance Drama — The New York Times · Feb 04, 2018
• Review: At City Ballet, a Prettily Arcadian ‘Dance Odyssey’ — The New York Times · Feb 02, 2018
• Review: A Work That Conjures Desert Sands and Whirlwinds — The New York Times · Jan 31, 2018
• Balanchine’s ‘Square Dance’ Speaks Ballet With an American Accent — The New York Times · Jan 30, 2018
• Bringing It All Back Home: City Ballet Begins Again With Balanchine — The New York Times · Jan 25, 2018
• A Pan-American Dance Sampler at the Joyce — The New York Times · Jan 15, 2018
• Review: To Open Performance Space New York, ‘visions of beauty’ — The New York Times · Jan 11, 2018
• History Is About to Change at New York City Ballet. How? — The New York Times · Jan 02, 2018
• Under City Ballet’s ‘Nutcracker’ Tree, Dancers Find New Roles — The New York Times · Dec 26, 2017
• After the Curtain Falls: Talking to Suzanne Farrell, Artist and Muse — The New York Times · Dec 19, 2017
• How to Fall Under a Butoh-like Spell — The New York Times · Dec 15, 2017
• Review: ‘Brooklyn Nutcracker’ Is Simply, Imperfectly Charming — The New York Times · Dec 08, 2017
• Alvin Ailey Dancers Return Like Conquering Heroes — The New York Times · Dec 04, 2017
• 10 Ways to Tell if Your ‘Nutcracker’ Is Traditional — The New York Times · Nov 21, 2017
• East Side, West Side: Lighting the Way, Darkly — The New York Times · Nov 17, 2017
• Review: Doom, Doom Everywhere (and Just a Drop of Joy) — The New York Times · Nov 10, 2017
• Review: A Triple Bill at the Royal Ballet Comes Up Two-Thirds Short — The New York Times · Nov 07, 2017
• At American Ballet Theater Gala, All Is the Same but Different — The New York Times · Oct 19, 2017
• Houston’s Wortham Theater Center, Weeks After Harvey Struck — The New York Times · Oct 13, 2017
• A Farewell and Other Dramas at New York City Ballet — The New York Times · Oct 08, 2017
• Review: Fall for Dance’s Eclectic Variations — The New York Times · Oct 03, 2017
• Review: The Unstuffy Gala: City Ballet Delivers Youth and Style — The New York Times · Sep 29, 2017
• Review: In ‘Principles of Uncertainty,’ Talking and Dancing About the Weather — The New York Times · Sep 28, 2017
• Review: After Flood, Houston Ballet Returns With a Romantic Masterpiece — The New York Times · Sep 24, 2017
• Review: Making Eloquent Theater From Bleak Facts — The New York Times · Sep 22, 2017
• Review: Fugues, Rags and Dylan by Twyla Tharp. Oh, She Dances Too. — The New York Times · Sep 20, 2017
• What to Look Forward to in the Fall Dance Season — The New York Times · Sep 08, 2017
• Traditional Indian Dance, With Room for New Blood — The New York Times · Aug 29, 2017
• An Odissi Dancer Contains Sublime Multitudes — The New York Times · Aug 22, 2017
• An Enchanted Evening of Indian Dance Under a Turner Sky — The New York Times · Aug 16, 2017
• Review: At Vail, Female Choreographers Feed the Mighty River of Dance — The New York Times · Aug 08, 2017
• Where Dancers Shine Beyond Their Usual Specialties — The New York Times · Aug 06, 2017
• Review: In Bolshoi’s Ballet, No Shrew to Tame — The New York Times · Jul 27, 2017
• The Ballerina Who Can Stop Time (and Restart It, Too) — The New York Times · Jul 24, 2017
• Review: Balanchine Jewels from Paris, Moscow and New York — The New York Times · Jul 21, 2017
• The Divided Soul of American Ballet Theater — The New York Times · Jul 07, 2017
