Paul Griffiths

Paul Griffiths is a music journalist. Below are 300 of 672 articles datpiff.ink indexes across 1 publication. Each links out to the original at the publisher.

• Pierre Boulez, Composer and Conductor Who Pushed Modernism’s Boundaries, Dies at 90 — The New York Times · Jan 06, 2016
• Henri Dutilleux, Modernist Composer, Dies at 97 — The New York Times · May 23, 2013
• Colin Davis, a British Conductor Known for His Exuberant Approach, Dies at 85 — The New York Times · Apr 15, 2013
• Jonathan Harvey, Modernist Composer, Dies at 73 — The New York Times · Dec 07, 2012
• Hans Werner Henze, Composer, Dies at 86 — The New York Times · Oct 28, 2012
• Yvonne Loriod, Pianist and Messiaen Muse, Dies at 86 — The New York Times · May 19, 2010
• Karlheinz Stockhausen, Influential Composer, Dies at 79 — The New York Times · Dec 08, 2007
• Gyorgy Ligeti, Central-European Composer of Bleakness and Humor, Dies at 83 — The New York Times · Jun 13, 2006
• 'Julius Caesar' Finds a New Life in the Summer of the British Empire — The New York Times · Jul 05, 2005
• Glyndebourne Tunes Up With Mozart and Rossini — The New York Times · May 24, 2005
• Handel, Outside the Lines — The New York Times · Mar 20, 2005
• A triumphant 'Walküre' in London — The New York Times · Mar 09, 2005
• Bryn Terfel's First Wotan as Horns and Hounds Bay — The New York Times · Mar 07, 2005
• A Dark Tale of Humanity in Waves of Pity and Terror — The New York Times · Feb 21, 2005
• Rocked in the Arms of Death: Mahler's Nocturnal Water Music — The New York Times · Feb 06, 2005
• The 'Rheingold' Gods Are Bored but Well Dressed — The New York Times · Dec 20, 2004
• A Sprawling Play Transplanted to a Musical Middle Ground — The New York Times · Nov 29, 2004
• Ears Tuned to Instabilities — The New York Times · Aug 15, 2004
• A Mystery Man Who Produced Piano Music by the Truckload — The New York Times · Jun 13, 2004
• 'Shadow' Play Lacks Brilliance — The New York Times · Jun 04, 2004
• How Many Angels Fit in a Concerto? — The New York Times · May 16, 2004
• The Heartfelt Mass of a Humanist — The New York Times · Mar 07, 2004
• Milton Babbitt's Premature 'Swan Song' — The New York Times · Jan 11, 2004
• For the Love of God (And a Good Woman) — The New York Times · Dec 14, 2003
• Mitsuko Uchida Flies Round-Trip To Beethoven — The New York Times · Nov 09, 2003
• Passion Runs Through It, In More Ways Than One — The New York Times · Sep 28, 2003
• The Edifice Complete: Palace and Hut — The New York Times · Aug 24, 2003
• Carried Away on the Wings of a Bird — The New York Times · Aug 16, 2003
• The Sounds of Knitting Needles and Bicycle Bells — The New York Times · Jul 06, 2003
• Luciano Berio Is Dead at 77; Composer of Mind and Heart — The New York Times · May 28, 2003
• A Master's Moment, a Message Sent: Life Is Good — The New York Times · Mar 16, 2003
• A Rare Visit, With a Reminder Of the Revolt at Attica — The New York Times · Feb 18, 2003
• Evoking Ancient Days Through Somber Melody — The New York Times · Feb 17, 2003
• Exuberant and Somber, Both at Byron's Invitation — The New York Times · Feb 15, 2003
• Three Americans Works In One Cellist's Recital — The New York Times · Feb 13, 2003
• Singing Angel With a Human Pulse — The New York Times · Feb 09, 2003
• Songs Unsung, Words Unsaid — The New York Times · Feb 02, 2003
• Where Trivial Music Has a Beauty All Its Own — The New York Times · Jan 26, 2003
• A Fast 30 Years of Webern — The New York Times · Jan 25, 2003
• A Singer's Interpretation Of a Baroque Masterpiece — The New York Times · Jan 23, 2003
• New York and Israel Philharmonics in Mahler Tandem — The New York Times · Jan 23, 2003
