Matthew Gurewitsch

Matthew Gurewitsch is a music journalist. Below are 195 of 195 articles datpiff.ink indexes across 1 publication. Each links out to the original at the publisher.

• A Big Man Still Dreams of the Big Time — The New York Times · May 17, 2013
• Tenor From the Dark Side of the Moon — The New York Times · Mar 08, 2013
• Hearing the World, While Staying At Home — The New York Times · Jun 22, 2012
• The Corner of Falstaff and Zerbinetta — The New York Times · May 11, 2012
• Rediscovering a Champion of the Ballad — The New York Times · Feb 24, 2012
• A Valkyrie’s Voice Flashing More Than Steel — The New York Times · Jan 20, 2012
• Another Tale, or Two, Of That Operatic Figaro — The New York Times · Jun 03, 2011
• For a Violinist, Success Means a New Low Point — The New York Times · May 13, 2011
• A Blacksmith’s Touch Makes Music Light — The New York Times · May 04, 2011
• A Hungry Singer, Consuming His Roles — The New York Times · Apr 15, 2011
• Standing Small, Singing Big, All Sulfur and Zest — The New York Times · Feb 17, 2011
• Still Resonating From the Great Wall — The New York Times · Jan 26, 2011
• Silenced Voice, Heard Again — The New York Times · Jan 07, 2011
• Want to Be a Star? Take Your Lumps — The New York Times · Dec 24, 2010
• New ‘Don Carlo,’ That Ever-Changing Opera — The New York Times · Nov 19, 2010
• A Long Way From Boy Chorister — The New York Times · Nov 05, 2010
• Finding His Voice, the Slow, Steady Way — The New York Times · Oct 29, 2010
• Celebrating A Gift From Bali: Delicious Confusion — The New York Times · Oct 08, 2010
• On a Quest To Offer Arias In English — The New York Times · Aug 19, 2010
• After a Century, A Composer’s Day in the Sun — The New York Times · Jul 23, 2010
• Practicing What He Once Preached — The New York Times · Jul 01, 2010
• Fiddling While the Midnight Sun Burns — The New York Times · Jun 25, 2010
• Flight Training: Building an Army of Billy Elliots — The New York Times · Jun 18, 2010
• A Conductor’s Passion for ‘Porgy’ — The New York Times · Jun 03, 2010
• New York’s Date With the End of Time — The New York Times · May 21, 2010
• Evoking the Past by Hearing Its Sounds — The New York Times · Apr 30, 2010
• Ahab Sings! (The Whale Does Not) — The New York Times · Apr 23, 2010
• Juggling Essays, Epics and Divas — The New York Times · Apr 08, 2010
• She’s Standing on Her Own Just Fine — The New York Times · Mar 19, 2010
• When the Kids Come Out to Play — The New York Times · Mar 12, 2010
• As Plain as the Nose on His Stage — The New York Times · Feb 24, 2010
• Operatic Style Designed to Suit Your Living Room — The New York Times · Feb 04, 2010
• A Space Opera in a Proper Galaxy — The New York Times · Jan 14, 2010
• Schubert and Beckett: Footsteps in Snow — The New York Times · Dec 04, 2009
• The Magic Pen: Mozart Operas Up Close — The New York Times · Nov 22, 2009
• A Soprano’s Hat Trick: Puccini Triple Bill — The New York Times · Nov 11, 2009
• Secret Weapon of Czech Opera’s Velvet Revolution — The New York Times · Nov 06, 2009
• Curiosity Spurred the Singers — The New York Times · Oct 22, 2009
• Cut the Fluff. What Makes Tosca Tick? — The New York Times · Sep 18, 2009
• A ‘Ring’ Recording That Has It All (Except the Music) — The New York Times · Aug 28, 2009
• For Vivaldi, Many More Seasons — The New York Times · Aug 19, 2009
• A Canadian Whirlwind Hits Town — The New York Times · Jul 31, 2009
• A Mezzo Kicks Up Her Heels in High Style — The New York Times · Jun 26, 2009
• Vienna’s New Opera House Since 1801 — The New York Times · May 29, 2009
• The Great Mozart Switcheroo — The New York Times · Apr 03, 2009
• Composing Concertos in the Key of Rx — The New York Times · Mar 25, 2009
• Before the Gala, So Much Groundwork — The New York Times · Mar 04, 2009
• A Director Tackles an Opera He Loves to Hate — The New York Times · Feb 14, 2009
• Serving Two Cities, Staying True to Each — The New York Times · Feb 06, 2009