• Review: Tchaikovsky in Bite-Size Morsels, at American Ballet Theater — The New York Times · Jul 06, 2017
• Review: Mark Morris and Lou Harrison, a Large-Spirited Partnership — The New York Times · Jun 30, 2017
• Review: In ‘Onegin,’ Two Star Ballerinas on Contrasting Arcs — The New York Times · Jun 25, 2017
• Review: Miami City Ballet Brings Its Own Sunshine to Jacob’s Pillow — The New York Times · Jun 23, 2017
• ‘The Sleeping Beauty’: Royalist Ballet or Harmonious Ideal? — The New York Times · Jun 23, 2017
• Review: Sara Mearns Joins Isadora Duncan’s Maenads and Nymphs — The New York Times · Jun 20, 2017
• Review: The Spirit of Hitchcock, Distilled Into Dance — The New York Times · Jun 16, 2017
• L.A. Dance Project Has Vivid Performers and Fine Repertory. There’s Just One Problem. — The New York Times · Jun 15, 2017
• Review: Two True Artists, One Dramatically Limp ‘Swan Lake’ — The New York Times · Jun 13, 2017
• An Emissary From the Golden Age of Tango — The New York Times · Jun 06, 2017
• Review: Boris Eifman, the Sensationalist of Russian Ballet — The New York Times · Jun 04, 2017
• Review: In David Gordon’s Life and Art, the Past Is the Present — The New York Times · Jun 02, 2017
• Still Reforming Postmodern Dance, California Roots Intact — The New York Times · Jun 01, 2017
• Review: Washington Ballet Scales New Heights via the Classics — The New York Times · May 26, 2017
• Review: Alexei Ratmansky’s Ballet ‘Whipped Cream’ Is a Candyland Triumph — The New York Times · May 23, 2017
• Ballet After Balanchine: 3 Choreographers Lead the Way — The New York Times · May 22, 2017
• On the Frivolities of Ballet, the Contradictory Art — The New York Times · May 19, 2017
• Review: Justin Peck’s ‘Decalogue’ Pushes Into New Ballet Forms — The New York Times · May 14, 2017
• Review: At Pennsylvania Ballet, Lots of Pillows and Pas de Deux — The New York Times · May 12, 2017
• Sign of the Times: City Ballet’s Ashly Isaacs Laces Up Her Sneakers — The New York Times · May 10, 2017
• For the Couples in This Alexei Ratmansky Ballet, Love Is Not Enough — The New York Times · May 05, 2017
• Review: A Doug Elkins Program Is Charming, Trivial Dance Soup — The New York Times · Apr 21, 2017
• Review: The ‘Baryshnikov of Tango,’ Sensual With His Latest Partner — The New York Times · Apr 20, 2017
• At City Ballet’s Season Opener, Dancers Like Greyhounds Unleashed — The New York Times · Apr 19, 2017
• Review: Scottish Ballet Finds the Poetry in ... Poetry — The New York Times · Apr 12, 2017
• Review: French Dancers Show Three Faces of Merce Cunningham — The New York Times · Apr 05, 2017
• Review: Hail the Stars and Stripes, and the Radical Moves — The New York Times · Mar 29, 2017
• Romeo (and Juliet), How Many Art Thou? 1 Ballet Score, Many Stagings — The New York Times · Mar 28, 2017
• At Play With Trisha Brown — The New York Times · Mar 21, 2017
• Review: Graham, Cunningham and Taylor, All Together Now — The New York Times · Mar 20, 2017
• Trisha Brown, Choreographer and Pillar of American Postmodern Dance, Dies at 80 — The New York Times · Mar 20, 2017
• Ashley Bouder and Wendy Whelan Step in New Dance Directions — The New York Times · Mar 19, 2017
• Review: Ratmansky’s Confectionery Shop Also Serves Ballet Poetry — The New York Times · Mar 16, 2017