• Collective Enthusiasm, From Baton To Basses — The New York Times · Jan 20, 2003
• A Rarely Played Bruckner And a Testimony to His Faith — The New York Times · Jan 15, 2003
• Visionary Operas And Gould's Bach — The New York Times · Dec 29, 2002
• At the Metropolitan Museum, the Season's Tale Retold — The New York Times · Dec 19, 2002
• A Voice That Fits Berlioz Like a Glove — The New York Times · Dec 19, 2002
• Performers Let Energy Fly, as Listeners Catch the Ideas — The New York Times · Dec 17, 2002
• A Christmas Past of Early English Songs — The New York Times · Dec 14, 2002
• Celebrating Schoenberg Rarity And Recent American Pieces — The New York Times · Dec 10, 2002
• What Mahler Had in Mind (Or Was It?) — The New York Times · Dec 08, 2002
• What Dvorak Brought With Him And What He Took Back Home — The New York Times · Nov 27, 2002
• Evoking the Power of Song Especially Over Death — The New York Times · Nov 25, 2002
• Folk Tale and a Crazy Skit, Reclaimed From an Attic — The New York Times · Nov 23, 2002
• The Stations of the Cross in Secular Mode — The New York Times · Nov 20, 2002
• Wandering Through a Recluse's Personal Garden — The New York Times · Nov 18, 2002
• The Distance Between Two Voices — The New York Times · Nov 17, 2002
• Stellar Guests at a Birthday Celebration — The New York Times · Nov 06, 2002
• Four Hours of Scriabin's Sonatas and Other Piano Thrills — The New York Times · Nov 05, 2002
• Wolpe Celebration Reaches the Orchestra — The New York Times · Nov 04, 2002
• 12 Voices Celebrate 25 Years Of Harmony — The New York Times · Oct 31, 2002
• With Pomp and Pageantry, 'Aida' Returns — The New York Times · Oct 31, 2002
• Getting the Work of 30 Fingers To Come From Only 10 — The New York Times · Oct 29, 2002
• Writing Music That Sings, Cries, Screams and Prays — The New York Times · Oct 27, 2002
• Schubert, Too, Told a Winter's Tale — The New York Times · Oct 26, 2002
• Songs, in Many Languages, That Whisper and Linger — The New York Times · Oct 26, 2002
• Meant to Tickle, a Chabrier Feather — The New York Times · Oct 24, 2002
• Violetta, the Germonts and Castanets — The New York Times · Oct 23, 2002
• Composers Inspired by an Idyll in Rome — The New York Times · Oct 19, 2002
• A Union of Word and Sound In a Jungle of Sung Poetry — The New York Times · Oct 16, 2002
• Two Composers' Homages To Famed Artist Friends — The New York Times · Oct 16, 2002
• Wolpe at 100, Still Full of Ideas and Anger — The New York Times · Oct 15, 2002
• Exhilarating Journeys To the Mountaintops — The New York Times · Oct 08, 2002
• Exploring Harmonic Worlds — The New York Times · Sep 30, 2002
• Conducting a Tour Through Ives Territory — The New York Times · Sep 26, 2002
• From Trickle To Urgent Stream — The New York Times · Sep 08, 2002
• Little Girl's Suffering Becomes A Big Opera — The New York Times · Sep 02, 2002
• Critic's Notebook; Old Masters at Edinburgh, But Scarcely a Contemporary — The New York Times · Aug 27, 2002
• The Art of Listening, to Lake Waters and to John Cage — The New York Times · Aug 21, 2002
• The Passions, Drawn to a Bachian Model — The New York Times · Aug 18, 2002
• Romantic Ghosts in a Rueful Present — The New York Times · Aug 11, 2002
• Creating a New Carmen By Playing Against Type — The New York Times · Jul 30, 2002
• Modernism Meets City And Village — The New York Times · Jul 28, 2002
• Music That Switches Its Gaze, From Future to Past — The New York Times · Jul 21, 2002
• Innovative Songs That Illuminate a Poet's Abyss — The New York Times · Jul 14, 2002
• Critic's Notebook; Take a Jazzy New Opera, Add 'Eugene Onegin' and Mix in a Provençal July — The New York Times · Jul 09, 2002