• Reimagining Mahler as He Imagined It — The New York Times · Dec 05, 2008
• The Weill (Almost) Nobody Knows — The New York Times · Nov 07, 2008
• New Hands Detonate ‘Doctor Atomic’ — The New York Times · Oct 10, 2008
• Naming the Nameless (in Sanskrit) — The New York Times · Sep 26, 2008
• A Baton for the Youth of the Americas — The New York Times · Jun 01, 2008
• Mozart’s Rivals Take the Stage Again — The New York Times · May 25, 2008
• Maverick With a Message of Solidarity — The New York Times · Apr 27, 2008
• Frisky Young Tenors on Operatic War Horses — The New York Times · Apr 20, 2008
• For Star Singers, a Worthy Partner — The New York Times · Mar 30, 2008
• A Big Year for a Full-Service Composer — The New York Times · Feb 24, 2008
• Podium Star, Ever Expanding His Horizons — The New York Times · Jan 27, 2008
• How’s the Family? Fascinating — The New York Times · Jan 13, 2008
• Voice From the Past Becomes an Obsession — The New York Times · Jan 06, 2008
• Learning to Move Under the Sea, on Wheels — The New York Times · Dec 30, 2007
• Plenty of Confidence, and No Pants — The New York Times · Nov 25, 2007
• This Time, No Laughing at the Witches — The New York Times · Oct 21, 2007
• Singing the Lament of a Fugitive Slave — The New York Times · Sep 02, 2007
• The Nureyev Nobody Knows, Young and Wild — The New York Times · Aug 26, 2007
• A New Director Aligns the Demons in Salzburg — The New York Times · Jul 22, 2007
• A Troupe That Flies Without Wings, or Wires — The New York Times · Jun 24, 2007
• An ‘Arts Organism’ That’s Still Growing — The New York Times · Jun 17, 2007
• Leaping Beyond His Comfort Zone — The New York Times · Jun 10, 2007
• A Keeper of the Flame Who Tried to Snuff It — The New York Times · May 27, 2007
• Visualizing the Depths of ‘Tristan’ — The New York Times · Apr 29, 2007
• Playing the Numbers When Putting Voice to Bach — The New York Times · Apr 15, 2007
• The War of the Russes, Ballet’s Fabled Troupe — The New York Times · Apr 08, 2007
• Admire the Footwork, but Mind the Hands — The New York Times · Mar 11, 2007
• Mistress of the Many Richard Strausses — The New York Times · Mar 11, 2007
• Broadway Babies Give a Grand Old Lady a Hand — The New York Times · Feb 04, 2007
• A Tenor Cashes in on His Money Notes — The New York Times · Jan 21, 2007
• You Have to Pull a Few Strings to Create These New Opera Stars — The New York Times · Nov 19, 2006
• You Have to Pull a Few Strings to Create These New Opera Stars — The New York Times · Nov 19, 2006
• All the Fancy Footwork a Broadway Queen Needs — The New York Times · Nov 12, 2006
• Madama Butterfly Is Ready for Her Close-Up — The New York Times · Sep 24, 2006
• Madama Butterfly Is Ready for Her Close-Up — The New York Times · Sep 24, 2006
• Couturier Settings for Balanchine’s ‘Jewels’ — The New York Times · Aug 27, 2006
• Couturier Settings for Balanchine’s ‘Jewels’ — The New York Times · Aug 27, 2006
• Early Works of a New Composer (Very Early, in Fact) — The New York Times · Aug 13, 2006
• Early Works of a New Composer (Very Early, in Fact) — The New York Times · Aug 13, 2006
• ‘Genoveva,’ the Unloved Opera, Gets Another Chance at Bard — The New York Times · Jul 23, 2006
• ‘Genoveva,’ the Unloved Opera, Gets Another Chance at Bard — The New York Times · Jul 23, 2006
• When Maria Callas Wasn't Enough of a Diva — The New York Times · Jun 18, 2006
• Schubert's Contemporaries Get Their Due in New Collection — The New York Times · Jun 04, 2006
• Schubert's Contemporaries Get Their Due in New Collection — The New York Times · Jun 04, 2006
• Touch of the Poet, Soul of the Collaborator — The New York Times · May 21, 2006
• Touch of the Poet, Soul of the Collaborator — The New York Times · May 21, 2006
• René Pape, Bass From on High, Adept at Cameos and Star Turns — The New York Times · Apr 23, 2006
• A Finnish soprano who lets feelings show — The New York Times · Apr 11, 2006