• Paul Taylor Season’s Premieres Lack the Luster of Its Revivals — The New York Times · Mar 10, 2017
• Review: ‘Giselle’ Bounds With Experience — The New York Times · Mar 03, 2017
• New York City Ballet Brings Its Stage to PBS — The New York Times · Feb 15, 2017
• Merce Cunningham and the Drama of Sheer Motion — The New York Times · Feb 14, 2017
• Review: An Old Ballet Is Kissed Into New Life — The New York Times · Feb 12, 2017
• Meet Aurora of ‘The Sleeping Beauty’: Her Native Language Is Classical Ballet — The New York Times · Feb 08, 2017
• How This London Troupe Takes You to the Heart of Dance — The New York Times · Feb 03, 2017
• New Faces (and Bodies) in Classic Roles at New York City Ballet — The New York Times · Feb 02, 2017
• Review: Magic and Firebirds Show the Light Side of Russia’s Mariinsky Ballet — The New York Times · Feb 01, 2017
• New York City Ballet’s Very 21st-Century Steps — The New York Times · Jan 27, 2017
• Review: For Bite-Size Balanchine, Frisson Is in the Details — The New York Times · Jan 18, 2017
• She Rotates, She Floats, She Glides on Her Toes — The New York Times · Jan 18, 2017
• Of Women, Men and Ballet in the 21st Century — The New York Times · Jan 12, 2017
• Clive Barnes Award Winners Are Announced — The New York Times · Jan 10, 2017
• Dancers Strip to Essentials in ‘Basketball’ and ‘TranSenses’ — The New York Times · Jan 09, 2017
• Merce Cunningham’s Multifaceted Mirror, Held Up to Nature — The New York Times · Jan 06, 2017
• Fresh Dewdrops for New York City Ballet’s ‘Nutcracker’ — The New York Times · Dec 29, 2016
• Review: ‘Citizen,’ Reggie Wilson’s Bridge From African-American History to the Postmodern — The New York Times · Dec 20, 2016
• Review: Paul Taylor’s ‘Tracer’ Recalls a Dance and an Artist — The New York Times · Dec 18, 2016
• Review: The Trocks Delight With Fabulous Charm — The New York Times · Dec 16, 2016
• Review: Joffrey Ballet’s New ‘Nutcracker’ Leaves Some Tradition Behind — The New York Times · Dec 11, 2016
• Mark Morris’s Party With Robots, Barbie and a Nutcracker — The New York Times · Dec 09, 2016
• The Best Dance of 2016 — The New York Times · Dec 07, 2016
• Rendering ‘On the Road’ as Dance? That and Other Audacities — The New York Times · Dec 04, 2016
• Review: Decades of Lucinda Childs’s Cool Minimalism in Motion — The New York Times · Nov 30, 2016
• Review: Pick a ‘Nutcracker,’ One From Balanchine, the Other Reimagined — The New York Times · Nov 27, 2016
• The Sugar Plum Fairy: An Enigma Wrapped in a Beautiful Dance — The New York Times · Nov 24, 2016
• Review: From Balanchine to Jookin, a Sampler of Summer Souvenirs — The New York Times · Nov 05, 2016
• Review: Dance Arrives From India. If Only It Could Stay Longer. — The New York Times · Nov 03, 2016
• Review: Mark Morris Is a Citizen of the World at the White Light Festival — The New York Times · Oct 30, 2016
• Review: A Group of Young Dancers, Conversing With their Feet — The New York Times · Oct 28, 2016
• Balanchine’s ‘Prodigal Son’ Is Returning to Ballet Theater — The New York Times · Oct 25, 2016
• Review: Ballet With Intricate Geometry, and a Lot of Fun — The New York Times · Oct 24, 2016
• Review: At Ballet Theater, a Tribute to an Overlooked Female Composer — The New York Times · Oct 23, 2016
• An Exquisite Ratmansky and More From American Ballet Theater — The New York Times · Oct 21, 2016