• Aldeburgh Greets a New Generation — The New York Times · Jun 29, 2002
• Floating Like a Feather In a Forbidding World — The New York Times · Jun 26, 2002
• Musical Magic From an Isle of Noises — The New York Times · Jun 23, 2002
• For a Tenor, Love as Prayer — The New York Times · Jun 08, 2002
• Serving Up a Variety of Brief Works and Modal Images — The New York Times · Jun 06, 2002
• Basing a Program on Songs Familiar to Bird Lovers — The New York Times · Jun 05, 2002
• Renaissance Madrigals, And Others From Today — The New York Times · Jun 05, 2002
• Play That Old Piece if You Must, but Not for Old Time's Sake — The New York Times · Jun 02, 2002
• Putting the Full Spotlight on Three Young Artists — The New York Times · May 30, 2002
• Times When Life Grows Dark and Still — The New York Times · May 29, 2002
• Two Faces of a Season, One Sensibility — The New York Times · May 21, 2002
• A Wagner More Intimate Than Heroic — The New York Times · May 19, 2002
• An Atomic Bomb, a Zeppelin, a Warning About Genetic Manipulation — The New York Times · May 14, 2002
• A Father And a Son Harmonize — The New York Times · May 11, 2002
• Showing the Blurry Lines Where Russia Begins and Ends — The New York Times · May 07, 2002
• Instruments And Ears Newly Tuned — The New York Times · May 06, 2002
• Storytelling in the Quiet Light of Song — The New York Times · May 04, 2002
• Deep Sorrow Chased by Joy — The New York Times · May 02, 2002
• Well, They Sure Learned Their Lesson, Didn't They? — The New York Times · May 01, 2002
• When East and West Strive for a Meeting of Minds — The New York Times · Apr 30, 2002
• Where the Art Comes Through Loud if Not Clear — The New York Times · Apr 28, 2002
• Finding The Bach Beneath Beethoven — The New York Times · Apr 25, 2002
• Some Bleak Messages Made to Sound Positive — The New York Times · Apr 24, 2002
• A Tuxedo Gets Sweaty In Hades — The New York Times · Apr 24, 2002
• Belated Salute to an Ensemble That Has Performed More Than 100 New Works — The New York Times · Apr 22, 2002
• Revising the Appreciation For Mozart's Flute Quartets — The New York Times · Apr 20, 2002
• A Long-Experienced Team Produces a Musical Braiding — The New York Times · Apr 20, 2002
• Resurrecting a Symphony After Nearly a Century — The New York Times · Apr 16, 2002
• To Listen, Perchance To Sleep — The New York Times · Apr 14, 2002
• The Invitation a Dying Mozart Could Not Refuse — The New York Times · Mar 31, 2002
• Bach's Preludes and Fugues, Monolithic in Beat and Tone — The New York Times · Mar 26, 2002
• A 'Roi David' That Evokes Other Battles — The New York Times · Mar 23, 2002
• BBC Pieces Played Live And Filmed — The New York Times · Mar 19, 2002
• For Brandenburg Concertos, Vivacity With a Little Kick — The New York Times · Mar 16, 2002
• A Concerto Offering Snapshots For Horns — The New York Times · Mar 14, 2002
• A Countertenor's Aplomb With a Flick of the Hand — The New York Times · Mar 11, 2002
• Conversation Mixing Notes And Words — The New York Times · Mar 09, 2002
• Ringing In Words Along With Fierce Spirit — The New York Times · Mar 09, 2002
• The Very Model of Musicianship — The New York Times · Mar 03, 2002
• Paradox of Beautiful Terror — The New York Times · Feb 25, 2002
• Amid the Byways, Sure of His Direction — The New York Times · Feb 21, 2002
• Mary Tudor's Version Of Old-Time Religion — The New York Times · Feb 21, 2002
• Playing for the Maestro In a Show of Affection — The New York Times · Feb 20, 2002
• A Celebration of the Birthday And Works of Gubaidulina — The New York Times · Feb 16, 2002
• Bach Passion Scaled Small, With Emotions Writ Large — The New York Times · Feb 14, 2002