• Quite a Bit Finland, a Little Bit Callas — The New York Times · Apr 09, 2006
• Juliette Has Fun (Before She Dies, of Course) — The New York Times · Nov 13, 2005
• Why Shouldn't Men Sing Romantic Drivel, Too? — The New York Times · Nov 06, 2005
• Setting the nuclear myth to music — The New York Times · Sep 27, 2005
• The Opera That Chooses the Nuclear Option — The New York Times · Sep 25, 2005
• I'll See Your High G and Raise You an A Flat — The New York Times · Sep 18, 2005
• Never Say Neverland Again — The New York Times · Aug 07, 2005
• Creating a Stylish 'Faust,' With Tradition in Mind — The New York Times · Apr 20, 2005
• Why the Starriest of Opera Houses Needs to be More Starstruck — The New York Times · Apr 17, 2005
• The Plot Is True but Not the Love — The New York Times · Mar 18, 2005
• The Mexican tenor on the couch — The New York Times · Jan 26, 2005
• The Voice on the Couch — The New York Times · Jan 23, 2005
• When Every Song Is a Night at the Theater — The New York Times · Mar 28, 2004
• Into the Heart Of Darkness, With Puppets — The New York Times · Feb 29, 2004
• The Versatile Bass With the Tenor's Buzz — The New York Times · Feb 09, 2004
• Another Assault on the Male Conducting Bastion — The New York Times · Jan 25, 2004
• George Balanchine, Musical Comedian? — The New York Times · Jan 18, 2004
• Stravinsky, Featuring Hockney: A Met Mix — The New York Times · Oct 12, 2003
• Rasputin, From Top to Bottom — The New York Times · Sep 14, 2003
• Today Disney, Tomorrow The Met — The New York Times · Feb 09, 2003
• For This Label, 'First' Takes Precedence Over 'Best' — The New York Times · Jan 26, 2003
• A Piano Festival That Was Born To Be Contrary — The New York Times · Jan 05, 2003
• A Baritone Who Dances, Too? Well, Not Quite, but Almost — The New York Times · Dec 01, 2002
• Dance; An Antique Treasure, Descended From Ballet History — The New York Times · Nov 10, 2002
• America's Soprano Of Choice — The New York Times · Oct 20, 2002
• An Operatic Gumshoe Is on a New Case — The New York Times · Sep 29, 2002
• In Partnering a Ballet, the Orchestra Must Also Dance — The New York Times · Sep 29, 2002
• From Headstrong Heroines to Sly Vixens — The New York Times · Sep 22, 2002
• A Superstar's Fill-In Is a Star on His Own Back Home in Italy — The New York Times · Aug 25, 2002
• The Classiest Of the Classics, True to Itself — The New York Times · Aug 04, 2002
• The New Boy Wonder of the Voice — The New York Times · Jul 28, 2002
• For a Connoisseur's Favorite, a Rare Public Bow — The New York Times · Jul 07, 2002
• French Style, And Where To Find It — The New York Times · Jun 23, 2002
• The Adventures of Mozart's Operas in Berlin — The New York Times · Jun 16, 2002
• Don Giovanni's Servant, Who Would Also Be King — The New York Times · Jun 16, 2002
• Too Many Notes and Too Few Ears — The New York Times · Apr 28, 2002
• Cherishing the Touch of a Song — The New York Times · Apr 28, 2002
• A Showman And His Showcase — The New York Times · Mar 17, 2002
• Music; Adding a Dimension to His Work, Literally — The New York Times · Mar 10, 2002
• A Star Already, He's Ready to Restart — The New York Times · Mar 03, 2002
• Music; More Tenors Where Those Three Came From? — The New York Times · Feb 24, 2002
• Inspired by Dance, A Circus Is Writing The Poetry of Flight — The New York Times · Feb 17, 2002
• Supertitles Are Starting to Become Part of the Act — The New York Times · Feb 10, 2002
• Production as Artwork? Rarely — The New York Times · Jan 13, 2002
• Music; A Visual Requiem That Inspired Rachmaninoff — The New York Times · Jan 06, 2002
• The Fun, and Rewards, Of Toying With Tradition — The New York Times · Nov 18, 2001
• Music; After Valhalla, a Home in Nuremberg — The New York Times · Nov 11, 2001
• Music; A Madama Butterfly Made, More or Less, in Japan — The New York Times · Oct 21, 2001
• Music; An American Maestro Looks Homeward — The New York Times · Oct 07, 2001