• ‘Symphonic Variations’: A Frederick Ashton Classic Returns — The New York Times · Oct 19, 2016
• Review: A Choreographer’s Head-Spinning Turns as Self-Revelation — The New York Times · Oct 14, 2016
• New York City Ballet’s Fall Season Bursts With Talent — The New York Times · Oct 13, 2016
• The Wisdom Beneath the Steps of ‘Dances at a Gathering’ — The New York Times · Oct 11, 2016
• Fall for Dance Festival Is Short but Packed — The New York Times · Oct 09, 2016
• In Balanchine’s ‘Serenade,’ Rituals and Gestures of Autonomy — The New York Times · Oct 06, 2016
• Review: From Mark Morris, a Tale of Love Refracted and Multiplied — The New York Times · Oct 02, 2016
• Women Fill New York City Ballet’s Season With Splendor — The New York Times · Sep 30, 2016
• Review: ‘NY Quadrille’ Opens With a Barefoot Delight — The New York Times · Sep 28, 2016
• Understanding Balanchine’s ‘Jewels,’ a Perfect Introduction to Ballet — The New York Times · Sep 27, 2016
• Review: City Ballet’s Gala Evening of Misses ... and a Lot of Skin — The New York Times · Sep 21, 2016
• Even Balanchine’s Arithmetic Contains Drama — The New York Times · Sep 21, 2016
• Dance This Fall: Indian Mythology and Ballets by Women — The New York Times · Sep 15, 2016
• It Was Justin Peck’s First ‘Rodeo,’ and He Turned It on Its Head — The New York Times · Aug 26, 2016
• Review: Choreographers Should Stay Away From Mozart. Except Mark Morris. — The New York Times · Aug 25, 2016
• Review: Three Ballets at City Center Honor Two Impresarios — The New York Times · Aug 21, 2016
• Review: Eccentricity and Offbeat Humor by BalletX — The New York Times · Aug 17, 2016
• Review: A Rare Dive Into the History of Dance Pioneers — The New York Times · Aug 11, 2016
• Review: Sarasota Ballet Shows Its Mastery of Frederick Ashton’s Marvels — The New York Times · Aug 09, 2016
• Review: L.A. Dance Project’s Eclectic Balancing Act — The New York Times · Jul 27, 2016
• Review: ‘Scherzo Fantastique’ Brims With Liberated Energy — The New York Times · Jul 24, 2016
• Review: ‘Twyla Tharp and Three Dances’ Lends a Look of Sensuous Improvisation — The New York Times · Jul 12, 2016
• Savoring the Spectrum of American Ballet Theater’s Rich Season — The New York Times · Jul 04, 2016
• Review: A ‘Sleeping Beauty’ Revival Rich in Details and Rewards — The New York Times · Jun 30, 2016
• Alexei Ratmansky: A Choreographer Who Leaps Ever Higher — The New York Times · Jun 29, 2016
• How ‘The Sleeping Beauty’ Tells Its Story Through Ballet — The New York Times · Jun 27, 2016
• Review: At 53, an Effortless Return to Dance ‘Romeo and Juliet’ — The New York Times · Jun 24, 2016
• In This ‘Romeo and Juliet’ Ballet, a Rebel Juliet — The New York Times · Jun 20, 2016
• Review: In ‘Swan Lake,’ the Drama Depends on the Dancers — The New York Times · Jun 16, 2016
• ‘Swan Lake,’ and Its 32 Fouettés — The New York Times · Jun 13, 2016
• Review: ‘Balanchine and Beyond,’ and Going Beyond Isn’t Easy — The New York Times · Jun 10, 2016
• 3 Exhibitions Where Art Melds With Dance — The New York Times · Jun 09, 2016
• Review: At School of American Ballet, Passing With Flying Colors — The New York Times · Jun 08, 2016
• Review: ‘The Golden Cockerel’ at American Ballet Theater Honors Its Origins — The New York Times · Jun 07, 2016
• Review: Ballet Arizona Performs ‘Round’ in a Dreamy Desert Ambience — The New York Times · Jun 03, 2016