• Helping to Build Confidence Under a New Conductor — The New York Times · Feb 12, 2002
• Conductor Comes Home to America, Barcelona Orchestra in Tow — The New York Times · Feb 07, 2002
• Students Romp Fearlessly Through Serial Territory — The New York Times · Feb 05, 2002
• Stressing the Speech of Songs, Each a Poem of Emotion — The New York Times · Feb 02, 2002
• Evening of Varied Works, All of Them From Britain — The New York Times · Jan 30, 2002
• When Melody Grows From Harmony — The New York Times · Jan 27, 2002
• In Performance: Classical Music; Sounds of Blizzards And Young Lovers — The New York Times · Jan 26, 2002
• Communing in Darkness With an Ancient Forerunner — The New York Times · Jan 20, 2002
• A Chance for Anne Frank To Be Her Own Librettist — The New York Times · Jan 19, 2002
• A Singer Creates a Program Of Compatible Pairings — The New York Times · Jan 19, 2002
• Israel Philharmonic Tackles Symphony's Many Ironies — The New York Times · Jan 17, 2002
• Softhearted Pirates and One Sappy Guy — The New York Times · Jan 15, 2002
• A Schoenberg Student Enlarges His Teacher's Renown — The New York Times · Jan 13, 2002
• MUSIC: The Year in Classical Music: The Critics' Choices; Ligeti's Mysteries; Lachenmann's Year — The New York Times · Dec 23, 2001
• A 'Messiah' At Home And Human — The New York Times · Dec 22, 2001
• Evening of Russian Songs, From Ardent to Sentimental — The New York Times · Dec 22, 2001
• Much Stravinsky, by Many — The New York Times · Dec 19, 2001
• Fleet Fingers of Pianist and Conductor — The New York Times · Dec 18, 2001
• Cellist Communes With a Muse, Taking His Audience With Him — The New York Times · Dec 11, 2001
• A Recital Filled With Lively Connections — The New York Times · Dec 10, 2001
• In the Style Of Puccini, Up to a Point — The New York Times · Dec 06, 2001
• Atypical Berlioz, Atypically Performed — The New York Times · Dec 06, 2001
• Bringing Out the Family Ties Of New and Old Music — The New York Times · Dec 02, 2001
• Moments of Affirmation In Brahms's 'German Requiem' — The New York Times · Dec 01, 2001
• Recreating the Splendor of a French Baroque Church — The New York Times · Nov 27, 2001
• New Works That Borrow As Much as They Create — The New York Times · Nov 24, 2001
• Looking Inward For Outward Expression — The New York Times · Nov 21, 2001
• Masur Delivers a Message From Shostakovich, Darkly — The New York Times · Nov 20, 2001
• In Nuremberg With a Renewal of Hope — The New York Times · Nov 19, 2001
• A Metaphor, Powerful And Poetic — The New York Times · Nov 18, 2001
• 'Confessions of Zeno' As a Musical Excerpt — The New York Times · Nov 17, 2001
• With a Festival in 3 Rooms, A Third Is All You Can Hear — The New York Times · Nov 14, 2001
• Where New Music Gets Lasting Love and Respect — The New York Times · Nov 10, 2001
• Making All Sounds Equal — The New York Times · Nov 04, 2001
• Now at the Helm: the Master of the Pause — The New York Times · Nov 03, 2001
• Penelope, Only One Person Could Describe That Bed — The New York Times · Oct 30, 2001
• Schoenberg With Haydn, Unlikely Team That Works — The New York Times · Oct 30, 2001
• The Underappreciated But All-Important Choir — The New York Times · Oct 30, 2001
• Straddling Realms Sacred and Secular — The New York Times · Oct 27, 2001
• Whitman's Sampler By 4 Innovators — The New York Times · Oct 24, 2001
• Xenakis Leaves a Mystery About His Music's Source — The New York Times · Oct 24, 2001
• From Delicate Whispers to a Furious Clamor — The New York Times · Oct 15, 2001
• Music From Dark Times, Catching Europe's Moods — The New York Times · Oct 15, 2001