• Staging Shakespeare, Or Something Like It — The New York Times · Sep 16, 2001
• A Long-Timer's Solution to Boredom: Be a Barnum — The New York Times · Aug 26, 2001
• A Bravura Violinist Who Loves . . . Schubert? — The New York Times · Aug 12, 2001
• Plagiarism, Telepathy or Forgetfulness? — The New York Times · Jun 24, 2001
• A Much-Scuffed Monument to Genius — The New York Times · May 20, 2001
• Opera As Drama? Not In Handel — The New York Times · May 13, 2001
• In 'Falstaff,' Small Is Beautiful, Too — The New York Times · Apr 29, 2001
• Poking Holes in Verdi to Let Audiences In — The New York Times · Mar 04, 2001
• A Soprano Who Stands Time's Test — The New York Times · Feb 04, 2001
• A Natural Comes of Age (All of 18) — The New York Times · Jan 28, 2001
• A Composer Ready to Paint the Town Red — The New York Times · Jan 07, 2001
• Two Disparate Works Are Brothers Under the Skin — The New York Times · Dec 31, 2000
• There Will Always Be a 'Trovatore' — The New York Times · Dec 24, 2000
• Sills's Queens At Last Reclaim Their Thrones — The New York Times · Dec 10, 2000
• A Tenor With His Own Golden Rule — The New York Times · Nov 19, 2000
• An Exile-to-Be Hymns Farewell to His Fatherland — The New York Times · Oct 22, 2000
• On His Stages, Life Is but a Dream — The New York Times · Sep 03, 2000
• A Chance To Hear A Legend's Debut — The New York Times · Aug 06, 2000
• The Morning After 'The Magic Flute' — The New York Times · Jun 18, 2000
• Make Room On Olympus For Today's Sacred Monsters — The New York Times · May 28, 2000
• Bringing Down Houses, From 'Mony Mony' to Opera — The New York Times · May 21, 2000
• Finding the Truth in the Composer's Hand — The New York Times · May 14, 2000
• Bringing a Hero's Welcome to Any Cause — The New York Times · May 07, 2000
• A Journey Begun in Opera Continues in Symphony — The New York Times · Apr 23, 2000
• A Heroic Tenor Who Aims for the Nuances — The New York Times · Apr 09, 2000
• Tenor as Villain: Quaint Notion, but Can It Work Today? — The New York Times · Mar 26, 2000
• A Dancing Juggler Whose Act Plays Tag With Gravity — The New York Times · Mar 19, 2000
• Constructing a Stellar 'Ring' of Diverse Parts — The New York Times · Mar 19, 2000
• In Istanbul, a Biennial Offers the Solace of Art — The New York Times · Dec 26, 1999
• Lessons From a Wagnerian Las Vegas — The New York Times · Dec 12, 1999
• A Game Amahl Marches Triumphant — The New York Times · Dec 05, 1999
• A Belated Debut By a Baritone Who's Done It All — The New York Times · Oct 10, 1999
• Bayreuth, Like Wagner, Survives the Critics — The New York Times · Sep 05, 1999
• The Tragic Side of a 'Comic' Diva — The New York Times · Jun 20, 1999
• A Portraitist Who Blended Delicacy and Grandeur — The New York Times · Jun 20, 1999
• A Hand-Me-Down 'Ring' Attracts A Star Director — The New York Times · Jun 06, 1999
• For Schubert, Age Yields Its Rank — The New York Times · Apr 18, 1999
• For the Countertenors, Recognition and Roles — The New York Times · Apr 04, 1999
• Having Invoked The Power of Fate, An Opera Feels It — The New York Times · Mar 28, 1999
• Even a Lowly Vagabond Can Be Love's Fool — The New York Times · Mar 07, 1999
• A Search for Spirituality Is the Stuff of New Disks — The New York Times · Feb 28, 1999
• Gorgeous Spectacles For Both Eye and Ear — The New York Times · Feb 07, 1999
• Sorrow in Deeper, Darker Tones — The New York Times · Jan 10, 1999
• A Plum Assignment For a Late Bloomer — The New York Times · Nov 22, 1998
• Who's the Boss? In Mozart You Can't Always Tell — The New York Times · Oct 25, 1998
• A High-Stakes School for Actors — The New York Times · Jan 26, 1997
• Can a Woman Do a Man's Job In Schubert's 'Winterreise'? — The New York Times · Oct 28, 1990
• WITHOUT SHAKESPEARE, WHAT WOULD CHOREOGRAPHERS DO? — The New York Times · May 18, 1986
• 'APOLLO' - A BALLET OF ETERNAL YOUTH — The New York Times · Nov 17, 1985