• City Ballet Closes Its Season With Power and Glow — The New York Times · May 30, 2016
• Review: Dancing Chickens and a Real Pony in American Ballet Theater’s Comic Pastoral — The New York Times · May 25, 2016
• Review: Craig Hall’s Last Matinee on a Lincoln Center Stage — The New York Times · May 23, 2016
• Love Two Ways: Ashton and Balanchine on Romance — The New York Times · May 23, 2016
• Review: Merce Cunningham’s Work, on Film, Then in the Flesh — The New York Times · May 19, 2016
• Review: A Mark Morris Premiere Features Singular Theater Poetry — The New York Times · May 18, 2016
• Review: In Gala, American Ballet Theater Is Open to Debate — The New York Times · May 17, 2016
• Review: Pennsylvania Ballet’s ‘A Program of Firsts,’ a Tricky Triple Bill — The New York Times · May 13, 2016
• For City Ballet, a Balanchine Season of Renewal — The New York Times · May 11, 2016
• Review: American Ballet Theater’s ‘Sylvia’ Is a Rich Harmony — The New York Times · May 10, 2016
• New York City Ballet Opens a Spring Gala, and Some Umbrellas — The New York Times · May 05, 2016
• L.A. Dance Project Takes On Merce Cunningham — The New York Times · Apr 24, 2016
• Review: From City Ballet, a ‘Peculiar Marvel’ by Ratmansky — The New York Times · Apr 22, 2016
• New York City Ballet Casts a Singular Luster in ‘Jewels’ — The New York Times · Apr 20, 2016
• Review: Looking for Martha Graham in Her Company’s Dance Steps — The New York Times · Apr 19, 2016
• Review: Gabriel Missé and Guillermina Quiroga Tango With Passion and Laughter — The New York Times · Apr 18, 2016
• Miami City Ballet, Dancing Balanchine, Raises the Bar in New York — The New York Times · Apr 17, 2016
• Review: Miami City Ballet, a Troupe at Home Outside Its Turf — The New York Times · Apr 14, 2016
• Review: Sarasota Ballet Blends Oddity and Englishness in a Double Bill — The New York Times · Apr 10, 2016
• At Dance Theater of Harlem, Where’s the ‘Theater’? — The New York Times · Apr 07, 2016
• Review: For Pennsylvania Ballet, Transitions Onstage and Off — The New York Times · Mar 30, 2016
• Review: ‘Solos’ Features Four Women in Works Reflecting the Arab World — The New York Times · Mar 28, 2016
• In Paul Taylor’s American Modern Dance, Some Missed Connections — The New York Times · Mar 24, 2016
• Review: Balanchine and Shakespeare Catch Some Waves in Miami — The New York Times · Mar 20, 2016
• Review: A Program of Premieres by Paul Taylor’s American Modern Dance — The New York Times · Mar 18, 2016
• Review: Paul Taylor Jump-Starts His Season With a Frisky Burl Ives — The New York Times · Mar 16, 2016
• Review: Farruquito, Flamenco From a Soaring Eagle — The New York Times · Mar 11, 2016
• City Ballet’s Season of Renewal — The New York Times · Feb 29, 2016
• Review: Mariinsky Celebrates a Prima Ballerina — The New York Times · Feb 26, 2016
• Review: Pacific Northwest Ballet and Three by Balanchine — The New York Times · Feb 25, 2016
• Review: Mariinsky Ballet in ‘Raymonda,’ Searching About for a Perfect Suitor — The New York Times · Feb 24, 2016
• At New York City Ballet, Works That Tell Stories and Don’t — The New York Times · Feb 22, 2016
• Review: A Low-Key and Witty Premiere by Pam Tanowitz — The New York Times · Feb 19, 2016
• Sugarplum Fairies and Cavaliers Move Ahead at City Ballet — The New York Times · Feb 18, 2016