• Going From Divine Love To the Secular Variety — The New York Times · Sep 29, 2001
• Older Works That Seemed Appropriate to the Moment — The New York Times · Sep 17, 2001
• THE NEW SEASON/CLASSICAL MUSIC: Heights to Be Scaled And Peaks to Revisit; Composing Today And Being Heard — The New York Times · Sep 09, 2001
• Edinburgh Festival Ends With a Feast of Operas — The New York Times · Sep 04, 2001
• The Sound of Uncertain, Uninspired Grad Students — The New York Times · Aug 26, 2001
• Unanswered Questions At Debussy Finale — The New York Times · Aug 21, 2001
• Tanglewood Finale Features New Musicians Performing New Music — The New York Times · Aug 20, 2001
• Young Performers, New Works at Tanglewood — The New York Times · Aug 16, 2001
• Building Bridges With Buoyant Spirits Under the Stars — The New York Times · Jul 18, 2001
• In an Intimate Space, a Journey From the Loud to the Lyric — The New York Times · Jul 16, 2001
• Ensemble Pluckily Confronts Rush Hour — The New York Times · Jul 10, 2001
• The Heroic Life, Captured by Beethoven, Lived by All — The New York Times · Jul 02, 2001
• Never Got to Cut the Cake but Always a Bride — The New York Times · Jun 21, 2001
• 'Snow White' Shows a Darker Side — The New York Times · Jun 17, 2001
• From the Levant to Brazil, or Vice Versa — The New York Times · Jun 14, 2001
• From Soulful to Opulent, In a Spirit of Fellowship — The New York Times · Jun 12, 2001
• For a New Line of CD's, a Future Already Clouded — The New York Times · Jun 10, 2001
• The Sound of Amateurs Communing With Nature — The New York Times · Jun 05, 2001
• Frogs Chirp, Birds Sing In a Paean To Creation — The New York Times · Jun 05, 2001
• Boulez From Memory For the Challenge and the Art — The New York Times · May 29, 2001
• Paying Homage to a Musical Muse, Betty Freeman — The New York Times · May 24, 2001
• Carefully Chosen Companions For a New Concerto — The New York Times · May 22, 2001
• In His Top 12, A Telling 5 From the 20th — The New York Times · May 20, 2001
• Moving at a Blurring Speed, Yet Enjoying the Scenery — The New York Times · May 16, 2001
• From Great Enthusiasm To Weary Regret — The New York Times · May 08, 2001
• Meyerbeer Claims a Place in the Present — The New York Times · Apr 28, 2001
• The Composition That Started It All, Gently — The New York Times · Apr 26, 2001
• An Anniversary Tribute To Schoenberg in Absentia — The New York Times · Apr 24, 2001
• It's the Best Of Times, Nonetheless — The New York Times · Apr 22, 2001
• Peter Maag, 81, Conductor With a Fondness for Mozart — The New York Times · Apr 20, 2001
• A Rare Chance to Hear, Then Read, 'Faune' — The New York Times · Apr 19, 2001
• Composers, Separated By Centuries, Collaborate — The New York Times · Apr 18, 2001
• A Plot Seems to Vanish Behind Screens and Slides — The New York Times · Apr 17, 2001
• His Music Can Leap and Fall, Tickle and Appall — The New York Times · Apr 15, 2001
• What's in the Title? Perhaps a Little Fun — The New York Times · Apr 12, 2001
• Funeral March Fit for a Queen and a Leap Across Time — The New York Times · Apr 10, 2001
• Carefully Scraping Along, With the Senses Atingle — The New York Times · Apr 09, 2001
• Upstart Violinist of 80 Plays a Quartet by a Fledgling of 92 — The New York Times · Apr 07, 2001
• Offering a Bach B-Minor Mass That's a Learning Experience — The New York Times · Apr 07, 2001
• Classical Music in Review: Offering a Bach B-Minor Mass That's a Learning Experience — The New York Times · Apr 06, 2001
• Crackling 20th-Century Hors d'Oeuvres, Sampled and Resampled — The New York Times · Apr 04, 2001
• And the Winds Played On, With Flavorful Differences — The New York Times · Mar 26, 2001
• An Airing, And Presto, The Artist Is Reborn — The New York Times · Mar 22, 2001
• Old and New Classics Meet With Pollini in Charge — The New York Times · Mar 13, 2001
• Heidi Grant Murphy: Shining With Artistry — The New York Times · Mar 12, 2001
• Donald Berman: A Focus on Small Musical Changes — The New York Times · Mar 12, 2001
• MUSIC: Stravinsky, a Rare Bird Amid the Palms; A Return to the Podium For Esa-Pekka Salonen — The New York Times · Mar 11, 2001
• Taking Time Out From the Podium to Bask in His Own Melodies — The New York Times · Mar 07, 2001
• A Hymn To England's Divinity — The New York Times · Mar 04, 2001
• A Journey in French Repertory With Exotic Ports of Call — The New York Times · Mar 03, 2001
• A Meditation On a Meditation — The New York Times · Mar 01, 2001
• Caught in the Swirl of an Electronic Eden — The New York Times · Feb 28, 2001
• A Princely Youth And Modest — The New York Times · Feb 27, 2001
• Saxes and Piccolo In Bach's Elysium? — The New York Times · Feb 25, 2001
• In the Best Wagner Scenario, Clarity Comes From the Pit — The New York Times · Feb 20, 2001
• Facing Challenges of Greatness and Mortality — The New York Times · Feb 18, 2001
• Piano Pieces From a Luminous and Fantastical World — The New York Times · Feb 14, 2001
• Previn's Stab at Simplicity, With Beethoven Alongside — The New York Times · Feb 10, 2001
• Searching For an Entrée On a Menu of 8 Composers — The New York Times · Feb 08, 2001
• Farewell to the King, Resigned and Sad, in Many-Towered Camelot — The New York Times · Feb 07, 2001
• Iannis Xenakis, Composer Who Built Music on Mathematics, Is Dead at 78 — The New York Times · Feb 05, 2001
• 9 Composers Share a Festival But Follow Their Own Paths — The New York Times · Jan 31, 2001
• Playing Mahler's Sixth Against Its Homogeneity — The New York Times · Jan 31, 2001
• In the Hands of a Specialist, Verdi Is a Unifying Force — The New York Times · Jan 29, 2001
• Bringing The Sound Back Alive — The New York Times · Jan 28, 2001
• Claude Palisca, 79, Musicologist Specializing in the Renaissance — The New York Times · Jan 23, 2001
• Majesty Plus Magic (But No Arm Waving) — The New York Times · Jan 22, 2001
• It's a Wonderful Town for Underexposed Composers — The New York Times · Jan 20, 2001
• Pianist's Lyrical Moments, Most Delicately Delivered — The New York Times · Jan 17, 2001
• For Mahler's Ninth, Coddling Is Required — The New York Times · Jan 16, 2001
• American Music That Rattled Berlin — The New York Times · Jan 14, 2001
• A Certitude That Knits One Phrase to the Next — The New York Times · Jan 10, 2001
• CRITIC'S CHOICE/Classical CD's; Wresting Beauty From Pain and Rage, in the Manner of Rameau — The New York Times · Jan 02, 2001
• An Evening Full of Brahms and Coughs — The New York Times · Jan 01, 2001
• Team Player and Modernist: Violin Virtuoso Redefined — The New York Times · Dec 27, 2000
• Medieval Sounds of Cheer, Grief and Boyish Antics — The New York Times · Dec 23, 2000
• All Beethoven, All the Time, All From Memory — The New York Times · Dec 19, 2000
• Oh, the Joys and Charm Of a New Child on Earth — The New York Times · Dec 18, 2000
• Beethoven the Engineer, Barenboim the Conductor — The New York Times · Dec 13, 2000
• Enough Yawps and Clatter To Send Genres Flying — The New York Times · Dec 12, 2000
• Restoring Swirling Cloaks And Passion to 'Il Trovatore' — The New York Times · Dec 07, 2000
• An American Sound That's Both Spruce and Brash — The New York Times · Dec 06, 2000
• A Sandwich of Virtuoso Works Between Ovations — The New York Times · Dec 05, 2000