• Ratmansky and Lil Buck on the Spring Dance Calendar — The New York Times · Feb 17, 2016
• BalletX Flaunts Its Seriously Absurd Style — The New York Times · Feb 11, 2016
• Review: Zurich Ballet’s ‘Swan Lake’ Looks to a Classic Version From Long Ago — The New York Times · Feb 07, 2016
• Review: ‘The Most Incredible Thing’ Brings Hans Christian Andersen’s Fairy Tale to Life — The New York Times · Feb 03, 2016
• Review: From Trisha Brown, Three Last Dances (Maybe) in Brooklyn — The New York Times · Jan 29, 2016
• From Movement in Ancient Art to Radical Choreographers — The New York Times · Jan 26, 2016
• Review: Dark Suspicions in Jumps and Gestures in ‘The Winter’s Tale’ — The New York Times · Jan 21, 2016
• Review: New York City Ballet’s Winter Season Blends Movement and Music — The New York Times · Jan 20, 2016
• Dance This Week: From Balanchine to Bowie — The New York Times · Jan 20, 2016
• ‘Horizon Events,’ Inspired by the Parameters of a PS1 Gallery — The New York Times · Jan 17, 2016
• Review: At American Dance Platform, Charm and Structure Without Flight — The New York Times · Jan 13, 2016
• Dance This Week: Tap History, the Bill at the Joyce and an Award — The New York Times · Jan 13, 2016
• Mark Morris to Choreograph a New Full-Length Work — The New York Times · Jan 12, 2016
• Review: In Donna Uchizono’s ‘Sticky Majesty,’ Two Queens and Their Handmaidens — The New York Times · Jan 10, 2016
• Dance This Week: Realness Starts on the Lower East Side — The New York Times · Jan 05, 2016
• Dance This Week: ‘Ballerina Swan,’ ‘Die Fledermaus’ and the Choreography of Merce Cunningham — The New York Times · Dec 31, 2015
• New York City Ballet Introduces Its Future With a Flurry of ‘Nutcracker’ Debuts — The New York Times · Dec 28, 2015
• Review: American Dance Machine Offers 70 Years of Steps — The New York Times · Dec 24, 2015
• So Many Sugarplums, Past and Present — The New York Times · Dec 22, 2015
• Review: Meredith Monk and Anne Waldman, in Playful Collaboration — The New York Times · Dec 20, 2015
• Duets That Reflect the World Offstage — The New York Times · Dec 16, 2015
• Dance This Week: Misia Sert, Meredith Monk and Anne Waldman — The New York Times · Dec 16, 2015
• Review: Liz Gerring’s ‘Horizon,’ Exuberantly Athletic, Has Its Premiere — The New York Times · Dec 13, 2015
• Review: Mark Morris’s ‘The Hard Nut,’ Tchaikovsky With Cartoon Wit and Verve — The New York Times · Dec 13, 2015
• Review: ‘World Ballet Stars’ Puts a Spotlight on Bucharest From a Global Cast — The New York Times · Dec 10, 2015
• The Best Dance of 2015 — The New York Times · Dec 09, 2015
• Dance This Week: Alina Cojocaru, Liz Gerring and an Alternative ‘Nutcracker’ — The New York Times · Dec 08, 2015
• Review: The Paris Opera Ballet, Under New Management — The New York Times · Dec 04, 2015
• A Rousing End Lifts a Program of Jérôme Bel Dances in Paris — The New York Times · Dec 03, 2015
• Holiday Favorites and a Celebration of the New — The New York Times · Dec 01, 2015
• Review: ‘The Two Pigeons,’ Frederick Ashton’s Look at Love — The New York Times · Nov 30, 2015
• Review: Gabriel Missé and Guillermina Quiroga, Together for the First Time — The New York Times · Nov 24, 2015
• Dance This Week: Sugarplums Everywhere, Two to Tango and Ballet for All — The New York Times · Nov 24, 2015