• What the Timpanists Had to Say for Themselves — The New York Times · Nov 23, 2000
• Retaining Distinct Spirits, A Cello and Piano Marry — The New York Times · Nov 23, 2000
• Old-Fashioned Modernist Whose Neglect Is Fading — The New York Times · Nov 22, 2000
• Into the Orchestral 'Ring,' Where Sound Stands Alone — The New York Times · Nov 21, 2000
• An Evening of Copland In an Intimate Context — The New York Times · Nov 18, 2000
• Creating Dramas for the Concert Stage — The New York Times · Nov 12, 2000
• Taking Risks But Letting It All Be Fun — The New York Times · Nov 07, 2000
• Different Viewpoints, in Counterpoint — The New York Times · Nov 07, 2000
• That Carmen, She's Still The Ultimate Cigarette Girl — The New York Times · Oct 25, 2000
• For Bach and Soulmate, Song Is Hardly the Whole Story — The New York Times · Oct 24, 2000
• The St. Louis Takes Its Turn At a Rite for Stravinsky — The New York Times · Oct 21, 2000
• The Pulse, Dreams And Reserve Of the East — The New York Times · Oct 17, 2000
• Greeting Ives as an Old, Familiar Friend — The New York Times · Oct 17, 2000
• The Master Who Put New Music In the Public Eye — The New York Times · Oct 15, 2000
• From a Slab of Brute Force To Lyrical Sophistication — The New York Times · Oct 14, 2000
• The Passions And Fears Of a Fugitive On the Run — The New York Times · Oct 12, 2000
• Philip Glass Takes on a History of the Cosmos — The New York Times · Oct 09, 2000
• A Robust Sound Over the Centuries — The New York Times · Oct 03, 2000
• Passionate Playing of a Briton — The New York Times · Oct 03, 2000
• Debussy's Bombs Explode In Space — The New York Times · Oct 02, 2000
• Picking Up a Path Trod by Sibelius And Even Haydn — The New York Times · Oct 01, 2000
• A Composer May Age, but the Compositions Are Ever Young — The New York Times · Sep 26, 2000
• Mixing Freshly Baked With Still Warm — The New York Times · Sep 10, 2000
• Exploring 5 Decades of a Composer's Challenges — The New York Times · Sep 04, 2000
• How a Teacher Can Influence A Whole Life — The New York Times · Sep 03, 2000
• Just Imagine a Bach Orchestral Suite as Chamber Music, Just the Way Bach Did — The New York Times · Aug 28, 2000
• A Complete Webern, With 'New' Works — The New York Times · Aug 27, 2000
• Beethoven as He Is Rarely Heard — The New York Times · Aug 22, 2000
• Love and Lightning: Messiaen's 'Regards' — The New York Times · Aug 20, 2000
• On a Summer Night, Nothing Is Strange or Foreign — The New York Times · Aug 19, 2000
• You Can Dance and Sing All You Like, My Lords; Others Are Calling the Tune — The New York Times · Aug 08, 2000
• CRITIC'S CHOICE/Classical CD's; Matching the Pianist To Debussy and Chopin — The New York Times · Aug 05, 2000
• Music Drawn From a Generation's Unease — The New York Times · Jul 30, 2000
• The Challenge Of Living Up To a Past Coup — The New York Times · Jul 25, 2000
• If the Rhythm's Weird, It Must Be Messiaen — The New York Times · Jul 24, 2000
• It's Playtime at an Electronic Hoedown — The New York Times · Jul 15, 2000
• Emotions Echo Through the Rain — The New York Times · Jul 12, 2000
• A Horse Opera of a Different Sort — The New York Times · Jul 09, 2000
• 'Lucia,' Move Over: 'Jane Eyre' as Opera — The New York Times · Jul 04, 2000
• Where Tchaikovsky Becomes a Russian-Italian Blend — The New York Times · Jun 24, 2000
• Musicians Take a Stroll Along a Pioneer's Path — The New York Times · May 31, 2000
• Paintings or Mobiles, Heard Not Seen — The New York Times · May 29, 2000
• In the Art of the Sarod, Echoes of the Human Voice — The New York Times · May 25, 2000
• Irish Poets Sing and Beethoven Joins In — The New York Times · May 23, 2000